Meat is Murder, Morrissey’s prescient plant-based message, remains a strident soundtrack to veganism, in harmony now with the methane-blamers in the battle against global warming. And yet to yoke mass-produced, factory-farmed supermarket protein with enlightened sustainable animal husbandry yielding remarkable, healthy produce is a travesty.

Read my piece on the farming practices supplying Higher Ground, in the running to be Manchester’s restaurant standard bearer, then eat there to see what all the fuss is about. At the moment it is just acorn-fed free range pork (I hugely recommend the pig’s head terrine) on the menu. from Jane’s Farm in Cheshire but soon its grass-fed beef will feature too, not a scrap of the animal wasted. Higher Ground is sharing the first Dexter cross carcass with fellow newcomer Climat.

They are not alone in championing beef. These days few retired milkers can look forward  to a long retirement, just a few years’ extra grazing to mature their flesh for the grill or pot. At the recent launch of Stock Market Grill – formerly Tom Kerridge’s Bull & Bear –in the Stock Exchange Hotel head chef Joshua Reed-Cooper served us ex-dairy Friesian rib eye steak (substantial, so £55).

Excellent as that rib-eye was, it was trumped at another hotel dining room I’d almost written off after the departure of exec head chef Iain Thomas,who had launched it to acclaim. His permanent replacement at The Alan is James Hulme, as meat savvy as any chef around. When he ran his own restaurant, The Moor, in Heaton Moor he struck up a working relationship with a farm near Buxton, he told us across the chef’s counter.

“I used to take three ewes at a time, drive them to the abattoir. I didn’t kill them myself but I think you should be able to kill stuff if you want to eat it. Many chefs, even at top places, have no idea which part of a cow different cuts come from.” 

With such knowledge he embraces the farm to fork ethos, extracting the maximum use of a beast. It took half an hour to prepare our 800g of retired dairy cow, James’s sous chef treating it first to a dose of searing flames. In all its final crimson glory it’s a wonderful mouthful with enough left over for three days of doggie bags for Captain Smidge the chihuahua. £85 the cost, but there’s ample and beyond.

Our little dog was never going to be brought back any of the Pomme Anna style confit beef fat chips – glistening gold  slabs of carb crisped in fat from the animal’s beef cap, which also fuels the best beef tartare in the city, lubricated by whipped bone marrow. It’s made distinctive by chopped gherkins and cured egg yolk plus breadcrumbs toasted with beef fat. What else? 

The vegan option is never paramount with this chef who honed his talents working for Gordon Ramsay, Jason Atherton, Marco Pierre White, Tom Aikens and our own Aiden Byrne when launching 20 Stories. Still his plant-based offering is better than most. We enjoyed poached and roasted salsify with apple and red wine but, seasonality decreed that was about to depart the menu, its replacement another off the mainstream radar veg, kohlrabi. And, of course, with that fine dining cv, he can’t resist undermining any vegan potential with a dash of life-enhancing butter. Grilled hen of the woods with ancient grains and whey butter is definitely a dish de nos jours.

But easily our favourite among the small plates was again meat-led. My favourite lamb breast dish is the classic French version, Sainte-Menehould. Slow-braised, then strips of it baked with a mustard and breadcrumb coating. This is simpler, the product of pressing with the addition of that most un-Gallic of tracklements – kimchi. The most delicate of kimchis turned into a ketchup. 

There’s an improved wine list arriving at The Alan and we suspect this chef will not hesitate to up his menu game, too. For the moment it’s good to see one of the city’s coolest venues consolidating its immediate impact despite big changes.

So many Manchester homages to exposed brick are just plain grubby but this wide open space of muted pastels and cute design quirks really sings. With  food to match from James Hulme. Grab a seat at the counter and watch an unsung master at work.

The Alan, 18 Princess Street, Manchester M1 4LG. 01612368999.

What have Panzanella, Pancotto, Ribollita and Bolton Brewis all got in common? And why are they trumped by the ultimate Wet Nellie – described by Parkers Arms chef Stosie Madi as part of the DNA of the UK’s No.1 gastropub? The answer is stale bread.

Frugality made delish by using your loaf, not binning it. Well, maybe not in the case of the Brewis. which I first encountered when celebrating the 25th anniversary of Rhubarb and Black Pudding, Matthew Fort’s year in the life of Paul, Heathcote’s Longridge restaurant. Like the eponymous black pudding, tripe or Eccles cakes, Brewis might, in Fort’s words, be proof of ‘Lancashire remaining true to its own regionality’, but it’s a desperate culinary remedy in its most basic form – hot water pored over hard bread scraps to make a mush come soup, seasoned with salt and pepper or whatever is to hand. 

The French for gruel is brouet. So it’s not just a Lancashire thing. It crops up in that 1869 tale of Devon derring do, Lorna Doone. The author, RD Blackmore says of one numpty character “She can’t stir a pot of brewis.” Cross the Atlantic to Newfoundland and you’ll find a ‘deluxe version’ – Fish and Brewis with Scruncheons, combining hard tack and salt cod.

All of which is not a far remove from Italy’s Cucina Povera, which lifts making do on the poverty line to a different level, celebrating the rustic virtues of enhancing plain wheaten staples with herbs, foraged weeds, unmentionable meat parts and the like. The perception is the peasants of the Mezzogiorno and the Abruzzo liveD their lives in one long Dolmio ad. Our tables never recovered from the Industrial Revolution.

As it happens, I’m about to spend a few days among the Tuscan vineyards, where the diet may well be on the rich side. Yet, I’ll be looking out for Panzanella, a Tuscan and Umbrian chopped salad of soaked stale bread, onions and tomatoes, liberally doused with Extra Virgin or Pancotto, which has a variant in Campania utilising escarole or chicory with garlic and chilli. Tastier than either of these is Ribollita, a blend of Cavolo nero, red wine vinegar, cannellini beans, parmesan rind and carrot that strays into hearty territory. Closer to German Brotsuppe.

Guilt over leftovers is universal or should be and crumby ingenuity stretches beyond bread soup. Witness the aforementioned Wet Nellie, whose appeal extends from Liverpool into deepest Lancashire and finds its true haven at The Parkers Arms in The Trough of Bowland. Don’t dare to write it off as just a simple niece of Bread and Butter Pudding. in the hands of Stosie Madi and its true champion, business partner Kathy Smith, it’s a thing of beauty. Check out this video of its making.

So what makes up a Wet Nellie, perennial Parkers dessert fave? Let Stosie explain: “ We keep all left ofter sourdough, pastry, cakes etc using an electric mixer we make chunky crumbs. We then add our spice mix, ur own candied citrus mix, our own citrus syrup. Mix in lots of good candied cherries, dried currants and raisins. Now allow 48 hours before checking taste and texture. Add more syrup if dry; more crumbs if too wet. Fill cooked shortcrust tart cases and bake until golden. Serve with marmalade ice cream or maybe duck egg custard. It’s on the menu because it is a historic Lancs pudding.”

Beats Bewlis any day.

Don’t be a pet shop boy (or girl) if you’re planning on cooking with hay. That’s my advice and for decades I’ve been sourcing the finest sweet meadow hay for the pot. Scents of herbs and wild flowers to the fore. Not what you get from dusty, mousy dried grass in a packet from the pet store. And, beware, urban dwellers, straw (nutritionally worthless cereal stalks) won’t do at all. Fit only for rabbit hutch bedding.

Of course, I‘m lucky enough to have always had access to top quality hay thanks to a horse-mad family and stable connections. The aromas of a Lamb Leg roasting in the stuff wafted enticingly from the Aga as I lifted it out to let it rest before serving. Tip: scrupulously remove every hay wisp before slicing.

Ever wondered about the origins of ‘never look a gift horse in the mouth’? It’s all about judging the age of a nag by its teeth. Culinary hay, in contrast is the gift that keeps on giving. From my leftover batch I whistled up Hay ice Cream, using Christoffer Hruskova’s fool-proof recipe (see below). The London-based baker is from Denmark – the Scandinavians have a particular affinity for hay-based cuisine, it seems. Back in the eight century the Vikings employed dried grass and leaves from birch trees to smoke and preserve meat and fish. In ancient Ireland, early settlers wrapped meats like a wild game in hay or straw before cooking in the ‘Fulacht Fiadh’, a cooking pit in use since the Bronze Age.

Plus ca change. Over a decade ago when Rene Redzepi’s NOMA restaurant first brought foodies flocking to Copenhagen hay was one of the less challenging staples. NOMA’s menu has offered a butter and hay parfait, hay cream with lingonberries, celeriac rubbed in hay ash before being baked in a salt crust pastry and, the pick, a dish of Jerusalem artichokes and truffles drizzled with toasted hay oil.

All this may have novelty value, but hay has recurrently been ‘rediscovered’ as a cooking mode over the centuries. In Historic Heston Blumenthal (2013) the gastronomic egghead  reveals the secrets of hay smoking. He wrote: “In the early days at The Fat Duck I use to wet hay, set light to it, then pack the charred remains around a leg of lamb before putting it in a salt crust and baking it, which added a wonderful farmyard flavour to the meat. Later I did something similar with calves’ sweetbreads and served them with chicken roasting juices and cockles.”

Later he progressed to hay smoking fish, placing halibut in a squirrel cage trap over a barbecue, dramatic flames ensuing yet producing a more delicate smokiness than a long slow process. Long-time Blumenthal acolyte Ashley Palmer Watts eventually became chef director at Dinner by HB at London’s Mandarin Oriental, where those historic dishes were showcased. Industry bible Staff Canteen attributed Hay-Smoked Mackerel, Lemon Salad and Gentleman’s Relish to him. The recipe is definitely on my bucket list.

Leaving culinary bliss aside, there is a sustainable advantage to cooking with a ‘hay box’. Conserving the heat you initially put into the pot and subsequent slow cooking is environmentally sound. Especially in those parts of the world where wood is scarce. Nearer home, hay box use was recommended to UK households as part of World War II rationing. My employment of hay today is purely sensuous. Here are recipes for Lamb Roasted in Hay and Hay Ice Cream.

LAMB IN HAY

Ingredients

  • 1kg lamb roasting joint
  • A few handfuls of hay
  • 125g butter, softened
  • A few sprigs rosemary, chopped (use thyme or a mixture of both if you wish, or try lavender)
  • 2 garlic cloves, crushed
  • Salt and pepper

Method

Preheat oven to 190°C/Gas 5. Soak the hay in water for about 15 minutes, then drain. In a bowl mix the butter, chopped herbs and garlic. Line a roasting tin large enough to take your meat joint with a layer of hay about 5cm thick. Place your lamb on the hay, then smear the lamb all over with the butter mixture. Season.

Cover the lamb with the rest of the hay. Then either cover with a lid if you have one for the tin or make one with a double layer of foil. Seal the foil all around the tin. Make sure there are no loose bits of hay emerging from the tin – it all needs to be contained so it does not smoulder or catch fire when cooking.

Roast in the oven for 30 minutes per 500g for a medium cooked roast (adjust for slightly pinker lamb if preferred). Remove from the oven and leave to stand for 15 minutes. Take off the lid, remove the lamb and carve. Use the juices from the pan for the gravy

HAY ICE CREAM

Ingredients

  • 50g fresh hay
  • 250ml double cream
  • 250ml whole milk
  • 90g of caster sugar
  • 6 egg yolks

Method

To start the infusion, mix the cream, milk and sugar in a medium sized pan. Bring the liquid to the boil so that the sugar dissolves. Stir the hot mixture in with the 6 egg yolks in a bowl to create a custard. Add the hay and leave aside for 30 minutes. Strain the liquid and place it back on the stove over a medium to high heat. Place a thermometer in the pan and bring the liquid slowly up to 76°C. Once the temperature has been reached, remove from the heat and allow the liquid to cool down in a bowl over ice. Churn in an ice cream maker until set and serve.

The last time I wrote about San Diego it was as a staging post on my road to discovering that the Brussels Sprout is cool in California. The foggy, coastal area south of San Francisco grows 95 cent of the American crop and it’s definitely not cool there to boil the little bullets into mushy oblivion. My Brassica oleracea gemmifera Damascene moment came in a downtown taproom, when shrimp tacos were accompanied by tempura sprouts – their natural hint of bitterness in harmony with the hop.

The Golden State’s Sprout Love is quite mainstream. Check out the menu at the Desmond Restaurant in San Diego’s Kimpton Alma Hotel on Fifth Avenue. For $19 you can order a plate of sprouts with dashi broth, Japanese curry, scallions and a poached egg. When I used the Kimpton as my base for exploring California’s most southerly city its culinary emphasis was elsewehere – on dishes from across the Mexican border 20 miles to the south.

Sprouts weren’t really what brought me to San Diego, though. Of all the places to live the West Coast dream it has few equals. Immoderately blessed with perfect weather, surf culture and pristine beaches, its laid-back attitude belies its history as a major deep sea harbour for the US Navy. 

So many major attractions to see but sometimes Seaworld and Aquatica, San Diego Zoo and the USS Midway Museum, based upon a legendary aircraft carrier, may have to take a backseat to exploring the possibilities of the city’s many cool hang-outs. Here are 10 suggestions to make you want to get up and go…

Go to the Park

Sounds a dull place to start? Not when you are talking Balboa Park, which stretches across 1,200 acres and encompasses everything from the 660 species San Diego Zoo to nearly 20 museums and a host of other venues in glorious lush gardens, the Japanese one the pick. Best place, for an overview is the California Tower, closed to the public for 80 years but now open for tours via seven sets of winding stairs from the Museum of Man. You are rewarded with a spectacular panorama of the city. You almost duck when low  planes fly past. The Park, a National Historic Landmark, is named after Spanish explorer Vasco Núñez de Balboa, in honour of the 1915 Panama-California Exposition, held on the site. A Balboa Park Explorer Pass costs from from $56 for one day, giving access for up to four venues. For full city tourism information visit SanDiego.org.

Go El Greco

It seems appropriate that in a US city with so many Hispanic ties that the San Diego Museum of Art, among the country’s finest, should boast such a strong Spanish collection. Francisco de Zurbarán, Murillo, Juan Sánchez Cotán’s iconic Quince, Cabbage, Melon, and Cucumber and, of course, El Greco. Check out his glorious Adoration of the Shepherds and the unearthly Penitent St Peter. The SDMA is not just about Old Masters; you’ll find benchmark collections of Indian art and 19th and 20th century American paintings and sculpture. All set in one of Balboa Park’s original Mission-style buildings, with a Platereresque frontage inspired by Salamanca in Spain.

Go fly a kite

After all that history it’s time to get the wind back in your sails. And where better than Embarcadero Marina Park? We didn’t exactly fly our own kite but it was good to see lots of them fluttering against the backdrop of the mighty Coronado Bridge. The breezy harbour-front Embarcadero walkway is jogger and dog walker heaven, while Seaport Village offers a cluster of folksy gift shops. The harbour is where it all began for San Diego back in 1542 when Juan Cabrillo sailed into the sheltered Bay. Loma Point, where the explorer stepped on shore is celebrated with a scenic National Monument. There are breathtaking views from here and the adjacent Ballast Point Lighthouse.

Go Gaslamping

It’s not all exhilarating green spaces. In a transformation typical of many American cities The Gaslamp Quarter, a once dead downtown, is now the centre of a food and drink-centric nightlife. A long period of neglect preserved the Victorian architecture of this 16 block historic district. Just wander around, looking up at the ornamentation of buildings such as the Romanesque Keating Building, ornate, domed Balboa Theatre and the hallucinogenic Louis Bank of Commerce, once home to a favourite bar of Wyatt Earp and the notorious brothel, the Golden Poppy Hotel. When your neck starts to get stiff there’s an abundance of bars to recover in. Restoring the green wrought-iron gas lamps (they actually run on electricity) was an inspired move to inspire after-dark footfall. We succumbed, dining at upmarket seafood restaurant Lionfish in The Pendry Hotel on Fifth Avenue.

Go for a beer

Ever-impressionable, where better to dip into San Diego’s unrivalled craft beer scene than the pioneering brewery that calls itself Ballast Point? It caused quite a splash in 2015 when it was bought for $1billion by an an international beverage group; last year its major rival Stone was snapped up by Japanese giant Sapporo. Craft is no longer all about plucky minnows. All quality dilution fears allayed at Ballast Point’s original brewtap up in the Little Italy district. The flagship Sculpin IPA, served unfiltered, was fantastic. Elsewhere, you are definitely spoiled for choice; there are over 150 breweries – check out the likes of Modern Times, Border X, Karl Strauss, Societe and Belching Beaver.

Go to market

Little Italy, these days more chic eaterie and art gallery territory than Genoese fishermen’s  slice of the ‘Old Country’, does offer the pick of the city’s farmer’s markets – the Little Italy Mercato open Wednesday and Saturday, straddling several streets, its 175 vendors showcasing the richness of Southern Californian food culture. We had brunched first at at Herb and Wood – immaculate baked goods, Kombucha, house-made bone broth and savoury specials such as salmon rillettes on avocado and sourdough. Very different to the Mercato, though equally buzzing, is Liberty Market, a seven days a week artisan-led operation in a former naval training complex. It’s an eclectic mix with a vintage comic bookshop rubbing shoulders with a feminist museum and and a bistro/boutique brewing facility run by Stone. The focus, though is the globally-influenced food hall, where you’re spoilt for choice. In the end I went for a trio of ceviches plus oysters and a sea urchin from the Poke Bar. Washed down in the ‘Mess Hall’ with sour beers sourced from the comprehensive Bottlecraft beer shop.

Go plant based, heavy metal brunch

As with craft beer and small batch coffee roasts, we in the UK are always playing catch-up with our West Coast cousins. So too with San Diego’s vegan culture. Combine it with a heavy metal ethos and you get Bar Kindred, cool even by the cool standards of its South Park setting (North Park isn’t bad either if you are into foraging for vintage vinyl, thrift store chic, hipster brews and chakra practitioners). There’s no booking at Kindred, so get there early for breakfast cocktails, drop biscuits with mushroom gravy, then brunch mains that might deliver calypso beans, soy curls, maitake mushrooms, charred kale, jicama salsa and Creole aioli. Ask if you can sit under the giant four-eyed snake wolf. No wi-fi. Well, we said it was heavy. 

Go grab a coffee 

Locals claim the city’s coffee culture rivals or even surpasses Portland and Seattle’s. Amazingly there are 1,900 coffee shops in the city, so definitely a risk of caffeine overload in your quest for the best. I asked the locals and they came up with this trio: Black Horse (North Park, Normal Heights and Golden Hill) and the Barrio Logan district duo Cafe Moto and Cafe Virtuoso, the latter organic. A current fad elsewhere is to spike your morning ‘bullet’ coffee with a shot of omega-3-rich flax oil or fat-burning coconut oil. Avoid.

Go to the beach

There is a string of strands to show off your beach body all along the coast. We ended up at La Jolla, which boasts some of the USA’s most expensive beach front real estate and boutique shopping to match. Ostensibly we were there for kayaking to the La Jolla Sea Caves with the added carrot of possible whale or shark watching but, gauging the ocean swell, I chickened out and instead sauntered the length of the beach for refreshment at Caroline’s clifftop cafe at the fascinating Scripps Institute of Oceanography. Lunch was at award-winning Galaxy Tacos. Ask for the terrace; order the essential Baja rried fish with chile lime crema, avocado mousse, cabbage, pico de gallo or the more unusual Lengua (tongue) with cilantro, onions and  avocado salsa verde. Sprouts here come roasted with chipotle mayo. If you stay until sunset I’d recommend a cocktail and sea view at Level 42 at ‘California Modern’ restaurant Georges at the Cove. 

Go hiking

The coastline to the north of La Jolla offers a string of laid-back beach towns, seafood and surfing, along the legendary Route 101, but before you get to all that take in the managed wilderness of Torrey Pines State Reserve. The name gives away its raison d’etre – preserving 3,000 endangered examples of the US’s rarest pine tree, Pinus Torreyana, which only grows here and on Santa Rosa Island off Santa Barbara. Below the 1,750 acre clifftop reserve you’ll find one of the last great salt marshes and waterfowl refuges in Southern California. The well-kept trails – family-friendly or more testing – provide stunning views of the Pacific. ‘Beware of rattlesnakes’ notices made me watch where I was putting my dusty Vans.

Go Chicano

Eighty colourful, politically provocative murals under a fly-over? Chicano Park is the emotional epicentre of the Barrio Logan district. Its painted pillars depict the life and struggles of San Diego’s Mexican community. Back in the Sixties, when the Coronado Bridge was constructed through it, the Park itself was the cultural focus of these struggles. It still is, its cultural importance confirmed by being granted National Historic Landscape Status in 2017. The street art has spread out across the Barrio now as vacant warehouses have become creative spaces and live music venues and authentic Mexican food is a big draw. At La Cuatro Milpas the tortillas are made fresh each day, while fish and chorizo are the tacos of choice at Salud! by the San Diego Taco Company. Alongside the Barrio coffee already mentioned there’s also a strong craft beer presence with the likes of Iron Fist and Border X Brewing (try the Blood Saison made with hibiscus). If all this has whetted your appetite for Mexico proper? Cross the border into Tijuana, the city once called ‘Satan’s Playground’. Be sure to sample Caesar’s Salad in its hotel birthplace (or if you can’t make it, try my recipe.)

The recent consignment from Swaledale Butchers that brought me my epic St John Haggis also included a quartet of marrow bone canoes – perfect receptacles for another all-time Fergus Henderson classic. 

Since my epiphany at his St John Smithfield restaurant 20 years ago I‘ve wolfed molten ox marrow topped with herby crumbs and garlic (pictured above) everywhere from various Hawksmoors to the now vanished Spotted Pig in New York’s West Village, which used to host an annual Fergus-Stock event with its culinary hero in attendance.

The canoes are cut from the the femur and split lengthways through the bone fully exposing the marrow. Less fiddly access and perfect for roasting. Seven minutes in a medium oven will do. Don’t over-cook. A single canoe can accompany a steak, but scooping the ooze out of it with sourdough toast is perhaps the most satisfying approach, raw onion, capers and parsley on the side. In his inimitable prose Fergus suggests: “Lightly chop your parsley, just enough to discipline it.”

So what did I do with my marrowy haul? Went all Sri Lankan instead. Adapted arguably the most popular dish on the menu at the Hoppers group in London. In my Christmas food and drink book recommendations I rated Cynthia Shanmugalingam’s Rambutan as the only Sri Lankan cookbook you need. I’ve ignored my own advice and also acquired the gorgeously produced Hoppers: The Cookbook (Hardie Grant, £30) by its founder Karan Gokani. There on page 256 I discovered Bone Marrow Varuval. High octane spice. Its contents perfect for tipping into the signature hoppers, the fermented rice flour crepes (often served with an egg) namechecked for the brand.

As so often happens, my attempt doesn’t look as gorgeous as the restaurant version but still tasted wonderful (see the sequence below). Without a specialist hopper pan I didn’t risk that element.

BONE MARROW VARUVAL

Ingredients

For the curry: 6 five inch shin bones, split lengthways, 300g red onions, finely sliced, 10 curry leaves, 1 tbsp minced garlic, 1 tsp minced ginger, ½ tsp turmeric, 2 tsp red chilli powder, 1½ tbsp double concentrated tomato paste, 2 green chillies, deseeded and cut in half lengthways, 200ml beef stock, 100ml coconut milk, salt to taste.

Spice paste: 100g freshly grated coconut, 1 tsp fennel seeds, 4 green cardamom pods, 2 tbsp coriander seeds, 4 red chillies, deseeded, ½ tsp cumin seeds, 5 tbsp oil.

Garnish: 2 tbsp oil, 10 curry leaves.

Method

Deep fry the sliced onions for a few minutes, or until golden brown. Drain on kitchen paper. Lay the marrow bones out in a tray and sprinkle a pinch of sea salt over the cut side. Roast for six minutes.

To make the spice paste heat 2 tbsp oil in a heavy bottomed saucepan over medium heat. Add the coconut to it and fry until golden brown. Set aside in a bowl and wipe down the pan.

Heat another tablespoon of oil in the same pan and fry all the remaining ingredients for the spice paste on medium-low heat for 2 minutes. Add them to the coconut and blitz everything to a thick paste, adding a little bit of water.

Heat a wide heavy bottomed saucepan over medium-high heat. Add 1 tbsp of oil to it and add the curry leaves, fried onions, ginger and garlic and fry for a couple of minutes, adding a splash of beef stock if it looks dry. Add the turmeric and red chilli powder and fry for 30 seconds. Tip in the tomato paste and green chillies and cook for about 2 minutes. Add the spice paste along with the remaining beef stock and coconut milk. Simmer it all until it reduces to a thick sauce. Season to taste. Transfer the roasted bones to the curry sauce and simmer for 5-8 minutes. Once the bone marrow has finished cooking through, garnish with the fried curry leaves.

Hoppers has three restaurants across London – in Soho, King’s Cross and Marylebone. The latter district is also home to the latest outpost of Fergus Henderson’s St John.

A flock of dark birds shoots up off Standridge Hill as I hurtle north from Clitheroe to my destination, the newly crowned UK number one gastropub. A conspiracy of ravens? A murder of crows? Far from an ill omen in fulfilling times for the Parkers Arms.

It has already been picked over (in a positive way) by the swooping media in the 12 days since triumphing in the Estrella Top 50 list. If levelling up in any meaningful economic sense is light years away, well all the better to salute a plucky Northern food success story. And the hard-fought 15 year tenure of Stosie Madi, Kathy Smith and Adrian Nolan is the very definition of that.

At least I know my way well to the white-washed inn in the remote hamlet of Newton-by-Bowland. I‘ve booked this Saturday lunchtime treat well before all the ‘four minutes of fame’. Back to omens. I have previous this year with Estrella Damm. For my June birthday I’d booked Yynyshir in February; two weeks later it won its second Michelin star and three days before our arrival it topped the Estrella 50 Best Restaurants list. So don’t call me an albatross around the neck.

Enough ornithology. The main room fire is lit and Captain Smidge the chihuahua and I are ensconced beside it. “That’s lit by the cleaning lady … one of the few tasks we don’t have to do,” Adrian, aka AJ, confides as he pours me a large Viognier. He’s 65 next birthday, a couple of years younger than his sister Kathy. Stosie’s in her fifties. Their energy is remarkable. All three remember the desolate times when punter footfall didn’t match their ambition. Even at the pinnacle they modestly tell me: “We went along to the awards, more than happy not to drop out of the Top 10.” They inched into second last year after a steady climb up the charts.

At the end of the glorious meal to come the trio, good sports, will join Smidge for a photo destined for my chefs’ calendar project ‘Tongues Out for the Chihuahua’. Not quite the accolade of the Top 50 celebrations with their peers but an honour none the less. And a rare chance to greet chef Stosie outside the kitchen, where she is intensely focused. 

She tells me she had been so delighted I’d resisted ordering a pie. This might seem contrary when the house pies are justly celebrated (proper pastry courtesy of front of house Kathy) but Stosie is keen to demonstrate her considerable range. 

As it happens there’s no way I‘m ordering curried Burholme Farm Mutton with its offal pie in roasted mutton fat pastry, however tempting; my home-made supper later is a mutton dhansak. As for a potato and Lancashire cheese pie, well it fades in its allure when there’s the prospect of a Grilled Whole Cornish Turbot (at a £15 supplement) among the mains on the £45 three course menu.

There’s a whopper turbot in the fish larder, so Stosie offers me the option of a less fiddly tranche off it in a Champagne sauce. I accept. With in-house cured anchovies my chosen starter and the chef sending out ample tasters for me of Whitby crab and charcoal-grilled mackerel I‘m definitely steered towards the sea.

Those anchovies, done boquerones style, weeks in the creation, are sublime. With springy house bread I mop up every drop of parsley flecked olive oil and fork up seasonal blood orange segments.

Smidge shares the bread and my mackerel – Cornish sourced, like the anchovies and turbot. The crab is Whitby and comes pleasantly ungussied up in a brown meat bisque. If this is superior pub grub, the turbot is something else, pearly flesh in a shimmering pool of buttery sauce. I am tempted to stay on for evening service and order a whole one off the grill.

Most of the lunchtime customers around us are  ordering Valrhona chocolate and peanut butter slice for their puds. I stay seasonal with an iced rhubarb parfait, using the proper forced stuff from the legendary Robert Tomlinson of Pudsey. Tough choice, though, with competition from Seville orange marmalade ice cream accompanying Wet Nelly tart – Kathy’s homage to her frugal Lancashire roots.

Business partner Stosie’s own roots are more tangled. Senegalese by birth, of Lebanese heritage, she quit strife-torn Gambia when her daughter was 10. She had already run three well-respected restaurants with Kathy over there. It was quite a leap in 2007 to take over a creaky pub on the edge of the Trough of Bowland. 

Down the road at The Three Fishes in Mitton Nigel Haworth was putting a supplier-led spin on regional food, but he was a prophet in the licensed wilderness. It was hard to imagine the current embarrassment of culinary riches across the region. At no.3 in the Top 50 Gastropubs is the Freemasons at Wiswell, The White Swan at Fence is at no.7, one place behind Michael Wignall’s Angel at Hetton, just across the Yorkshire border.

As I round up the little hound to leave Adrian is bolting the front door. Parkers shuts each day between 3pm and 5.30pm, Thursdays to Saturdays and is open 12pm-4pm on Sunday. The pub accommodates hikers and the like popping by for a pint with Bowland Ales on handpump, but serving food is priority. Acclaim has only increased the pressure there. “We couldn’t survive as an off the beaten track, wet-led boozer, opening most weekdays,” says Adrian. “Without the food we wouldn’t still be here.”

And what food. Better than ever. Flying high.

Parkers Arms, Hall Gate Hill, Newton-In-Bowland, nr Clitheroe BB7 3DY.

The anticipation of imminent haggis. An ear out for the DPD delivery. Just a day to go to Burns Night and its obligatory supper. And, no, it’s not the usual sheep’s stomach stuffed with the ‘pluck’ of the beast (lungs, heart and liver), onions, oats, fat and seasoning. This is Ferguson Henderson’s premium version and I can’t wait to discover how he might have refined it. 

As a wee lad the champion of nose-to-tail eating was was taken on holidays by his London-based parents to the Inner Hebridean island of Tralee, where he was introduced early to the Scottish national dish. In the appropriate season, around January 25 in celebration of ploughman poet Robert Burns’ birthday, that foodie memory has been honoured at St John’s Smithfield, the restaurant Fergus has run since 1994. 

A recipe for it features in his epochal culinary gospel, Nose To Tail Eating: A Kind of British Cooking (1999), which elevated to kitchen stardom the likes of trotters, kidneys, tripe and chitterlings.

His then take on preparing haggis is characteristically uncompromising and wry: “Do not be put off by the initial look of your ingredients. Place the pluck in a large pot and cover with generously salted water. Bring to the boil and then reduce to a simmer and then cook for two hours, regularly skimming. The pluck should have the windpipe attached and you should hang this over the edge of your pan, with a pot underneath to catch anything which the lungs may expel while cooking.” 

Afterwards allow to cool and then it’s all about the mincing and the quality of the final blend  – in  this current version suffused with buttery onions and, suet, studded with pinhead oats,  suffused with allspice and pepper, spiked with whisky. The preparation is now in the hands of head chef Farokh Talati, whose own debut cookbook/memoir, Parsi, I have recently celebrated on this site.

By the end of this real time piece I‘ll report back – after I‘ve braised it gently in chicken stock and whisky, as recommended by my direct suppliers, Swaledale Butchers of Skipton.

I’ve been warned the St John is a more delicate specimen than most, the filling looser in its casing, hand-tied with butcher’s twine. Hence a higher risk of it bursting. The more cautious cook might prick it lightly before encasing in foil, but I‘m determined to keep it moist and squeeze an appropriate sauce out of the cooking liquid. Freshly unearthed neeps and tatties (swedes and potatoes) wait to be mashed to accompany this kilo’s worth of offal heritage. Maybe I‘ll add a bitter kick of cavolo nero, too. And Fergus fave – Dijon mustard. With a wee dram of Jura Malt on the side but no skirl of the pipes. It’s just not in my gene pool.

Getting stuffed – the weird and wonderful world of Haggis

Not everyone possesses the Braveheart spirit to embrace a traditional haggis. And is there real encouragement in Burns’ awesome guttural 1786 serenade to the dish, Address to a Haggis, which cemented his association? It starts: ‘Fair fa’ your honest, sonsie face, Great chieftain o the puddin’-race!/Aboon them a’ ye tak your place/Painch, tripe, or thairm/Weel are ye worthy o’ a grace/As lang’s my arm.’

But my favourite stanza, after much rumbledethumping about ‘while thro your pores the dews distil like amber bead’ and ‘trenching your gushing entrails bright’ is this rejection of the Auld Alliance with France as far as cooking goes…

‘Is there that owre his French ragout/Or olio that wad staw a sow/Or fricassee wad mak her spew/ Wi perfect scunner/Looks down wi sneering, scornfu view/On sic a dinner?’

Maybe making a case, yet this is also a nation that created a fishy haggis variant that I’ll happily give a miss. Step forward Hakka muggies from Shetland (not to be confused with the Celtic punk band of that name from Prague). This was made with gutted cod or ling. The muggie [stomach] was turned outside in, cleaned and put in salt water with the liver tied up raw in the stomach. The muggies, stuffed with the minced liver and swimbladder, were served boiled with potatoes. Alternatively, along similar lines, you could opt for Crappen, where oatmeal and liver were mixed and put in the fish head, sewn up in a white cloth, then boiled in a kettle. 

Leap from all this to the less murky waters of the Vegetarian Haggis, a huge success for Edinburgh’s MacSween since they developed a lentil and nut-driven version for the opening of the Scottish Poetry Library in 1984 (purists might dour at their moroccan spiced ‘upgrade’). A decade earlier at Glasgow’s quirkiest restaurant, Ubiquitous Chip, founder Ronnie Clydesdale didn’t just insist on his own Highland venison haggis but also a veggie variant, both still on the menu to this day.

So haggis is really an English dish?

But we are are veering away from the real deal. Which some heretics insist really has its roots in England! One obscure record from 1390 has a cook at Richard II’s court sewing  eggs, breadcrumbs and finely diced sheep’s fat seasoned with saffron) into a sheep’s tripe, to be steamed or boiled.

Eminent food scholar Ivan Day has unearthed 11 medieval recipes, all of them in manuscripts from England. Half refer to haggis and some have other names such as an “entrayle”. The “hag” part of the name comes from the Old Norse “to cleave”, describing the chopped-up offal. The dish was originally made to preserve the perishable innards of a slaughtered animal, not dissimilar to black pudding.

Day told one interviewer: “One of the reasons we moved away from haggis in England is that we cooked puddings in cloths rather than animal skins and stomachs – in a sense, we eventually found them disgusting. We changed and the Scots didn’t. The haggis got marooned and then became a symbol of Scottishness.”

There were certainly references to a haggis-style dish inside a 1615 book called The English Hus-Wife, 200 years before any evidence of the dish in Scotland. That’s according to Scottish food writing doyenne Catherine Brown (whose The Taste of Britain, co-written with the late Laura Mason, is one of my go-to reference bibles).

In a documentary she confirmed: “It was popular in England until the middle of the 18th Century. Obviously the English turned up their noses at it and ate their roast beef, and the Scots for 350 years have been making it their own.”

Or maybe the Ancient Greeks got in on the act first…

Probably such preserving perishable innards date back to pre-historic times when ‘nose to tail eating’ was a matter of life or death. The Ancient Greeks, of course, had the advantage of writing details down. There’s an oblique reference in Homer’s Odyssey about “a man before a great blazing fire turning swiftly this way and that a stomach full of fat and blood, very eager to have it roasted quickly”. And in Aristophane’s play The Clouds, there is a passage about preparing a feast in a sheep’s bladder, while  Socrates’ friend, Strepsiades, gives an account of being served a “stuffed paunch,” which was not given a ‘vent’ before cooking and burst, covering him with “its rich contents of such varied sorts.” 

As I write this I‘m aware that might be my own fate if I miscalculate the cooking progress of Fergus’s tender casing. And yes, while locked in my research, I‘ve allowed a puncture to grow in my braising haggis. It’s swiftly rescued, just a few guts spilled, and finished in foil while the drained whisky sauce is reduced. And how does the St John beastie taste, its rich juices soaking into the neeps and tatties, the Dijon tarragon mustard cutting through it all? Quite magnificent. The best haggis I’ve ever had.

The last word with ‘Rabbie Burns’: Ye Pow’rs wha mak mankind your care/And dish them out their bill o’ fare/Auld Scotland wants nae skinking ware/That jaups in luggies/But, if ye wish her gratefu’ prayer/Gie her a Haggis!

For the whisky many thanks to Erik Knudsen. For further Fergus Henderson worship check out my piece on lamb hearts.

It all sounds a mite deja vu Noma announcing 20 years on from its foundation it will soon be abandoning the formal restaurant concept that finally won it a third Michelin star in 2021. Adding to its cluster of World’s No.1 restaurant awards that focused the world’s eyes on the culinary wizard of Copenhagen, René Redzepi.

Didn’t that previous groundbreaker, El Bulli in Catalonia close its doors to customers a decade ago to mutate into a culinary research laboratory? The critical Sabatier knives were out then for the perceived pretension. Not everyone had bought into the refined spheres of ‘molecular gastronomy’ and the heavy-handed satire of recent movie The Menu is witness to continuing hostility to a fine dining world few of us can afford – or, when it comes to epic tasting menus, tolerate.

As with El Bulli the broadsheets were quick to react to the Noma ‘bombshell’ with ‘Is This There End for Fine Dining?’ headlines, Observer critic Jay Rayner wading in with ‘Twenty Six courses. £400 bills, artichoke creme brulee… I won’t miss super-luxe restaurants’.

He has got form for whacking bloated, exorbitant establishments, but Noma is a different beast despite its exclusivity. I remember a leaner Rayner lauding Redzepi in the same pages back in 2009 when he was viewed as a natural successor to super chefs Ferran Adria and Heston Blumenthal. Since when the Dane’s templates of foraging and fermentation have filtered down to absorb a whole generation of chefs.

It’s not even clear what form Noma 3.0 will take when it emerges at the end of 2024, the statement hinting “serving guests will still be a part” of a “Noma Projects’ experience that will not be a conventional restaurant. What is certain is that the team will decamp to Kyoto in Japan between March and May 2023. So Japanese influence looks certain. A previous sabbatical foray to the Yucatan in 2017, while the Copenhagen base relocated to include an urban farm, resulted in the swerve in direction that became Noma 2.0.

Simon Martin was along for that Mexican ride and the success of his Michelin-starred Mana in Manchester is proof the expensive tasting menu experience is not dead. I‘m a fan and last year I endorsed the multi-course extravaganza offered by Gareth Ward’s mighty Yynyshir. At both these places the waiting list stretches into the distance. Expect Noma now to be even harder to get into despite a dinner menu for its recent ‘game & forest season’ that cost £415 a head with an additional £214 for wine pairings or £154 for juice pairings. 

Or you could just buy the book, Noma 2.0: Vegetable, Forest, Ocean

Quite a stocking filler. 2.5kg is a lot of cookbook. Particularly for one without printed recipes. And ingredients you are unlikely to pick up at your local Waitrose. So what makes this magnum opus (Artisan, £60) my Food Book of 2022? Pipping very different, pleasurable tomes from Jeremy Lee and Debora Robertson, it is the polar opposite of their domestic charm. Lord Sauron to their Hobbit. Except, tenuously extending the Lord of The Rings conceit, it ultimately casts a near Elvish spell.

Beyond its extreme pictorial beauty there’s nothing approachable and immediately useful about this latest edict from the realm of Copenhagen’s Noma restaurant and its shape-shifting magus, Rene Redzepi. That may represent its true magic.

Regular readers of this blog will recall my (rewarding) travails tackling 2018’s Noma Guide to Fermentation. The new book is more a follow-up to Rene’s original mission statement, Noma: Time and Place in Nordic Cuisine (2010), tracing the literal journey that took Noma from derided obscurity to world’s best restaurant. Noma 2.0 records the leap forward, via a sabbatical that involved ‘cuckoo nesting ‘in Mexico, to a new custom-built site in the Danish capital with that radical fermentation lab to the fore, providing all the menu’s building blocks. Noma is relocating to Kyoto, Japan in spring 2023 and friends close to the operation tell me that might mark a radically different stage 3 in its restless evolution.

The story so far is captured by the remarkable photography of New York-based Ditte Isager, who is on back on board for the new book, more brilliant than ever. Her startling image of Blue Mussel and Quail Egg (above) represents an element in one of the three seasonal sections. Ocean reflects the menu for January to April. The others are Vegetable (May through August) and Forest (September through December) – teasing us with 200 dishes in all.

Let Rene and his co-authors explain: “This book is a cookbook, but it is not necessarily meant to be cooked from. At Noma we constantly return to nature as a primary source of creative inspiration, however, creativity is a unique process for each individual. This book is meant to help catalyse that unique creative spark for each reader. If you do wish to recreate any of the dishes, there is a QR code in the book which will bring you to every detailed recipe exactly as they are used in the kitchen at Noma.

“It is about composing a plate that delights the eye as much as the palate, whether through the trompe l’oeil of a “flowerpot” chocolate cake or a dazzling mandala of flowers and berries. It is about pushing the boundaries of what we think we want to eat—a baby pinecone, a pudding made of reindeer brain—to open our palates with startling confidence.”

Let me quote one daunting dish description. It’s my promise to myself next year, aided by what lies through the QR portal to recreate Noma’s Wild Boar and Nasturtium. That’s ‘Forest’,  I’ll have hang fire until Fall. The journey starts when “nasturtium leaves are compressed with parsley oil, then folded over dots of gooseberry-coriander paste and smoked egg yolk paste to form nasturtium ravioli. 

“Chestnuts are cooked in smoked butter until crisp and caramelised, glazed in roasted kelp salt, peaso reduction and smoked seaweed shoyu, and then diced. Fermented wild boar belly is fried to brown its surface and then sliced. Smoked egg yolk paste is piped onto the boar slices, which are then topped with the diced roasted chestnuts and folded to enclose the fillings.

“Three fermented wild boar belly wraps are brushed with chestnut smoked butter and briefly grilled over charcoal. The belly wraps and one nasturtium raviolo are skewered with a blackcurrant wood skewer. The belly wraps are brushed with cep tamari and seasoned with ancho chilli paste, quince vinegar, salt and black pepper. The skewer is served on a hay plate with a wedge of Japanese quince.” 

Or maybe I’ll divert to the more straightforward Sikha Roast, one of many deer recipes, including Reindeer Brain Jelly or Reindeer Marrow Fudge or, gulp, Reindeer Penis Salad. Off-puttingly exotic? Definitely, but what shines through is the determination to make the most of whatever is local and seasonal and sensual. Here not just empty nods to fashion. And if it’s not our ‘local’ who cares? That’s no excuse not to buy an exquisitely beautiful volume for the foodie in your life.

These beauties are giving you the hard stare. Stocky they may be, but Dexters punch above their weight in the beef stakes. Cross-bred with Longhorns, not just grass fed but rich pasture-nourished 24 hours a day, they produce meat that is unparalleled.

Expect to find this product from ‘Jane’s Farm’ at Poole Hall, Cheshire – alongside their ultimate free range pork – sizzling off the Josper at the reincarnation of Higher Ground. Repurposed as an ‘agriculturally focused bistro and bar’, it will open to the public in Manchester on Saturday, February 18. Here’s a link to their sample menu. There’s a palpable sense of elation that, three years on, the globe-trotting restaurant team that wowed at a pop-up in the fledgling Kampus development can now really fly. 

The pandemic restrictions clipped their wings. Two years of planning for one potential site ended in deep frustration. But Joseph Otway, Richard Cossins and Daniel Craig Martin battled back. Most visibly at Flawd, their natural wine bar up at Islington Marina in Ancoats. Otway got shortlisted for Chef of the Year at the 2023 Manchester Food and Drink Awards and was highly praised by Sunday Times reviewer Marina O’Loughlin. All this despite the venue’s very limited cooking facilities.

The real tools behind his artfully assembled small plates were the salad, fruit and veg sourced from Cinderwood, their own organic market gardenin deepest Cheshire. It was how the Higher Ground gang occupied the lockdown hiatus, turning over the one acre leased to them by Poole Hall’s owners, Jane and Chris Oglesby. Polytunnels and a shed  were built, horticultural nous acquired in the shape of head gardener Michael Fitzsimmons and a supply chain created to a network of enlightened restaurants. The future seeds were sown, but that has proved to be only the beginning as a deal has now been struck to take on Jane’s remarkable meat.

Higher Ground and Climat collab

The latest restaurant in Manchester to source from Cinderwood will be Climat, which hit the ground running just before Christmas. It’s actually quite a long way off the ground – on the eighth floor of Blackfriars House – and was praised to the skies last weekend by Observer critic Jay Rayner. Climat are actually going one step further by tapping into the ‘Jane’s Farm’ link-up that promises to make the resurgent Higher Ground such an exciting destination for 2023. The two restaurants have reserved a four-year-old heifer to share, avoiding wastage, and that beef will be on stream into the spring. But first the triangular farm to fork pathway will be forged by the pork on Joseph Otway’s launch menus.

Jane Oglesby has kept back six pigs from the autumn, which have been gorging on acorns in the Poole Hall woodland, so they each weigh a whopping 150 to 170kg. Noah’s Ark style, every fortnight a pair of pigs will be ferried to an independent, small scale abattoir on the Wirral, accompanied by farm manager Ste Simock. The carcasses then go to Littlewoods in Heaton Chapel, arguably the finest butcher’s in the region, to be jointed for the Higher Ground chef team. 

The end product may include (off the sample menu) pig head terrine, pickled garlic capers (£10), Jane’s acorn reared pig belly with grain and mushroom porridge (£24) and dry-aged pork leg steak, cauliflower, fermented mustard leaf (£20).

The beef, in its turn, will hang for at least four weeks at Littlewoods. Future plans include mutton from sheep sourced from Jane’s cousin in the Dales. A further third of an acre is being leased at Cinderwood, where sheep will graze, turning over the soil naturally, avoiding the plough, just a final ruffling with a rotivator before brassicas are planted on the site. The aim? Both brassicas and meat will be ready at the same time for a seasonal companionship on the plate. This is so true to the agricultural philosophy Jane espouses…

Jane Oglesby and the joy of regenerative farming 

After negotiating a maze of rutted country lanes in the Nantwich hinterland it’s after dark when we pull up at Poole Hall. So I have to take it on trust that out there across 200 acres those Dexter crosses and a scattering of their Belted Galloway rivals are revelling in being given the licence to roam and chomp the vigorous wild plant life, while in the woodland thickets Large Black x Tamworth porkers root for acorns. Just like their Spanish cousins. But they are still a work in progress, unlike the 120-strong cattle herd, which Jane Oglesby has been building up for over a decade.

I’ve come down from Manchester with Joseph and Richard to collect a couple of pork joints for the test kitchen ahead of a New Year’s Eve feast at Flawd (three sittings, check availability with them), where the centrepiece will be pork shoulder slowly seethed in milk. If it follows the Italian method for Maiale al Latte, lemon and sage will feature. As a dish it’s not a looker since when the pork is cooked the milk will have curdled into brown nuggets, but it will be delicious.

Inside Poole Hall, a sophisticated kitchen belying the country house’s Regency trappings, our host Jane offers us each a bowl of restorative beef broth. It reminds me of the ’dry-aged beef ends brothreputedly served when the great American ‘farm to fork’ champion Dan Barber transformed his upmarket Greenwich Village restaurant Blue Hill into a pop-up called wastED for two weeks. It later guested at Selfridge’s in London

You nailed it: creating thought-provoking dishes out of kitchen cast-offs. Even the candles were made out of beef tallow, which you dipped your bread into (Caroline Martins at her Sao Paolo Project in Ancoats was recently pulling off the same trick). Akin to the Italian brodo, that Barber brothmay not sound a radical statement but it marks a change of direction in a top-end restaurant culture that can be profligate with raw materials.

Using every part of an animal, capitalising on the virtues of vegetables, respecting the soil – Joseph Otway and Richard Cossins learned these lessons first hand while working together, as fish chef and front of house respectively, at Blue Hill at Stone Barns in upstate New York. Barber’s farm to table restaurant is symbiotically linked with an on-site Rockefeller-funded non-profit farm and educational centre engaged with the pursuit of ‘regenerative farming’. 

That too is Jane’s hands-on mantra across her own increasingly fecund Cheshire land. No ploughing, encouraging wild nutrients in fields formerly given over to dairy farming. Result a yummy riot of clover, yarrow, trefoil, chicory, sheep’s parsley and plantain. She insists: “My belief is that when they have a multi-varied diet the meat is more tasty, all down to the variety of herbs consumed.”

It was through a mutual friend that Jane linked up with the Higher Ground team. As Richard Cossins recalled on my initial visit to Cinderwood: “Chris Roberts (a chef specialising expert in cooking with fire) had told the Oglesbys they really ought to meet us, we’d really get on, so they just turned up out of the blue at our Kampus pop-up launch night. Jane produced this pasture-fed beef from her handbag and Joseph, after opening the windows, cooked these amazing steaks.

“Jane really knew her stuff, had read Dan Barber’s (seminal) book,The Third Plate, and it  had inspired her quest for regenerative beef. We bonded at once and they offered to lease us land to start Cinderwood on the estate.”

One thing led to another. Joseph and his team got to appreciate the quality of the meat, while hosting private dinners for Jane and her husband Chris, chief exec at developers Bruntwood. All this culminated this autumn when the couple rendezvoused across the Pond at Stone Barns with Joseph, Richard and their Flawd/Higher Ground partner and natural wine expert Daniel Craig Martin (this NOMA alumnus met Joseph when the pair were working in Copenhagen). 

For Jane Stone Barns more than lived up to its manifesto of an integrated system of vegetable, cereal and livestock production, dedicated to cultivating new varietals, and its former employees recognised the Barber sustainable quest had even ratcheted up a gear.

What none of them was quite prepared for was their meat course in the kitchen there. By the fireside at Poole Hall Joseph shared phone images of the half a cow’s head they were served. Not nearly as shocking as the infamous horse’s head in the bed in The Godfather. Still it’s more approachable when the choice meaty bits have been levered out for you.

‘Jane’s Farm’ send their animals in pairs for slaughter to Callum Edge’s abattoir on the Wirral. To reduce stress they may be accompanied by Ste Simock. Day to day the herd is calmed by leaving the bulls with them and employing a 15 year-old dairy cow to impart her own field wisdom.

The Belted Galloways, brought in to be ‘finished’ are from her cousins’ farm up in the Dales – Jane’s first contact with agriculture. “As kids we used to come up from London or Birmingham to stay at their farm,” she recalls. Much has happened in the world of cattle rearing since then. Not least the shrinking number of small scale abattoirs like Edge’s, the latest to quit the century-old Mettrick’s in Glossop. The remaining ones are hog-tied in red tape, the industry geared to force-fed, accelerated growth livestock. 

“Pasture-fed animals necessarily take longer to grow, but regulations dating back to the Mad Cow Disease epidemic place restrictions on animals over 30 months old,” Jane tells me. This former GP, has said in the past: “The health of my family was what got me into farming. The combination of being a GP and a mother started me thinking seriously about what I was eating. When my daughter was a baby, there was very little information about what was in food or how it had been raised. 

“I started to read about hormone use in cattle. We had a friend who had a beef farm and all his cattle had permanent growth-hormone release things in their neck. I didn’t want my children to be given growth hormones, plus there was the use of pesticides on the cattle feed. I was at the point where I thought I might become vegetarian. Then I thought, we’ve got land, I could have a cow and my family meat that I’ve reared myself. Initially it wasn’t that much of a commitment, apart from the small amounts of time that one cow and its calf take.”

But what about the health of the planet, Jane? I ask this in the wake of Animal Liberation activists occupying Michelin-starred Mana in protest at them serving meat. All that cattle-generated methane contributing to global warming. So what are you thoughts on the George Monbiot documentary Apocalypse Cow: How Meat Killed The Planet?

“Big choices have to be made on behalf of the planet. We have to regenerate the soil. Extensive rewilding is not the right direction, reintroducing wolves and vultures and all that. Monbiot is an ideologue, who sets out to challenge existing norms, but is too embedded in what he proposes. I don’t believe in the stats he uses to convince us how much cattle contribute to global warming compared with so much else. His is not the way.”

Monbiot has been equally dismissive of sheep’s contribution. So let’s finish with a ‘nature will heal itself’ narrative from Jane’s resident flock of Shropshires. “We had this maverick sheep, which went off on its own to just nip off the tops of plantains (the ‘mother of worts not the banana cousin). It set us thinking. Perhaps it was ailing. This was finding medicine  the plantain is one of the great healing plants.”

So what to expect from the 2023 version of Higher Ground?

Faulkner House on the corner of Faulkner Street and and New York Street is the new permanent home for Higher Ground. The 3,000 sq ft space will seat around 50 covers, with the design incorporating floor to ceiling glass on two sides of the building, as well as a large island that will be shared between both the front of house and back of house teams. 

There’s no shortage of experience there. Richard Cossins’ CV includes fronting Feta at Claridges and Roganic for Simon Rogan, but he is pragmatic about the new project they have settled on. “We don’t feel like now is the time to be opening a tasting menu only restaurant. Flawd’s success has shown that an approachable, neighbourhood concept works well. It actually makes us question our original thinking. Starting with Flawd has been the perfect entrance to a new food and beverage landscape.”

Menus will change on a daily basis depending on the season and ingredients will be sourced from the North-West with a focus on organic, small-scale agriculture and small herd, whole carcass cookery.. The wine list will encourage discovery and curiosity with a spotlight on small-scale, low intervention winemakers from around the European continent.

Expect an a la carte offering as well as a sharing menu option priced at £45 per person, made up of both individual courses and sharing dishes, encouraging family-style eating. Example non-meaty plates could include Cumberland Farmhouse Cheddar Quiche and BBQ Leek Skewers and Cow’s Curd and Celeriac with Spanish Blood Orange and Bay Leaf. Curing Rebels charcuterie from Joseph’s native Brighton will continue to feature. Guests will be offered the choice of sweet or savoury options to round off their meal with Garstang Blue and Lager Rarebit sitting alongside Yorkshire rhubarb, Custard and Caramelised Croissant on the dessert menu.

The grill will be central to the operation. While head chef at Stockport’s Where The Light Gets In Otway followed the ‘second plate’ principles of veg dominating with a reduced amount of meat effectively forming the sauce. With the Oglesby tie-in he has to accommodate butchering and not wasting any part of whole carcasses. “It’s a daunting challenge,” he tells me. “It’s about more than the prime cuts. We are going to have to be creative.

“Now that we will have a full-scale kitchen to work with, we’re eager to further our existing relationships with the many local producers and farms here in the North-West. We should hit the very beginning of spring when the restaurant opens. From a produce perspective it couldn’t be more exciting,” 

Flawd will continue under the stalwart stewardship of Megan Saorise Williams with Where The Light Gets In fermentation specialist Seri Nam taking over in the kitchen.

Higher Ground, Faulkner House, Faulkner Street, Manchester M1 4DY. Bookings now being taken. Walk-ins welcome.

Kitchen Opening Times: Wednesday 5:30pm-9:30pm; Thursday 5:30pm-9:30pm; Friday 12:30pm-2pm / 5:30pm-9:30pm; Saturday12:30pm-2pm / 5:30pm-9:30pm.

Bar Opening Times: Wednesday 5:30pm-11:30pm;  Thursday 5:30pm-11:30pm; Friday 12:30pm-2pm / 5:30pm-12am; Saturday12:30pm-2pm / 5:30pm-12am.

The last time I ran into Matthew Fort he was with fellow food critic Tom Parker Bowles at Booths Salford Quays flogging an upmarket brand of pork scratchings they were both associated with. They later jumped ship when the actual producers abandoned a core selling point – the use of English pigs. 

Not the high point of Fort’s championing of British food. That would have to be the publication 25 years ago of Rhubarb and Black Pudding (for evocative northern cookbook titles it vies with Crispy Squirrel and Vimto Trifle, in which I admit a vested interest). I hugely enjoyed his foodie romps around Italy on a Vespa, but his account of a year in the Lancashire kitchen of chef Paul Heathcote was equally evocative… and benchmark influential at the time. A real fly on the wall record of an exceptional restaurant’s workings and relationship with suppliers in the unlikeliest of regional settings.

In the preface Fort wrote of the Eureka moment of his first visit to the Longridge Restaurant – to review for The Guardian. “I was immediately transfixed by the style and quality of the food. I was served poached salmon with a courgette flower stuffed with courgette mousse, smoked chicken and broccoli soup, slow-roasted shoulder of lamb braised with an aubergine mousse, and chocolate parfait with honey and oatmeal ice cream (all for £12.75!). Although the influence of French cooking and finesse were uppermost, nevertheless there was English sensibility running through the flavours, the textures, the combination of ingredients.”

The influence of one of Paul’s mentors is obvious. On occasions he had crossed swords with Raymond Blanc while working for him at the Manoir aux Quat’ Saisons but also found inspiration for when he set up his own restaurant. Aged just 29 and with a £200,000 loan he opened in 1990 and within four years had won his own two Michelin stars.

I treasure my copy of Rhubarb & Black Pudding as much as the memories of meals Paul cooked for me over the years. But as 2023 stumbled into life it took an image re-Tweeted by my friend, the food historian Dr Neil Buttery, to tangentially remind me of its distant impact. Ah, rhubarb. There, glowing enticingly crimson in a custom-built ‘forcing’ shed in Pudsey, West Yorkshire, was the first of the new season crop, due to be harvested by candle light in a week’s time.

The social media charting of the coveted stalks’ development is a recent phenomenon, but Twitter poster Robert is the fourth generation Tomlinson to grow forced rhubarb by this traditional method. The plants first spend two years outdoors to harden against frost, then are brought in to a dark, heated habitat, to grow quickly, while straining for light. Once ready, the spears are picked by candlelight because too much light causes photosynthesis, which can halt the growth of the crowns. This process produces a sweeter fruit with a white core – a kind of Rhubarb ‘premier cru’.

It’s estimated only 12 such producers remain across the ‘Rhubarb Triangle’ between Wakefield, Morley and Rothwell. Originally the trade benefited from a surplus of cheap heating coal from the local pits.

Paul Heathcote’s rhubarb source has aways been from nearer his Lancashire base in Longridge – via long-time veg and fruit supplier Eddie Homes, who set up a supply chain of raw materials of the quality he required.

“Rhubarb and asparagus were just two items we persuaded local allotment holders to grow for us,” Paul tells me as I catch up with him at Preston North End, another connection that goes back a long way. His Heathcote & Co team have been responsible for match day dining and events since launching in 1997 (with a six year hiatus). His flagship restaurant, eponymous Brasseries and Olive Presses are now all in the past, the Longridge site forlornly on the market, but his corporate catering business maintains the iconic Heathcote brand. 

No looking back for Paul? “Until you told me I hadn’t given it a thought it was a quarter of a century since the book came out. It certainly took longer to do so than we envisaged! It was expected to come out in 1996 or 1997 after first being mooted in 1994. 

“I remember vividly Matthew turning up at what was our makeshift front door – we were having a new kitchen fitted on the other side. He’d got off the train at Preston and, satchel on his back, walked the 14 miles as the crow flies, a lot of it along an old railway track. It was a warm day and he looked knackered.”

Matthew Fort’s personal Lancashire journey had begun long before. The family home for generations was Read Hall, near Padiham, his father (who died when Fort was 12) the MP for Clitheroe. After Eton, the food critic to be studied at Lancaster University, further sowing the seeds of his knowledge of the county’s topography and cuisine. 

The acquaintance was resumed during his exhaustive research for Rhubarb and Black Pudding. Paul agrees with me: “Yes, there was a lot of Matthew in the book, but there have been few better evocations of how a restaurant works. Certainly not a place as off the beaten track as ours.”

A quarter of a century on what still shine vividly are the portraits of the suppliers who Paul cultivated primarily to have the freshest raw materials to hand. “It was not deliberate policy on my part to promote the area’s produce as such. It never occurred to me to put images of my suppliers on the walls. Good products come to you or in some cases you create them. There was so much enthusiasm but it could be a slog at times. In Fleetwood Chris Neve (still an active supplier of fine fish) got it straight away. Reg Johnson down the road recognised what I wanted but it took a bit longer to produce the quality of corn-fed poultry I required. It was frustrating at times, there were failures along the way if I’m honest.”

Still poultry farmers Johnson and Swarbrick never looked back as top-end restaurants across the land coveted their speciality chickens and ducks. And Mrs Kirkham’s Lancashire cheese from down the road gained much needed national recognition. 

Black pudding, too, got a serious profile upgrade thanks to Paul. And it was all down to his old friend and Ribble Valley gastro rival, Nigel Haworth, once of Northcote, now back at the Three Fishes, Mitton (where he once dispayed images of his suppliers).

“We were in a team of chefs, who travelled over to Champagne and had to cook for our French equivalents and Nigel challenged me to create something different. So I decided upon my own refined version of black pudding and it was a success – the dish I’m most proud of.

“I used to make black pudding from scratch, using fresh blood in those days, but after BSE came along we had to change to powdered. The texture of the original was different – much creamier.”

It all seems far off now. The last black pudding of PauI’s I tasted was in a main at The Northern, a restaurant Heathcote & Co launched briefly pre-Pandemic inside the town hall complex of his native Bolton. It tasted good but no fine dining aspirations with its mustard grain sauce, mushy peas and triple-cooked chips. Alas, no rhubarb on the menu. Maybe it was the wrong season. Maybe you can be too elegiac.