When you’ve created the Sri Lankan restaurant flagship that is Hoppers the world assumes your roots are in that beautiful but troubled island. Not the case. Karan Gokani hails from Mumbai and his latest cookbook addresses the multifarious cuisines of his native sub-continent. India 101 (Bluebird, £28) lacks the aesthetic edge of Hoppers: The Cookbook, the Hardie Grant/Quadrille production that sprang from the success of Gokan’s three eponymous London restaurants, but it did introduce me to an ingredient I’d missed out on across decades of cooking Indian regional cuisine from a host of cookbooks.

I’m likely to add to my collection with a sudden spurt of authoritative tomes being published, notably Mayfair Michelin chef Chet Sharma’s Bibi The Cookbook (I’m a fan; check out my Bibi review) and Vegetables The Indian Way from Camellia Panjabi, whose 2006 50 Great Curries of India has sold over 800,000 copies. 

I’d be surprised if ‘Bibi’ or ‘Veg’ showcases the lichen known by many names – Black Stone Flower, Kalpasi, Dagad Phool, Parmotrema perlatum. With both medicinal and kitchen uses, it can be found across the globe but only in an obscure corner of Tamil Nadu does it attain its culinary apogee. Chettinad is an umbrella term for 56 villages in the deep south of the region that gives its name to one of India’s great dishes – Chettinad Chicken.

To tackle it I ordered a bag of ‘dagad phool’ via Amazon but delivery was delayed, so I ploughed on without, rather than let my free range chicken thighs pass their sell-by-date. By this time I had found a CC recipe that mentioned this ingredient. Rick Stein’s India suggested, in its absence, replacing it with extra cinnamon.I just followed Karan Gokani’s version (see below). The result a slightly peppery, moderately fiery dry curry. My addition of locally grown (Todmorden, not Chettinad) blue oyster mushrooms didn’t feel a positive in retrospect.

Cue the arrival of a large plastic bag of what resembled mottled fungi shavings with surprisingly little scent and I had to go again. This time a triumph, the whole dish lifted into something rich and strange. I hesitate to use the word earthy but can’t find an alternative. With it I served it a chickpea and chard side, date chutney and store-bought paratha.

A perfect primer, India 101 is subtitled Real Indian Dishes Made Simple and ranges widely across multiple cuisines. Taking it one step further is veteran India hand Roopa Gulati with her Indian Kitchens: Treasured Family Recipes from across the Land (Bloomsbury, £26). The Cumbria-raised writer and broadcaster has cheffed in top Indian hotels, including the fabled Taj Mumbai, but for this book she explores domestic kitchens over there, travelling far and wide to coax treasured recipes out of home cooks. This home cook expects the pages of his new copy soon to be as stained as his treasured Meera Sodhas. The first spatters are on page 213. The culprit? Goan short-ribs in Tamarind Masala.

Black Stone Flower – my surprise package

I’m still seeking alternative dishes to showcase my lichen gift horse. Ideally I should take a leaf out of Roopa’s book and roam Chettinad but the budget doesn’t run to that. It seems a perfect fit for a biryani and, of course, tempering, where a whole spice/curry leaf mix is flash-fried to add a final heady flavour to dals and the like. Professionals add to garam masala mixes.

In the wild it is an invasive plant, its black-purple flowers thriving rocks and trees only at a certain altitude at lower temperatures. In its dried form it is hailed for medicinal properties by Ayurvedic practitioners. What attracts me in particular is its ability to lower cholesterol, but maybe the tempering in ghee negates that plus!

Chettinad Chicken – the Gokani way

1kg chicken thighs, skinless on the bone cut into 5cm pieces

¼ tsp ground turmeric

1 tsp ginger paste

1 tsp garlic paste

½ tsp each salt and pepper

For the Chettinad Masala

3 dried red chillies, stems and seeds removed

4 green cardamom pods

3-4 pieces black stone flower

1 tsp black peppercorns

1 tsp fennel seeds

½ tsp cumin seeds

1 tbsp coriander seeds

1 cinnamon stick

4 cloves

1 bay leaf

3 tbsp desiccated coconut

For the curry

2 tbsp coconut oil

1 medium red onion

2 tsp salt

2 tsp ginger paste

2 tsp garlic paste

10-12 curry leaves

200g tinned chopped tomatoes

green chillies split in half lengthways, to garnish

re onion rings, to garnish

1 Mix together the chicken, turmeric, garlic and ginger pastes, and salt and pepper. Let it marinate for 30 minutes; better still overnight in the fridge.

2 To make the Chettinad masala toast all the spices in a dry pan for 3-4 minutes until they darken slightly and become aromatic. Transfer to a large bowl to cool. In the same pan roast the coconut until it turns golden and aromatic, being careful not to burn it. Once cooled mu the coconut with the toasted spices and grind everything to a fine powder.

3 For the curry heat the coconut oil in a heavy pan over a medium heat. Add the onion with ½ tsp of salt and cook for 4-5 minutes until light brown.

4 Add the ginger and garlic pastes, cook for another two minutes, then add the curry leaves and the marinated chicken. Increase the temperature to high and cook until the chicken caramelises, about 5-6 minutes. Reduce the heat to medium and add the Chettinad Masala. Cook for a minute, then add the tomatoes and 1½ teaspoons of salt. Continue cooking until the curry thickens and darkens, about 12-15 minutes, adding a splash of water every now and then if the spices begin to stick to the pan.

5 Serve garnished with slit green chillies and red onion rings.

Ravioli di zucca, you should be my Proustian madeleine moment when Lina Stores expands into Manchester this spring. Fingers crossed these little pasta parcels of pumpkin and ricotta make the cut, to be served doused in butter, sage and Grana Padano. 

For a while this old favourite of mine no longer seemed a fixture on the menu of the Italian icon that has swollen since my first encounter in Eighties Soho. Just as I have, thanks to a lifetime of carbs. At the last count Lina currently comprises three delis and seven restaurants across London with a further three outposts in Japan – a statement in itself.

The original family deli, where they used to bag up the ravioli for me (in sheets of greaseproof sprinkled with Parmesan) still occupies its corner site at 18 Brewer Street. Here fresh pasta continues to be made, under the perfectionist eye of consultant head chef Masha Rener, who perfected her dough skills in Umbria. The premises themselves have set the design template for the burgeoning Lina chain (the first spin-off restaurant was in nearby Greek Street). Think signature pistachio-green exterior and colourful floor to ceiling shelffuls.

No Manchester expansion ill omens, I hope, in the presence next door at no.16 Brewer Street of Randall & Aubin. That fellow Soho fixture opened 30 years before Lina in 1911 as London’s first French butchers, supplying Sir Winston Churchill and both the Ritz and Savoy. 

In 1996, under new ownership, it reopened as a seafood-led restaurant, while retaining, even gussying up, the original Edwardian features. That incarnation is still there but R&A over-stretched themselves with an ill-starred Manchester franchise in 2016. Within a year the liquidators were called in and it was salvaged before finally limping off into the sunset. Kaji, formerly  Musu, now occupies  the Bridge Street site. 

The other day I passed Lina Stores’ starkly functional new venue on Quay Street, its huge expanse of glass mirroring the Opera House opposite. At 150 covers, it doesn’t yell ‘just like Mama used to make’. Nor does the all-day, breakfast to cocktail ethos honed across South Ken, Marylebone, Kings Cross, Broadgate Circle et al.

Lina’s arrival in Manchester mirrors that of other reassuring mid-size brands from The Smoke – Flat Iron, Blacklock, Caravan following in the footsteps of Dishoom, Rosa’s Thai, Honest Burgers and, on a different level, the mighty Hawksmoor.

How Lina’s pumpkin ravioli were my Eighties lifeline

My own Lina loyalty was always tenuous. I’d followed the national newspapers south when they’d shut their northern offices. Just a four day week toiling in The Street of Shame but still three nights away (and too much time spent in Fleet Street watering holes) before an all too fleeting long weekend with my family in the Pennines. It couldn’t last.

Back then pasta, parmesan and pesto, let alone fresh basil, weren’t staples of the supermarket shelves, even if chemists shops were no longer the source of our olive oil. That’s where Soho came in as a place to stock up on Roman and Tuscan exotica (of the culinary variety). Lina Stores wasn’t even my deli of choice. That honour went to I Camisa & Son around the corner in Old Compton Street. Like Lina, it had changed hands but felt immutable. My life didn’t as I clutched my consignment of San Daniele Prosciutto and Parmigiano Reggiano and sprinted for Euston. 

Soho retains my affection to this day and I’ve waxed nostalgic about its legacy on this site while championing today’s culinary heroes – Jeremy Lee at Quo Vadis and Tomos Parry at Mountain, Oisin Rodgers’ Guinness-centric Devonshire and Noble Rot occupying what was the Gay Hussar… not forgetting the searing take on Northern Thai from the team at Kiln.

Of old haunts, my sole constant is the 150-year-old Maison Bertaux in Greek Street for café au lait and croissant. Since 1988 it has been in loving English hands, two sisters steeped in its culture, so changes have been sympathetic. Compare with its one-time rival in Old Compton Street. Patisserie Valerie. 

From small-scale brand building in the late Eighties it rose to nearly 200 branches nationally before plunging dramatically in the last decade with much publicised financial nightmares and wholesale closures, among them the lacklustre Deansgate, Manchester cafe. 

Lina Stores has been a quite different proposition, having got into bed with White Rabbit Projects, a self-styled ‘hospitality incubator’ whose CEO is former Soho House commercial director Chris Miller. His team have obviously brokered the big investment in what was solely a family-run deli for decades. Cannily the Lina website comprehensively surveys that Little Italy legacy, celebrating both the folksy side and the start-studded patronage.

It may just be me but I love this anecdote: “In the mid-20th century, the rooms above the delicatessen were used for auditions and rehearsals for nearby theatres in the West End. Later, they were rented by John Calder, who ran his publishing business from there. Many faces visited Calder over the years, including Samuel Beckett, who often came over from Paris and stayed overnight, playing Calder’s Bechstein grand piano into the early hours.”

Soho was once packed with food stores. Confusingly there were two Camisas – I Camisa and Fratelli Camisa. All down to the brothers Ennio and Isidoro Camisa, who created the business in the 1920s. Later after wartime internment they fell out and becoming bitter commercial rivals with separate Soho stores. How very Italian, you might say. Now neither survives in tangible form. Fratelli, once of Berwick Street, went online long ago, while I Camisa, having won a stay of execution for two years after support from the Save Soho campaigners, shut for good in the autumn.

When I walked past the other day it was shuttered up and sad. Still Old Compton Street, with its strong gay community, remains a vibrant stretch. Camisa’s neighbour has recently been reborn as Poppie’s, a chippie with a retro seventies vibe. In the 1950s it was the 2is coffee bar, where the young Cliff Richard was discovered. So many Soho ghosts.

Anarchy in W1: King Bomba v Mussolini

One of Soho’s real old school delis was King Bomba (above). The quarter had been home to North Italian immigrants from the late 19th century, many fleeing political unrest. That was the certainly the case with King Bomba founder Emidio Recchioni, born near Ravenna in 1864. Originally a rail worker/activist, his anarchist beliefs led him to found a radical newspaper, swiftly suppressed. Summary executions were carried out on his comrades and Recchioni was implicated in an assassination attempt on the Prime Minister.  Acquitted, he still served harsh jail terms before fleeing to London at the turn of the century. 

In 1909 he opened his groundbreaking grocery – where else – in Old Compton Street. Profits from Parmesan and pasta helped fund the exiled radicals who made it their rendezvous. In 1932 a failed attempt on the life of Mussolini was linked to Recchioni after the hired assassin was tortured into a confession. This unrepentant anti-Fascist’s British passport spared him retribution. Two years later he was dead, buried in Kensal Green Cemetery; King Bomba lived on until 1971. I wonder if ravioli di zucca was on the menu?

Guardians of the Red Mountain sounds pure Lord of the Rings. So too the ritual planting of a sacred cow horn to thwart the dominance of the chemical Dark Lord. Easy on the Tolkien there. The biodynamic Hedges Family Estate is set not in some mythical Shires but in one of the prime viticultural sites of Washington State in the north west USA.

Mountain? More of a long mound apparently, coloured by reddish cheat grass in spring before the grapes take centre stage – true object of the family’s self-styled guardianship. This is as hot and dry as it gets with cool nights, the soil a mix of clay, loess and rocky granite, making it perfect for creating stellar, tannic red wines; Hedges are a rarity among their peers in going down the biodynamic route.

This means their five vineyards are farmed according to the eco-forward tenets of the Austrian philosopher, Rudolf Steiner (1861-1925). Probably the most divisive of these recommends the use of ‘preparation BD500’, where horns are filled with ox manure and buried in October to stay in the ground throughout the dormant season. The horn is later unearthed, diluted with water and sprayed onto the soil. 

However wacky it may sound the proof is surely in the wine quality and the 2020  vintage of La Haute Cuvee, their first certified biodynamic wine, is supple and savoury with masses of ripe blackcurrant under its tannic shield.

I am tasting it alongside a trio of other Hedges reds (including  a stunning Syrah ‘Les Gosses’) at a Pacific Peaks & Vines roadshow in Manchester, showcasing the wines of Washington and Oregon. I’m in the amiable company of the brand’s travelling ambassador, Christophe Hedges, who runs the estate with his winemaker sister Sarah. She led the charge to biodynamic practice and natural fermentation;  in a region of ‘big’ wines theirs possess a certain Old World finesse.

Maybe put that down the influence of their French mum Anne-Marie. She and husband Tom harvested their first vintage in 1987 before purchasing 50 acres on Red Mountain two years later to plant mainly Bordeaux varietals. These days (from their French chateau-like base) they are adapting to climate change by employing drought-resistant grape varieties and careful irrigation in an area that gets only eight to nine inches of rain a year.

All in stark contrast to Oregon, the other state participating in Pacific Peaks & Vines. There a more temperate, rainier microclimate close to the ocean is more suitable for the cultivation of Chardonnay and especially Pinot Noir. I was particularly impressed at the Manchester Side Street tasting by examples from Willamette Valley stalwarts Stoller.

Between them Oregon and Washington account for seven per cent of US production volumes, exports to the UK are growing but still tiny and we are talking premium prices, an average of £40 a bottle. 

If Willamette Pinot remains my target tipple I can now see the attraction of both ‘twin peaks’ of North Coast viticulture

Cherry pie is on the menu in the real-life Twin Peaks

And you thought Twin Peaks was just a hugely acclaimed TV show, created by David Lynch, who died last month. It’s also coincidentally the name given to wineries in Western Australia, California’s Sonoma and Mallorca while its star, Kyle MacLachlan himself dabbles in the wine trade with his private label, Pursued by Bear

I’d like to think his Columbia Valley Cabernet Sauvignon offers hints of cherry pie on the nose. That pie, in the company of “damn fine coffee”, was the chosen treat of MacLachlan’s character, Agent Dale Cooper.

Naturally, on our last visit to Washington State, we sampled both in the hotel that stood in for the Great Northern Hotel in David Lynch’s surreal TV series. We had been based in Yakima, epicentre of the Yakima Valley wine and hop-growing region, an hour’s drive to the west of Red Mountain.

The Salish Lodge was our lunchtime stop-off heading further west towards Seattle. After the desert climate of Yakima, we hit big rain crossing the Cascades range. The mountain murk was so dense we couldn’t even get a view of 14,411ft Mount Rainier, the USA’s fifth highest and one of the world’s great standalone peaks (we glimpsed it later from the equally iconic Space Needle in Seattle).

After slaloming down forested switchbacks it was a relief to reach Salish Lodge perched on the brink of the Snoqualmie Falls, one of Washington’s big visitor draws. The famous waterfall there, swollen by those rains, was in full spate as the clouds cleared enough for a proper view from the terrace path of, where we were booked in for lunch at its Attic restaurant.

First though we had to investigate this luxury inn’s Twin Peaks souvenir shop. Echoing some Lynchlike plot twist, one of the stars of the original and the recent follow-up series, Harry Dean Stanton, had died the previous day.

It was a mark of respect to a great actor that, after oysters, clams and stone hearth fired pizza, we had to find room for that pie.

What are the secrets of biodynamic wine?

Biodynamics is often referred to as ‘super-charged organic’. Rather than simply reducing chemical inputs, biodynamic production is a proactive attempt to bring life to the soil with the use of natural composts and organic preparations. 

It’s more than just an agricultural system, rather an altered world view that then impacts on the practice of agriculture. Winemakers drawn to this philosophy tend to be creative, spiritual types, deeply connected to their land and always experimenting to see what works best.

Demeter biodynamic certification is the reward for going down this radical route, which forbids chemical fertilisers, pesticides, herbicides or fungicides. Instead insect life and spiders are encouraged to control pests; manure encourages organic growth. After hand-harvesting the grapes the wine is produced in a gravity-fed cellar without winemaking additives. Ambient yeasts are used, with no or scant sulfites and no fining.

More controversially all significant vineyard activities –  soil preparation, planting, pruning, harvesting – are done in accordance with the influence on earth by the moon, stars and planets. Finally, the aspect that can spark scepticism – the use of nine preparations 500-508 (a bit like homeopathy), using  plants such as nettles, dandelion and chamomile, to be applied in powdered form or as sprays. And then there is the afore-mentioned Preparation 500.

One French winemaker of my acquaintance wrote of the Steiner strictures: “It is important to understand that 50 percent is symbolic and 50 percent is real… it all helps focus.” 

All of which reminds me of a memorable trip to Ted Lemon’s Littorai winery in Sonoma, California. In Ted’s absence his young deputy confessed to not being a total convert to biodynamics (the perfection of the Pinot Noir was proof enough for us). And yet, as he put it, “It sure does make you pay attention.” 

The damn good wines of Hedges Family Estate sure grabbed mine.

• A range of Hedges Family Estate Wines is available in the UK from Guildford-based sustainable merchant Wine & Earth.