We first met in 1983. It was love at first sight. Those tiles revealed, that mosaic floor unearthed. After your makeover you were intoxicatingly beautiful, Marble Arch. Not an opinion particularly shared by some decidedly unromantic fellow drinkers. 

It had taken me a huge effort to persuade a posse of hardened Daily Mirror sports hacks to trek through the urban wasteland that was Rochdale Road, Manchester. Just to see a pub brought back from the dead. Ten minutes each way from the Printworks when it was a print works, then called Maxwell House after Ghislaine’s ogre of a dad.

First time, last time. This had been valuable drinking time lost. All too soon our break would be over, as would the evening’s matches, copy phoned in, ready via hot metal to be turned into tomorrow’s newspaper (and later chip paper). Mirror circulation was over 3m, its sport section at its heart. Liverpool were Champions and European Cup-winners that season. 

Meanwhile, the Manchester-based national journos drank for England. Around Shudehill there was a phalanx of pubs to abet them. Really only the Hare and Hounds left today. And a lovely heritage interior it has, but not a patch on The Marble Arch, to which I have been a persistent pilgrim over these past four decades of irrevocable change. So imagine my horror when I heard that high rise urban transformation was threatening finally to engulf the Grade II listed building.

It’s not all ‘going to plan’ as the cranes gather

This world class hostelry, with beers from its own acclaimed brewery, is not facing demolition. Just being potentially spoilt by crass developers intent on cramming an extra 17-storey apartment block as close as possible. Let’s call it maximising development potential. Or greed. There isn’t even the usual ‘social housing’ proviso wheeled out.

The plan for ‘Downtown Victoria North Phase 2’ hadn’t originally been so threatening, but out of the blue in September Marble owner Jan Rogers discovered that the proposed Gateway Square breathing space, part of the original 2019 plans, is now going to be jettisoned. So much for the “sensitive approach” to the pub and its neighbours, with new buildings capped at six storeys to “respect and celebrate the character” of the site.

Thom Bamford has covered all this in detail in an excellent article for I Love Manchester. Please read and contribute to the public consultation. My contribution here is make the case for the pub I feel so close to. 

It’s not about NIMBY nostalgia. The Marble Arch is a major hospitality asset for Manchester. For personal reasons I’m less emotional about similar plans affecting the trad multi-room gem that is The Britons Protection (these are currently on hold, I believe). Even if it survives being closely cuddled by the 27-storey Apex Tower apartment block, in six years’ time it will sit in the immense shadow of what will be the city’s largest skyscraper at 860ft high. Extra huge welcome to Nobu Tower, just across the tramlines.

The game’s already up for the Lower Turk’s Head in the shadow of its 16 storey glass neighbour, Salboy’s ‘Shudehill Shard’; after protests the Sir Ralph Abercromby escaped demolition in the £400m St Michael’s re-development but that just feels like tokenism; the Jolly Angler, a basic boozer I felt more affection for remains an abandoned shell among the cranes around Piccadilly Station. 

So what makes the Marble Arch so special?

A very brief history first… The pub’s spectacular tile and mosaic interior dates back to 1888 when it was a showcase for McKenna’s Harpurhey Brewery. It was one of the first buildings in Manchester to have electric lighting.

At some point during the 20th century it passed into the stewardship of Wilson’s Brewery and was known as the Wellington Vaults. Eventually the locals’ nickname for it, the Marble Arch, stuck. In 1954, on an iconoclastic whim, that whole barrel vaulted ceiling and the amber frieze were covered over with chipboard and paint. 

A 1975 Manchester Pub Guide summed it up as a place “where the interest almost ceases on entry”. Apparently it was “very good if you want to watch TV.” A far cry from the entry  in Matthew Curtis’s 2023 Manchester Beer Pubs and Bars: “While developers have sought to modernise the surrounding area the Arch has remained true to its heritage… this compact red brick building with its faux marble facade (it’s actually Shap granite) and pillars that bestraddle the entrance way feels as though it’s stood here for an eternity.”

Well, since 1983 when CAMRA stalwart, John Worthington, bought it, rescued its features and I made my own contribution to eternity. The key date for its current epic reputation is surely 1997. Recession was hitting hard, but Jan rejected plans by her colleagues Mark and Vance to focus on karaoke for salvation and instead launched Marble Brewery. Inspired. This was then well ahead of the craft beer game. 

A world class brewery that has led the way

Marble’s kit, in the pub cellar, was installed by the legendary Brendan Dobbin, one of the first brewers to use American and New Zealand hops in the UK at his West Coast Brewery in a less than gentrified Moss Side.

Original head brewer Dade left to set up Boggart Hole Clough Brewery in 2000 and was replaced by James Campbell. From then until he left in 2013 he created a famous roster of Marble ales – Manchester Bitter, Lagonda, Dobber, Pint, Ginger, Earl Grey IPA and more. 

I remember clambering down into the cramped brewery beneath the pub with James and his core team Dom Driscoll and Colin Stronge, both of whom, along with Rob ‘Blackjack’ Hamilton, to go on to illustrious brewing careers. Further high profile helming of Cloudwater and Sureshot earned Campbell himself the ‘Outstanding Achievement’ gong at the Manchester 2023 Manchester Food and Drink Awards

All the Marble beers are vegetarian to this day. Jan’s son Joe Ince brews in a custom-built facility in Salford with the beers hugely popular across the free trade.

Still it remains that pub interior that draws aficionados from across the world. Remarkably the exterior was pictured in the Oxford Companion to Beer (2012), edited by Brooklyn Beer’s resident guru Garrett Oliver. Blame the UK editors. Not his fault that the colour plate montage of ‘London Pubs’ featured Rochdale Road’s finest. Alongside the likes of The Cheshire Cheese. Some confusion with the metropolis’s monumental clogged traffic island?

Our own Arch feels very much part of Manchester. Welcoming to old regulars, hardcore ale tourists and a curious new generation checking it out. Over time, of course, it has gently morphed. The bric and brac of four decades has accumulated. It all feels beautifully lived in and shared. They’ve never attempted to rectify the slightly sloping mosaic floor, though the original bar on the side was switched to the back, where the nine hand pulls and eight keg taps live; behind this was added a kitchen and small refectory. The outside beer area thrives spite of the constant construction hubbub.

Not just any pie and pint

The food is consistently excellent. On my visit to discuss the planning rumpus with Jan I couldn’t resist The Pie (or Heaven In a Crust), featuring “Marble stout marinated feather blade steak with drunken onion and boozy gravy”. There’s a choice of mash or thick-cut chips; mushy peas or buttered greens. It’s never going to lift the place into the Estrella Damm Top 50 Gastropubs. But then few of those Farrow-and-Balled ‘rural idylls’ could ever match the beer offering here. Or the wit of the clientele.

With the pie I had a pint of Earl Grey IPA. Dangerously drinkable at 6.8 per cent, it’s just one delicious example of the international reach of this new wave Manchester brewing pioneer (Jan is a big fan of one of its successors, Track). 

‘Earl Grey’ was created initially as a collaboration with Dutch breweries de Molen and Kees. As the name suggests, the process involves the addition of that tea scented with bergamot. A far cry from the 19th century Harpurhey small beer brewing culture.

As I head out in the late afternoon it is filling up nicely with folk whose love of ale-fuelled camaraderie has made them brave the roadwork chaos outside (pavements shut off, buses prevented from stopping). In such fractured times more than ever we can’t afford to lose our Marbles.

The 2025 Manchester Food and Drink Festival Awards shortlist has been announced, and Therme Manchester, the UK’s first urban wellbeing resort under construction in TraffordCity, has been confirmed as the headline sponsor. 

The winners will be revealed at the MFDF Awards Dinner at New Century Hall on Monday, January 26 and the region’s food and drink fans are invited to vote for the winners now via the MFDF website. 

These are the most prestigious and longest standing awards in the North West and celebrate the region’s exceptional hospitality industry, with 128 nominees this year across 16 categories.

This year Therme Manchester is headline sponsor – a transformational large-scale wellbeing destination (imaged above) which will feature pools, saunas, waterslides, and wellbeing therapies set to complete construction in late 2028 and welcome 1.7 million guests in its first year. It promises a groundbreaking approach to nutrition, hydration, food sustainability and support for local producers, 

MFDF Awards Director Alexa Stratton-Powell told me: “As we welcome Therme Manchester as a partner it’s an opportunity to celebrate the next chapter for our world-class city region and champion the talent and communities that make it extra special. This year’s list of nominees is a phenomenal example of this innovation with talent from all quarters of Greater Manchester to celebrate -from takeaways in Trafford to Michelin star meals in Ancoats.”

It does look an exceptional list. Here it is in full:

AFFORDABLE EATS VENUE OF THE YEAR (sponsored by Therme)

Noodle Alley 

56A Faulkner Street, Manchester, M1 4FH

Pho Cue

52A Faulkner Street, Manchester, M1 4FH

Cafe Sanjuan 

27 St Petersgate, Manchester, SK1 1EB

Hong Thai 

140 Oldham Road, Ancoats, Manchester, M4 6BG

Seoul Kimchi 

275 Upper Brooke Street, Manchester, M13 0HR

Double Zero 

368 Barlow Moor Road, Chorlton-cum-Hardy, M21 8AZ

Wow Báhn Mì 

132 Oldham Road, Ancoats, Manchester M4 6BG

Rabbie’s Thai

Civic Centre, Wythenshawe Manchester, M22 5RQ

Last year’s winner: Nell’s Pizza, Manchester

TAKEAWAY OF THE YEAR

Ceresis

166, Northenden Road, Manchester, Sale, M33 3HE

Ad Maiora

84 Tib Street, Manchester M4 1LG

Home Chinese

16 Chorlton Street, Manchester M1 3HW

Viet Deli 

22 Blackfriars Street, Manchester, M3 5BQ

Pancho’s Burritos

Arndale Food Market, 49 High Street, Manchester, M4 3AH

Rack

Arndale Food Market, 49 High Street, Manchester, M4 3AH

Mughli Charcoal Pit

30 Wilmslow Road, Manchester, M14 5TQ

This & That 

3 Soap Street, Manchester M4 1EW

Last year’s winner: Fat Pat’s, Manchester

CAFE OR COFFEE SHOP OF THE YEAR (new for 2025)

Cafe Sanjuan

27 St Petersgate, Manchester, SK1 1EB

Oscillate Coffee

52 Flixton Road, Urmston, M41 5AB

Federal Cafe Bar 

194 Deansgate, Manchester, M3 3ND

Just Between Friends Coffee

56 Tib Street, Manchester, M4 1LG

Sipp Coffee

105 Beech Road, Chorlton-cum-Hardy, M21 9EQ

à bloc

38 Stamford Park Road, Altrincham, WA15 9EW

The Old Fire Station Bakery 

47 Albion Place, Crescent, Salford M5 4NL

Something More Productive

9 Egerton Crescent, Withington, M20 4PN

WINE OFFERING OF THE YEAR (new for 2025)

Ad Hoc

28 Edge Street, Manchester, M4 1HN

Higher Ground

Faulkner House, New York Street, Manchester M1 4DY

The Beeswing

KAMPUS, 24a Minshull Street, Manchester, M1 3EF

Salut Wines 

11 Cooper Street, Manchester, M2 2FW

Reserve Wines

1 Eagle Street, Manchester, M4 5BU

Flawd Wine

9 Keepers Quay, Manchester, M4 6GL

Where the Light Gets In 

7 Rostron Brow, Stockport, SK1 1JY

Kerb

49 Henry Street, Manchester, M4 5DH

FOOD TRADER OF THE YEAR

The Little Sri Lankan

House of Habesha

Kargo MKT, Salford M50 3AG

Baity

Kargo MKT, Salford M50 3AG

Rita’s Reign

Piccadilly Street Food Market, Piccadilly, Manchester, M1 1LY

Rack

Arndale Food Market, 49 High Street, Manchester, M4 3AH

Taiko Ramen

1 Eagle Street, Manchester, M4 5BU

Thatziki 

Kargo MKT, Salford M50 3AG

Little Scarfs 

17A Lower Hillgate, Stockport, SK1 1JQ

Last year’s winner: Honest Crust, Manchester

FOODIE NEIGHBOURHOOD OF THE YEAR

Stockport

Urmston

Levenshulme

Chorlton

Monton

Salford

Altrincham 

Sale

Last year’s winner: Prestwich

INDEPENDENT DRINK PRODUCER OF THE YEAR

Balance Brewing & Blending

Unit 10, Sheffield Street, Manchester, M1 2DN

Pod Pea Vodka

Ten Locks, Fairhill Road, Irlam, Manchester, M44 6BD

Stiff Tea Brewing Company 

3 Hoyle Street, Manchester, M12 6HG

Sureshot Brewing 

5 Sheffield Street, Manchester, M1 2DN

Runaway Brewery 

9-11 Astley Street, Stockport, SK4 1AW

Track Brewing Co

Unit 18, Piccadilly Trading Estate, Manchester, M1 2NP

Seven Bro7hers

Unit 63, Waybridge Enterprise Centre, Daniel Adamson Road, Salford, Greater Manchester, M50 1DS 

Weekend Project Brewing Co  

Hulme Lane, Lower Peover, Knutsford, WA16 9QH

Last year’s winner: Cloudwater BrewCo, Manchester

INDEPENDENT FOOD PRODUCER OF THE YEAR

Long Boi’s Bakehouse

40 Forest Range, Manchester, M19 2HP

Holy Grain Sourdough

253 Deansgate, Great Northern Mews, Manchester M3 4EN

Littlewoods Butchers

5 School Lane, Heaton Chapel, Stockport, SK4 5DE

Lily’s Vegetarian Indian Cuisine 

85 Oldham Road, Ashton-under-Lyne, OL6 7DF

Wong Wong Bakery

32 Princess Street, Manchester M1 4LB

Pollen Bakery 

Cotton Field Wharf,, Manchester M4 6FQ

Half Dozen Other

Unit 17 Redbank, Cheetham Hill, Manchester, M4 4HF

Mayya Bakery 

32-34, Duncan Street, Salford, M5 3SQ

Last year’s winner: Great North Pie Co, Wilmslow

NEIGHBOURHOOD VENUE OF THE YEAR

Fold Bistro & Bottle Shop

7 Town Street, Marple Bridge, SK6 5AA

Stretford Canteen

118 Chester Road, Stretford M32 9BH

The Pearl

425 Bury New Road, Prestwich, M25 1AF

Lupo

Mountheath Trading Estate, Unit 65 Ardent Way, Manchester, M25 9WE

Cantaloupe 

71 Great Underbank, Stockport, SK1 1PE

Tawny Stores

1 Upper Hibbert Lane, Marple, SK6 7JQ

The Perfect Match 

103 Cross Street, Sale, M33 7JN 

Gladstone Barber and Bistro

Unit 3 Pattern House, Castle Street, Stalybridge, SK15 1NX

Last year’s winner: Bar San Juan, Chorlton-cum-Hardy

PUB OR BEER BAR OF THE YEAR

Victoria Tap

Victoria Station Approach, Manchester, M3 1WY

Runaway Brewery 

9-11 Astley Street, Stockport, SK4 1AW

City Arms 

46-48, Kennedy Street, Manchester M2 4BQ

The Marble Arch Inn

73 Rochdale Road, Manchester, M4 4HY

The Magnet Freehouse

51 Wellington Road North, Stockport SK4 1HJ 

Café Beermoth

Brown Street, Manchester, M2 1DA

North Westward Ho 

19 Chapel Walks, Manchester, M2 1HN

Track Taproom 

Unit 18, Piccadilly Trading Estate, Manchester, M1 2NP

Last year’s winner: Mulligans, Manchester

GREAT SERVICE AWARD

Tast Catala

20-22 King Street, Manchester, M2 6AG

Atomeca 

1B, Deansgate Square, Owen Street, Manchester, M15 4YB

Higher Ground

Faulkner House, New York Street, Manchester M1 4DY

Adam Reid at The French 

16 Peter Street, Manchester M60 2DS

Maray

14 Brazennose Street, Manchester, M2 6LW

Federal Cafe Bar 

194 Deansgate, Manchester, M3 3ND

Blacklock Manchester

37 Peter Street, Manchester M2 5GB

Kallos Cafe & Wine Bar

3 Bankside Boulevard, Salford, M3 7HD

Last. year’s winner: Schofield’s Bar, Manchester

LOW OR NO OFFERING OF THE YEAR (new for 2025)

Nell’s Pizza 

22 Minshull Street, Kampus, Manchester M1 3EF

Cloudwater Brew Co 

7-8 Piccadilly Trading Estate, Manchester, M1 2NP 

Dishoom 

32 Bridge Street, Manchester, M3 3BT

Red Light 

4-2 Little David Street, Manchester, M1 3GL

Blinker Bar

64 -72 Spring Gardens, Manchester, M2 2BQ

Hinterland 

16-20 Turner Street, Manchester, M4 1DZ

Lina Stores 

17 Quay Street, Manchester, M3 3HN

Speak in Code 

7 Jackson’s Row, Manchester, M2 5ND

BAR OF THE YEAR

Stray 

1 Eagle Street, Manchester, M4 5BU

Schofield’s Bar

Sunlight House, 3 Little Quay Street, Manchester, M3 3JZ

Red Light

4-2 Little David Street, Manchester, M1 3GL

Speak in Code

7 Jackson’s Row, Manchester, M2 5ND

Pray Tell 

Unit 6 Stanley Square, Sale, M33 7XZ

Renae

45-47 Thomas Street, Manchester, M4 1NA

Libero

2A Kings Court, Railway Street, Altrincham, WA14 2RE

Flawd Wine

9 Keepers Quay, Manchester, M4 6GL

Last year’s winner: Hawksmoor, Manchester

NEWCOMER OF THE YEAR

Cantaloupe

71 Great Underbank, Stockport, SK1 1PE

Bangkok Diners Club 

17 Blossom Street, Ancoats, M4 5BR

Stow

62 Bridge Street, Manchester, M3 3BW

Kallos Cafe & Wine Bar

3 Bankside Boulevard, Salford, M3 7HD

Café Continental 

5 Melbourne Street, Stalybridge, SK15 2JE

Winsome

74 Princess Street, Manchester, M1 6JD

Royal Nawaab Pyramid

The Pyramid Kings Valley, Stockport, SK4 2JU

Kung Fu Noodle 

48A George Street, Manchester, M1 4HF

Last year’s winner: Skof, Manchester

CHEF OF THE YEAR

Rosie Maguire (Higher Ground)

Shaun Moffat (Winsome)

Adam Reid (Adam Reid at The French)

Matt Bennett (The Pearl)

Mary-Ellen McTague (Pip)

Patrick Withington (Erst)

Jamie Pickles (Stow) 

Jack Fields (Restaurant Orme) 

Last Year’s winner: Tom Barnes (Skof)

RESTAURANT OF THE YEAR

mana 

42 Blossom Street, Ancoats, Manchester, M4 6BF

Skof

3 Federation Street, Manchester, M4 4BF

Adam Reid At The French

16 Peter Street, Manchester M60 2DS

Winsome

74 Princess Street, Manchester, M1 6JD

Higher Ground

Faulkner House, New York Street, Manchester M1 4DY

Stow

62 Bridge Street, Manchester, M3 3BW

Erst

9 Murray Street, Ancoats, Manchester, M4 6HS

Cantaloupe

71 Great Underbank, Stockport, SK1 1PE

Last year’s winner: Where The Light Gets In, Stockport

HOW TO GET INVOLVED

The shortlisted nominations have been compiled by the MFDF Judging Panel, taking into account award submissions from the hospitality industry. The panel is made up of the region’s leading food and drink critics, writers, and experts. The awards are now open to public vote on the MFDF website. 

As well as the public vote, a  mystery shopping period will now commence where judges will visit nominated venues in some categories or an anonymous dining visit and will score venues based on their experiences. 

The mystery shopping and public voting period will end at midnight on January 12, 2026 when the polls will be counted and combined with the judges’ scores and the winner of each category will be chosen. 

The MFDF 25 Award Winners will be announced at the MFDF Awards Dinner on Monday 26th January and tickets can be purchased by emailing isabella@foodanddrinkfestival.com.

Readers of this blog will know my admiration for the leftfield ingredient crusade of second generation Asian food guru Gurdeep Loyal. Sharing his culinary conceits is like ‘coming out’ in the kitchen That’s how I found myself preparing his ‘Aloo Chaat Wedge Salad with a Pink Peppercorn Ranch Dressing’. 

Potatoes and chaat masala meet American iceberg lettuce dressing. His aim? To marry the “same splendidly kitsch garnishing skills as Indian street snacks” with the “Fanny Cradock meets breakfast buffet school of culinary arts.” Cue, in his debut cookbook Mother Tongue, some ‘visual mood board’ fantasy about the iconic Fanny sporting a sari on Christmas Day!

What has all this to do with my surprise encounter with fine dining Monster Munch (more later) in the Huddersfield commuter village of Kirkburton? Less fusion, but a restaurant chef operating with a similar panache and sense of humour. 

For all I know, behind the blinds here some bungalow kitchens may still pay retro homage to Fifties telly chef Cradock (and her monocled hubby Major Johnnie). On the flipside, in pursuit of home molecular gastronomy. hipster newcomers may be plying their Sous Vides and Thermomixes. 

There’s certainly a state of the art Thermomix in constant use by chef Will Webster in Kirkburton’s prime dining spot, Norman’s Neighbourhood Kitchen, which was sprinkled with unexpected stardust in May when the touring Bruce Springsteen and his actor mate Stephen ‘Boiling Point’ Graham dropped in for  lunch just days after it had gained its AA second rosette.

Among the small plates they ate was Isle of Wight tomatoes with sherry dressing, a pangrattato topping and wild garlic ice cream. Graham described it as “Mad Merlin Stuff”. I loved the dish too on my more recent visit; wild garlic being out of season, Thai basil was substituted in the soft scoop.

Celebrity trolling was not the reason for my lunch. I was catching up on a long-time recommendation from my friend, Amanda Wragg, Yorkshire Post restaurant reviewer, who had given Norman’s her Meal of the Year accolade in January. Just six months after Webster left Halifax’s Shibden Mill Inn to join former front of house colleague Ollie Roberts. The pair now have a four-strong kitchen, all of whom appear to be partial to snacking on Monster Munch (more later). Whether the restaurant dog Norman also gets a treat, I’m not quite sure.

This is not just about me playing catch-up. The day after my visit that same Yorkshire Post published a piece trumpeting how trendy and prosperous the village is these days. And Norman’s is not alone as a food mecca. Folk queue every day for the puff pastry heritage meat sausage rolls at celebrity chef Tim Bilton’s upmarket Butcher’s Larder further down North Road. To think, I’d always hurtled along Penistone Road past the Kirkburton turn-off.

Similarly, I’d  tended to ignore the Shibden Mill Inn, though it’s only a 40 minute drive from my home. I’d certainly never associated its top-end dinner menu with the word playful. Will, who spent most of his six years there as head chef, has found new creativity with a smaller team to juggle ideas with. 

Hence the creation of Pickled Onion Monster Munch Beurre Blanc (got there at last). If a current dessert – white chocolate and salty chicken skin fudge – sounds wacky it follows in the footsteps of a signature sauce based on a kids’ snack shaped like monster claws. 

“The pickled onion version was the most popular snack among the team,” says  Will. “That’s the inspiration. We played with crushing them, adding onion powder and a touch of extra vinegar and it worked. Extra flavour came from diced pancetta and charred sweetcorn… the Munches are corn-based.”

Stone bass and clams have previously benefited from its gorgeous, gloopy intensity. Flakey halibut was my  dish on the day – dish of the day. I overdosed on bacon and creaminess by also ordering a tartiflette, a favourite potato dish of mine that perhaps belonged more to an Alpine ski resort than sweltering midsummer Yorkshire. A prawn crudo with strawberry, elderflower and more chicken skin  might have fitted the bill better. 

I don’t regret, though, the nibble I ordered with my glass of Sicilian white Grillo (from a well-chosen, well-priced list). It’s a swallow-in-one but deserves to be savoured, the tiny rare beef tart with mushroom xo sauce and a whoosh of shredded horseradish.

I squeezed a walk-in counter in the window; the rest of the 40 cover dining room was full. Mostly a demographic that could probably recall when Monster Munch was a new snack craze and this had been the industrial West Riding. 

For corn snack completists Wikipedia offers a comprehensive history of Monster Munch, briefly called ‘The Prime Monster’, majoring on mega bag size. In brief, though, four monsters were created in contrasting colours with varying amounts of arms and eyes. Each representing a different flavour. Even after Walkers Crisps took over the brand Pickled Onion remained the pick as it does to this day. Confession: I’ve never tasted a Monster Munch.

The closest I have come till now was when upmarket steak house Hawksmoor revamped their cocktail list last October. My favourite among the newcomers was ‘The Pink Gibson’, their take on a dry martini that substitutes a pickled onion for an olive as garnish. Boatyard Vodka, Audemus Umami gin, Aperitivo Co dry vermouth and pink pickled onion juices were the new version’s constituents. Hawksmoor’s head of bars Liam Davy rhapsodised: “It’s a classic dry martini which we have found a way of making taste like a pickled onion Monster Munch…it’s an incredibly refreshing quite savoury drink.”

So there’s a trend going. “Monster, monster” as that football agent geezer Eric Hall used to say.

Norman’s Neighbourhood Kitchen, 22A North Rd, Kirkburton, Huddersfield HD8 0RH. #Good Food Guide 100 Best Local Restaurants. Norman’s is shut for its annual break from August 23, reopening on September 9.

Golden fruit of the gods is the Hellenic sobriquet for the quince. I don’t know the Greek for knobbly but this hard fruit inevitably is that, just as its raw interior tastes tart and astringent, belying the heavenly scent from its skin. Cooking transforms it. So too distilling squeezes out something quite remarkable.

All this occupies my thoughts in a small plates bistro just off Columbia Road Flower Market in Bethnal Green as I sip a quince eau de vie made by Capreolus. Its yellow hue mirrors the mother fruit’s surface, the scent almost tropical with a lingering juicy taste unusual in a 43% spirit. It has been poured by the distillery’s founder Barney Wilzcak (who with his professional photographer hat on took the quince picture above). Barney describes it as ““possibly the most ethereal fruit we work with, astonishing in its nuance and elegance.”

At Brawn I am a guest of Les Caves de Pyrene, best known as natural wine specialists but this trade tasting puts the spotlight on four other artisan drinks makers on their roster. Three have come over from France – Caroline Rozes (Armagnac Laurensan), vermouth specialist Jean-luc Carrozes (Vinmouth) and Laurent Cazottes, whose biodynamic estate in Southern France produces grapes, fruits, flowers, grains, and plants from which he fashions wines, spirits and liqueurs. A tomato liqueur was particularly astonishing. You can see why his wares can be found on Michelin restaurant digestif lists across France and beyond (you’ll find several examples at lovely Bavette Bistro in Horsforth near Leeds).  

A new organic orchard of their own for Capreolus

All Laurent’s samples taste exquisite, but I am here primarily for the fourth exhibitor, Capreolus. Seven of their eau de vies are on the (low intervention) list at Manchester’s Higher Ground – at between £9 and £16 a 25ml measure. Lunching there a fortnight before my Caves de Pyrene date I mentioned it to the restaurant’s Daniel and Ana. And – curse them! – they were just days away from a private visit to the distillery in deepest Gloucestershire. When next winter Higher Ground opens Bar Shrimp next door they are promising a special collaboration with Capreolus.

Thanks, Ana, for the promised picture of Barney on site and  his new quince tree project. In his March newsletter he had revealed that after a two and a half year search Capreolus had purchased some five acres of lowland hay meadow, where they had planted 252 quince trees, representing four varieties never grown commercially in the UK before. A big welcome then to Ispolinskaja, Turunchukskaja (both Ukrainian), Limon Ayvasi (Turkish) and Cydora Robusta (German). The trees, one year old and eight feet tall when they arrived, are interspersed with crab apple trees for diversity’s sake. It is one of the largest UK quince orchards, but the plan is to restrict yields to five tons annually, a third of a commercial crop target. 

It will plug a gap in their commitment to their own immediate terroir. At the moment this is the only fruit they buy in regularly from outside a 35 mile radius of their base at Stratton near Cirencester.

Foxwhelp is an awkward orchard customer but what a collab

Little Pomona Cider and Perry Mill is also outside that radius, lying 55 miles north west in Herefordshire. It’s a luminous spot that I have visited. That was just a few months before co-founder Susanna Forbes succumbed to cancer. We spent three fascinating hours in the company of her and husband James sampling their acclaimed boundary-pushing ciders and perries.

The pair came from a background in wine (James) and drinks journalism (Susanna) and across their range have not been afraid to incorporate hops, cherries and (you guessed it) quinces. Their ‘Still Life with Quince’ is an intense blend of barrel-aged cider and quince wine.

But when it came to a long-mooted collaboration with Capreolus their contribution was a single varietal cider made from an uncompromising apple called Foxwhelp. How come the evocative name? One cider apple historian attributes it to originating near a fox’s den where the cubs or whelps would play with the windfalls. Jury’s out.

Tannic and lashingly acidic, producing ciders with great ageing capacity, Foxwhelp has been around since the 17th century with its own hardcore admirers willing to pay premium prices. Susanna called it “the Riesling of the apple world”. Little Pomona have respected its qualities by barrel-ageing successive vintages in a solera system, akin to sherry making. Was this blend the base for 2022 Capreolus? I never get to ask at a crowded Brawn.

I do know some of what to expect when I taste the 2022 Capreolus x Little Pomona Foxwhelp Cider Eau-de-Vie (43%) and there it is – that mind-blowing aroma of wild strawberry and blood orange typical of the cider version. That strawberry rush continues on to the palate alongside a rounded appliness, as you’d expect. The concentration is down to wild yeast fermentation of meticulously sorted low-yielding fruits, preserving up to 45kg of fruit in each finished litre. Labour intensive isn’t the half of it for Barney and his partner Hannah Morrison. There’s a small child and dog to share the adventure, which began when he abandoned his job as a conservation issues photographer to develop the distillery on his family’s land. 

His talent with words is evident too: “What enchanted me was how this elegant way of working, this capturing of pure essence, revealed so much. What I discovered was something that not only isolated a moment of peak ripeness but transported me to the parent plants and landscape in which I was raised. 

“The elevation of flavours imperceptible in the raw fruit took me to standing in 300 year old perry pear orchards. The aroma of a Blackberry Eau de Vie to the autumnal warmth of the sun. The synesthetic link of aroma and flavour is something where language consistently fails.”

It sounds idyllic but to reach this point where their spirits (including a lovely gin) can command such high prices in prestigious places has taken prodigious efforts. Still there remains an idyllic aspect to housing two copper stills in an old lean-to greenhouse. Roe deer roam this land, hence the distillery borrowing the latin name for the breed: Capreolus Capreolus. “Delicate, slipping away, this animal is a constant accompaniment to picking in the surrounding countryside, a reminder of the fleeting nature of what we are trying to preserve.” 

Barney has written an illuminating, evocative account of Capreolus for the Caves de Pyrenes blog. Do check it out.

“In 2022, with my daughter 8 weeks old and bouncing beneath a tree in the garden where we work, we touched every single fruit of 3,000,000 raspberries as fingers felt for flaws and removed every single leaf, stem and hull. In the resulting eau de vie you can smell 1,000 seeds in your glass, crushed mint and raspberry leaf, lemon zest, and yes, the perfume of the most perfect fruit enveloping you – it is as if you were stood amongst the plants themselves.”

As I sip that particular spirit in the urban sprawl of East London I feel transported to the perfumed orchards of Gloucestershire.

The underground world of SAMPA Chef’s Table  is full of exotic flourishes. A Brazilian wonderland of toucan water jugs and vivid pink flamingo receptacles for your pre-dessert cashew apple ice lolly. That’s before chef patron Caroline Martins’s signature abstract expressionist finale – scrawls of coconut yoghurt, basil custard and mango across a slate, to be topped with meringue. That this performance takes place in a penumbral secret location in Manchester’s Northern Quarter adds to the sense of delightful disorientation.

 

A further mind scrambler. Where else in the UK would your pairing consist entirely of Brazilian wines? Former Great British Menu contender Caroline proudly flies the green, yellow and blue flag of her native land in the quality of ingredients she imports, so why not do the same with the wine list? 

Compared with South American cousins Argentina and Chile, Brazil as South America’s third largest wine producer is almost as much a mystery as the new SAMPA venue. Hard to remember a bottle on our supermarket shelves – despite Brazil boasting more vineyard area than New Zealand.

A vinous voyage into the dark

Book a SAMPA dinner and you’ll get the location sent to you just pre-arrival. Presumably the same applied to the intrepid wine lovers who had signed up for a  tutored tasting in the afternoon ahead of our evening meal. It was hosted by Go Brazil Wines’ Nicholas Corfe, who later poured his wares for us. He has championed the cause – along with national spirit cachaça – from his Suffolk base for 15 years. He cherry picks from small producers in the southernmost state of Rio Grande do Sul.

Vines were first planted in Brazil by the Portuguese in the 16th century. Then, in the 19th, came Italian immigrants, mainly from the Trento and Veneto regions of the north-east. In the Seventies an international player, Moët & Chandon, arrived to introduce modern vinification techniques.

There was nothing rustic about the four wine matches at SAMPA. What did I make of them?

The dinner was bookended by two sparklers, Amadeu Laranja Nature Traditional Method 2020 and a Don Guerino Moscatel NV 2022, the former on the orange spectrum, the result of extended maceration, refreshing and surprising complex, the latter a sweetie with counterbalancing acidity, weighing in at just 7.5. per cent ABV.

I enjoyed both, but had less joy from Pizzato Sauvignon Blanc 2024. Grassy on the nose, it promised more than it delivered, its tropical fruit muted, the mouthfeel quite coarse.

In contrast a red from the same Serra Gaúcha-based winery, the Pizzato Nervi Reserva Tannat 2020 was a terrific example of a heady grape variety associated with Madiran in South West France. Uruguay has proved a natural home for it in South America, but, based on this example, Brazil is giving it a run for its money.

From the great 2020 vintage, it has been aged for 11 months in new French oak barrels. Result: concentrated dark fruit and spice, soft tannins, a hint of leather perhaps. It would have coped well with a meatier main than Caroline’s (delightful) galinhada chicken. 

Pizzato own 45 hectares of vines split between their original Vale dos Vinhedos (Valley of the Vineyards) estate and the newer Dois Lajeados. The vines for Nervi are 25 years old, from the first plantings after the family switched from supplying grapes to big wineries to becoming an independent producer. Such a wine vindicates that bold decision.

Has maverick Martins found her perfect base?

Caroline Martins has made quite an impression since landing in Manchester some five years ago with husband Tim (who marshalled the troops brilliantly at the latest launch). She famously swapped a globetrotting career as a plasma physicist to go on Masterchef Brazil and train at Le Cordon Bleu in London. Check out the highs and lows of her career path in my recent interview with her, ‘Why female head chefs are flourishing around Manchester’.

A trajectory that has encompassed numerous Brazilian-British fusion pop-ups led her to the unlikely Northern Quarter combo of Calcio Sports Bar on Dale Street with Chef’s Table experience for just eight folk in the cellar. It was a fine dining homage to the food of São Paulo (Sampa is its colloquial name). Now she has found a new home for her project, spacious enough to almost double her covers and include its own art gallery. The current exhibition, ‘Saudade’ is by one Pete Obsolete (below).

Caroline continues to refine her playful food offering. I particularly loved the laranja lima (a chalkstream trout carpaccio) and the ‘Garstang white cheese with fig leaf and Dan and The Bees honey, both evidence of our immaculate British sourcing.

PS Beware the potent Brazilian chilli that lurks among the snack starters of pineapple and pickles. Diito the fiery yellow dip with the pichanha tartare. Oh and prepare for a slight fuggy atmosphere in the underground lair. Caroline does love blow torches and smoking dishes!

A 12 course tasting menu comes in at a remarkably good value £58 (£69.60 inc VAT). The drinks pairing is £48. For £30 you can bravely match the dishes with a range of Cachaças. Book here.


Fly me to the moon, let me play among the stars and let me see what spring is like on Jupiter and Mars,” as Sinatra crooned.

One spring two decades ago we flew into what seemed like another planet – Las Vegas. We stayed on the Strip at The Mirage Hotel and Casino, whose major selling points were a daily erupting ‘Volcano’ and a ‘Secret Garden’, where we bonded with resident dolphins. Further highlights included renewing our vows at an Elvis wedding chapel (pink Cadillac, dry ice and a singalong with the King) and dinner at the place to be, Piero’s, which featured in Martin Scorsese’s Casino.

That mobster classic is celebrating its 30th anniversary. So many of its locations in the city have since bitten the dust, as has The Mirage, site for a new Hard Rock Hotel. The dolphin attraction had closed in 2022 after four had gone belly-up inside 10 months.

Through all this shape-shifting across Sin City Piero’s Italian Cuisine has survived, though its signature osso buco, fave of regular Frank Sinatra, hasn’t. You will find this braised veal shank on the bone, though, on the menu at Manchester’s Louis, a homage to vintage American-Italian cuisine, soundtracked naturally by ‘Ol Blue Eyes’, Dean Martin and their ilk. 

OK, the Spinningfields business district outside lacks the pizazz of Vegas, but it’s also free of the gangsters who frequented ‘The Leaning Tower’, Piero’s rebrand for Casino. Mirroring the restaurant’s own checkered associations (and I don’t mean the table cloths).

In contrast to owner Nicky Santoro (Joe Pesci) taking goreish exception to one customer in The Leaning Tower, our real life Thursday evening at Louis was an absolutely joyous celebration of a fantasy fifties America. And like the Permanently Unique group’s other recent project, Fenix, the place was mobbed (sic) by 7.30pm.

New York, not Las Vegas, is the prime inspiration. Ippokratis Anagnostelis, exec chef behind the Fenix’s Mykonos-inspired modern Greek cuisine, travelled there with co-founder Drew Jones to find restaurant role models… but Scorsese movies such as Casino and Goodfellas are undoubtedly a key influence on Louis, too.

Drew has admitted this: “Obviously there’s a dark side to those films, but take that away and the environment, the glamour, the clubs, the bars, they’re extremely luxurious.” As is Louis, a destination where folk are encourage to don their glad rags and wallow in the live music as part of the experience. Surely Robert De Niro, star of both films, would approve, as a serial restaurateur in more recent times?

So does the cuisine here live up to the hype? The offering is far more exciting than the routine high street Italian served up at Carluccio’s, previous occupant of the unit. We were there by invitation to road test the new summer dishes, so I had to resist Osso Buco Revisited. Reminding myself it is, of course, a sharing dish.

Another change since our last visit – they are now allowing customers to photograph their experience. From the launch onwards on arrival punters were obliged to apply ‘fedora’ stickers to their phone for the duration. Removing mine afterwards ripped a chunk of leather off my case. Second visit, replacement purchased, I declined, still promising to obey their privacy edict.

This time round then gave me the chance to capture the beauty of the dishes served. Stand-outs were our starters. An egg yolk, tide of parmesan foam and a fin of crisp topping a spiced steak tartare on a sheet of lasagne (£24) sounds an odd combo but it tasted sublime. Ditto a substantial, gloriously glazed portion of sticky bourbon short rib with equally sticky mushrooms and curly crisps, this time of sweet potato (£22).

Sommelier Pasquale Moschettieri was busy wheeling around the Champagne trolley, the bubbly served in old school coupe glasses, of course. But the true vinous treasures lay in his wine sanctuary just behind us. Oh, the temptation. Serendipitously we had ordered a Nerello Mascalese from his native Sicily, so we became instant buddies. A classic volcanic red from the northern flank of Etna, velvety yet taut. A higher budget for your wine pairing? This is one Palermo boy’s offers you’d be mad to refuse.

Our mains were essentially superior comfort food. Classic Italian filtered through a North American emigre sensibility in a generous contemporary UK take. I had handmade cavatelli pasta smothered in a slow-seethed duck ragu (£30). Across the table Pollo alla Calabrese (50p cheaper) matched chicken breast with a sausage sauce on a bed of polenta. Satisfying both, but neither is likely to supplant in my affections dishes that remain on the menu such as rigatoni with vodka and tomato or the New York, USDA grade strip steak.

To close, we also shared exemplary chocolate tart and baked New York cheesecake (what else?) with shots of rather sumptuous house-made limoncello.

How did it compare with a very distant memory of Piero’s? This 2025 meal experience was surely superior. I suspect that moody downtown Vegas joint might have been resting on its celebrity laurels. In contrast, laid-back Louis has got me “under its skin”.

Louis, 3 Hardman Square, Manchester M3 3EB.

• As I finish this review/reminiscence I discover that after 43 years in existence Piero’s has just been sold to a new corporate owner with a bagel and doughnut empire. This shock move is in the wake of a violent squabble between Piero’s founder Freddie Glusman and his son Evan over substantial missing funds. It had to be in the script.

As a hardened traveller there’s nothing I like better than a detour. On a recent road trip around West Cork I couldn’t resist motoring a few miles off-piste to check out eerie Coppinger Court, a ruin almost since it was built in Tudor times. Let’s call such  a diversion ‘The Single Track Road Quest of the Tractor Perilous’.

Down in Herefordshire the roads to the (unruined) St John at Shobdon were an easier prospect. Six miles north west of Leominster we turned left at at sleepy Mortimer’s Cross, in 1491 site of a particularly bloody Roses battle, won by the Yorkists. Quite soon we were driving down an avenue of limes to what from the outside looked the plainest of country churches. 

Inside, though, you’ll discover  England’s most complete rococo ecclesiastical experience, fashioned by one of the architects of Horace Walpole’s Strawberry Hill around 1800. White wedding cake meets Countess’s boudoir. Simon Jenkins in his England’s 1,000 Best Churches gives it 4 stars. We loved it, too.

But not as much as we loved our evening’s destination, The Riverside, 15 miles up the Lugg valley at Aymestrey. It’s a 16th century sheep drovers’ inn set in a river loop, its hillside veg terraces steepling into wooded hills, for all the world like some English equivalent of the Dordogne. And the food self-taught chef/patron Andy Link is turning out is deeply rooted in his own Herefordshire terroir. 

We dined on local snails, faggots, rare breed Hereford beef, a sweet cicely parfait, finishing with nettle cake with lemon and thyme syrup, matched with ice cider. All this and it still felt like a proper pub where you could prop up the bar with a pint of Wye Valley Brewery’s Butty Bach.

You can understand how in 2002 it was voted Great British Pub Awards ‘Best Sustainable Pub’. Andy took us up to their organic growing plots, hewn out of the hillside during lockdown by himself and manager George Parkes. Between here and the half-timbered pub proper is the row of three quirky timber lodges, in one of which, Beechenbrook, we stayed, relishing the combination of under-stated luxury, such as underfloor heating, and rustic seclusion.

The main buildings house further, more traditional (and dog-friendly) bedrooms. The bar areas are solidly cosy with garlands of hops and a wood-burner. There’s a wealth of walks all around. We chose along the river, promised the possibility of otters and kingfishers. Alas, no sightings. As a base the location is brilliant, foodie Ludlow 10miles to the north, Hereford 20 miles to the south … and a wealth of traditional cider producers to visit.

The apple of our eye in the midst of the Mappa Mundi

It seems fitting to begin our Cider Pilgrimage in the heart of Hereford Cathedral. Let’s call it a windfall moment as we strain to decipher a medieval Christian world view drawn across a stretched sheet of calf skin… and discover apples. So apt in a county of orchards.

This is the Mappa Mundi, created around 1300 by one Richard Oldingham. It is the only complete world map of its time to have survived and its 1.59 x 1.34m canvas is teeming with illustrated wonders representing geography and history, hell, heaven and the path to salvation. Quite disorienting. Nothing is in our ‘right’ order. Jerusalem is at the centre, the British Isles in the bottom left hand corner and at the top is the East – home to Eden and expected site of Christ’s second coming. Hereabouts, in ‘India’, are sketched two robed figures attending to an apple tree, one shaking a bough with a stick, the other sniffing and gathering fruit. Are they harvesting?

These are the Gangenes, described on the Mappa as a people who lived near the River Ganges and survived only on the scent of apples. Indeed, so the myth goes, should they smell anything offensive they immediately perish. Would that include Strongbow, one of those commercial ciders that have devalued a great traditional tipple?

In search of cider with the artisan masters

We are in Herefordshire in search of the real deal. If the immaculately mounted Mappa Mundi takes our breath away, so too do the remarkable craft ciders and perries we encounter in their heartland. Sorry, Somerset. 

The likes of Oliver’s, Littler Pomona, Ross-on-Wye, Gregg’s Pit, Artistraw and Newton Court are all small producer standard bearers, well worth a visit. There’s a true local pride in their achievements. The tourist board even promote Herefordshire Cider Circuits, recommending orchards along three cycling routes. Our visits are by car and we are circumspect sippers with narrow lanes to negotiate.

Just to stand in an orchard is to feel at one with nature and a unique heritage. All a bit farm gate yet, but cider tourism is taking off. Ross have their own on-site pub, the Yew Tree, while Newton Court have launched a purpose-built visitor centre, featuring a restaurant, cafe, farm shop and tour hub. This bright, airy space is a major investment for the Stephens family, who have run this 157 acre regenerative farm since 1991. I’d recommend ordering the locally sourced pork, apple and leek pie and sharing a bottle of Panting Partridge, their flagship perry (aka ‘pear cider’), or their acclaimed sparkling cider, Black Mountain. 

After which joining one of their cider tours might be hard to resist. We wandered into the organic orchards with Paul Stephens, who took over the day-to-day running of Newton Court from his father Tom. Sheep graze among the pear trees, while he tells us of the impact on perry’s taste of terroir and individual pear varieties – with delightful names such as Flakey Bark, Betty Prosser, Hendre Huffcap, Butt and Thorn. He also raises the perils of fireblight, a bacteria that can wipe out trees that have taken decades to mature. Sudden attacks, no known protection.

The same grim prognosis is repeated seven miles away at Oliver’s Cider and Perry, near the delightfully bucolic sounding hamlet of Ocle Pychard. Here we are granted an audience with ‘cider royalty’ Tom Oliver, not that you’d guess his global renown from the rustic surroundings and his understated manner. This man is a legend across the United States. Not in his long-running role as tour manager/sound engineer for The Proclaimers but as an ambassador for cider and perry, a mentor for so many aspiring cider makers. Nearing retirement age, he shows no sign of slowing down.

His is a working farm, the shop only open for three hours on Saturdays, but what a wealth of options to buy. Inside the former hop barn that is now his barrel store he treats us to one of his treasures. 20 years ago a single Coppy pear tree remained on the planet, tracked down in a remote spot by Oliver. Grafts have created young siblings but they are under threatened from the dreaded fireblight. So when we taste a work in progress sample of single varietal Coppy, a sherberty work in progress, from the ancient tree that produced barely half a barrel last harvest, we are tapping into something fragile and magical.

Another amazing cider destination In the rolling hills beyond Bromsyard is cutting edge Little Pomona. It was set up by James Forbes and his wife Susanna, who sadly died last September after a long cancer battle.

Hops, cherries and quince are all incorporated into ciders that push the boundaries. If you’re biking or ensuring you drive responsibly try their Hard Rain Hot Pink. Just 3.4ABV, it’s a ciderkin, made from the second pressing of apples with the addition of water, hops and blackcurrant. Check ahead for opening times.

Hereford Cathedral – an intimate voyage of discovery

Pomona was the Roman goddess of fruitful abundance, with gardens and orchards in her remit. The 18th century diarist and gardener John Evelyn published an appendix to his great book on trees under that name – “concerning fruit-trees in relation to cider the making and several ways of ordering it.” 150  years later The Herefordshire Pomona was one of the first attempts to fully catalogue the existing varieties of English fruit. Many of the apples and pears illustrated can be found precariously today.

There’s a rare copy in the Chained Library of Hereford Cathedral, the largest such library left in the world, containing some 1,500 books, dating from around the year 800 to the early 19th century, including 227 medieval manuscripts. In the early 17th century, when the bookcases you see today were made, chained libraries were commonplace, protecting the precious word. It is a fitting lead-up to the Mappa Mundi (adults £7.50) in its special annexe, but the surprisingly intimate Cathedral is packed with other delights.

A more whimsical fixture is the ‘extra leg’ of the 14th century knight Sir Richard Pembridge (died 1375), a veteran of the battles of Crecy and Poitiers. When his alabaster tomb was constructed, the effigy correctly showed him wearing the Garter insignia only on his left leg. The right leg was damaged during the Civil War. A replacement wooden leg wrongly included a garter, so a new alabaster leg, without a garter, was commissioned in the 19th century. The wooden leg has since been reunited with his tomb thanks to a benefactor.

Downtown– what lies beyond the Mappa Mundi?

IF you can’t get out to the orchard hinterland there are great places in Hereford city to sample. Our favourite is undoubtedly The Hereford Beer House. We went in search of a West Coast IPA but there was a choice of four ciders in tap, including Oliver and Little Pomona, and a general feel of cider country bonhomie.

You can buy a goodly selection of bottles to take away at the Museum of Cider, just across the river in Pomona Place (what else?). A Trust took over the former Bulmer’s cider factory and it opened in 1981. The family portraits remain in the old boardroom but it’s the ‘champagne’ cellars dating back to 1889  that evoke the legacy. Descend and you’ll find the racks where employees turned the heavy bottles of sparkling cider – what the French call degorgement.

On the main floor you can trace the worldwide history of cider. There’s a 300-year-old French Beam Press and a collection of watercolours depicting the different types of apples and pears, but the star attraction is a rare collection of English lead crystal cider glasses dating from 1730, when cider went head to head with wine as the toffs’ drink of choice.

An inspiration for Elgar’s Enigma Variations

The celebrated composer Sir Edward Elgar  lived in Hereford between1904 and 1911 and there’s a statue of him and his bicycle in the Cathedral Close. If you cross the River Wye from here you’ll encounter another, tinier statue with the Cathedral as a backdrop. It’s of Dan, a bulldog belonging to its organist, a friend of Elgar’s. The story goes that they were walking along the riverbank one day when the dog fell in down the steep bank.

He paddled to a place where he could pull himself out, and shook himself vigorously. “I bet you can’t make a tune out of that!” was the organist’s challenge. Elgar took it up and the melody he wrote became part of the Enigma Variations. Let’s call it a Soggy Dog Story.

It’s all down in black and white

There’s wooden heritage aplenty in the rolling countryside of Herefordshire, notably in the timber-framed ‘Black and White Villages’. Devotees can even indulge in a 40 mile circular trail (above), kicking off in Leominster, an ancient market town whose Priory Church of St Peter and St Paul is another four star for Simon Jenkins. The edifice with its imposing Norman tower is actually the remains of a monastic settlement set on the edge of town. Don’t miss one oddball object in the north aisle – the last ducking stool to be used in England. In 1809 Jenny Pipes was ducked in the local River Lugg. Alas, her crime remains a mystery.

Fact file

Neil stayed at The Riverside Inn Aymestrey, Herefordshire. HR6 9ST. 01568 708440.

Full tourist information from Visit Herefordshire.

Check with individual cider makers for visiting times. If you want to explore further the delicious world of cider and perry CAMRA have published a brace of books I heartily recommend: Modern British Cider by Gabe ‘The Ciderologist’ Cook (£15.99) and Perry – A Drinker’s Guide by Adam Wells (£17.99).

Just 100 metres and a whole decade apart – Aumbry and The Pearl. But there’s a palpable bond between them on a balmy night along Bury New Road. For once this week Prestwich is spared the not-so-distant rumble of Oasis in Heaton Park but the rival shishes are sizzling in the Istanbul and Anatolian Grills. This is polyglot dining territory, but there’s a place for a ‘Modern British’ restaurant.

Until 2015 that role was occupied brilliantly by Mary-Ellen McTague’s award-winning Aumbry. After it closed, the site on the corner of Church Lane became burger joint Solita and is now Wallop cafe bar.

Change happens. Back in those days 425 Bury New Road was a computer repair shop. Now it’s a self-styled ‘British Dining Room’ called The Pearl, its dazzling blue exterior punctuated by founder Sam Taylor’s little Florentine peccadillo, a ‘wine serving hatch’. The bijou interior owes more to the classic Parisian bistro. 

I’ve been rolling with that French bistro renaissance recently, taking in terroir-driven establishments in Lyon, London’s Bouchon Racine, Camille and Café Francois, Bavette in Horsforth and more recently Chelsea’s Josephine Bouchon, of which more later. There is an Entente Cordiale with Prestwich’s Anglophone heritage going on here, I believe.

The Pearl – from Arnold Bennett to Matt Bennett

I used to come to The Pearl just to eat chef Ian Thomas’s Omelette Arnold Bennett. Now the kitchen has a new regime featuring three young chefs who’ve all seen service at Manchester’s Michelin-starred Mana. Head chef Matt Bennett looks impossibly young to have also worked at the legendary Gidleigh Park in Devon, but he has.

On Fridays and Saturdays, 5pm-9pm, Matt, George Webber and Jae Haney switch to à la carte. Their new summer menu was the perfect excuse to see if the Pearl remains a jewel. Saturday lunchtime (needs must as a suburban restaurant) the lunch ‘special’ was to be Oasis themed with involving pie specials and a pudding called Cigarettes and Alcohol, consisting of whisky, white chocolate and charcoal ash. On a fashion note, their ‘Yeah, Oui’ limited edition red cap in Isle of Wight red, celebrating the new menu, is preferable in every way to an overpriced bucket hat.

Pip the sustainable showcase for Mary-Ellen?

That band from Burnage came up in conversation two days before in the beyond-quirky environs of the Treehouse Hotel. This is a thrilling transformation of the brutalist Ramada Renaissance at the Cathedral end of Deansgate. Serendipitously, we were dining in its ground floor Pip restaurant, which is under the stewardship of the aforementioned Mary-Ellen McTague. Like The Pearl and Shaun Moffat’s wonderful Winsome Pip showcases great local suppliers and a very British culinary tradition. Her new hotel home is also committed to championing low-waste cooking. 

No, fans up for the BIG GIG weren’t primarily popping in for Mary-Ellen’s deconstructed Lancashire hotpot or the heavenliest of treacle tarts, but as our early evening server reported: `’quite a few will be in later”. A few days earlier Oasis ticket holders were also sighted in Hawksmoor, enjoying the remarkable value three course lunch for £26, which includes rump steak. But then Oasis has long been  about the beef between two brothers.

It has taken a while too for Mary-Ellen McTague to find the right stage. I’ve known her since she arrived back in her native North West after working for Heston Blumenthal. While she was still at Ramson’s in Ramsbottom I had the good fortune to dine with her, and get a kitchen tour, back at The Fat Duck. Then came Aumbry and later The Creameries in Chorlton, which heartbreakingly didn’t work out. A constant triumph for her, though, has been Eat Well, which she co-founded with friends Gemma Saunders and Kathleen O’Connor five years ago. It delivers around 2,500 meals a month, made by Manchester’s hospitality community. Meant to be a temporary response to a global pandemic, this fund-raising initiative continues to feed people in need.

Josephine Bouchon – near perfect Lyonnais corner house

Fulham Road Chelsea is hardly synonymous with deprivation. Michelin groupies may associate it with Restaurant Gordon Ramsay, which has held three stars for nearly a quarter of a century and where the Carte Blanche menu will set you back £260. The best of the rest on the scene had seemed to consist of swanky gastropubs. Until Josephine. It’s named after serial star gatherer Claude Bosi’s grandmother and is a slick but sympathetic homage to those bouchons (bistros) originally frequented by Lyon’s silk workers. Today’s real ones don’t offer the heritage glamour of Josephine but Bosi’s incarnation more than matches them, with less heaviness. 

After starters of terrine de campagne with cornichons (£17.50) and dorade marinée aux olives and citron (aka sea bream crudo, £15) we had the lapin à la moutarde – (rabbit in mustard and tarragon sauce) to share for £68. Definitely consisting off more than one whole bunny, it could have fed four, all of whom would have been swooning in delight, as we were. A £17.50 chocolate mousse to share, alas, just seemed one gustatory challenge too far. Next time. And surely will be… if we can tear ourselves away from our perennial Racine fetish. I liked the fact that the menu attributed that terrine, the equal of many I’ve had in Lyon, to London charcutier George Jephson. How very French.

The metropolitan bargains to be found here are a ‘Menu de Canut’ featuring simple Lyonnais specialities (£14.50 for two courses, £29.50 for three). There is also a daily changing Plat du Jour for £16.50). Stick to the £28 a bottle house wine and you won’t ‘faire sauter la banque’ as they say in French. In a further homage to the Lyon bouchons they measure that house wine (we had a very acceptable Rhone red) with a ruler to decide how much you pay.

So did The Pearl live up to Josephine’s folksy finesse?

The red wine that accompanied our four à la carte courses in deepest Prestwich hailed from Sicily, but was prime example of local sourcing. Borgoleo is a 14 per cent Syrah produced from the vineyards of Filippo Zito’s family. These days you’ll find the former Midland French sommelier at the Failsworth wine shop/tasting room he runs with his wife Natasha. They provide other wines for The Pearl, but this, his own, is the one to go for, a complex bargain even at £60 a bottle.

It fitted our evening, which featured a large ‘snack’ of glazed lamb ribs with an exquisite red wine jus and a later main of lamb rack and loin, a fine dish but eclipsed by my ex-Dairy sirloin with hen of the woods mushrooms and a beef fat potato terrine. It was sourced inevitably from Littlewoods of Heaton Chapel. Incredible stuff.

I should by then have been ‘steaked out’ after a beef tartare. Despite the presence of lovage and smoked eel this dish was surprising unassertive; the same could not be said of its fellow starter where a slash of black garlic added oomph to a glorious croquette of Bury black pudding with apple compote and nasturtium. Modern British? Yes.

Milk bread is having its moment so no surprise when a few dinky slices of the kitchen’s own arrived with marmite butter; toasted it partnered, the tartare. Perhaps a raft of French toast under a chantilly blanket that came with Prestwich honey and peaches was a carbfest too far. But it was a generous feast.

Did Pip at the Treehouse climb the heights?

As at The Pearl, I kicked off with oysters – each time a modest trio. In Prestwich they were Scottish Cumbrae with a mignonette dressing and a squirt of Tabasco (£10 for three); at Pip I took the ferment liquor option with my Carlingfords (£4 each). We had considered the affordable four-course ‘Pip Mini Tasting Menu’,  available for dinner at £30 a head with a generous optional wine pairing at £20 each, but couldn’t resist the lure of the à la carte, which felt classic McTague. 

Each dish is recognisably a model of clarity. Nothing superfluous on the plate, core flavour the foremost consideration. I had wondered if all this might be diluted in the context of running a whole day hotel catering operation (there is a separate team for events).

Not on the evidence of this particular meal, an antidote to ‘fine dining’. Sardines on toast as a starter is almost an act of daring, but it feels just right. Deconstructed Lancashire hotpot sounds a mite Masterchef poncey? None of it. The regional one-pot dish is translated into a huge, beautifully seasoned Barnsley chop on a bed of melting hotpot potatoes, the dish given seasonal vigour by an abundance of minty peas and broad beans. Classic cauliflower cheese went well with this and my open lobster and crab thermidor pie, topped with a lemon hollandaise, its lushness offset by grilled gem lettuce. 

Among my fondest memories of Aumbry were the puddings and here both a treacle tart, earl grey and bergamot and a flourless chocolate cake with fennel cream were sublime.

Little things linger. So many vapid amuse bouches about. But here we had kicked off with split pea chips with mushroom ketchup. All the ketchups, pickles and ferments are made in-house; it’s symptomatic of what today’s new wave Brit cooks are up to. Who needs an elaborate over-reduced sauce? Not that well-grounded Josephine Bouchon dallies with such Cordon Bleu niceties either. 

After three such well pitched meals, what is the French for common ground?

Fact file

While in London to review Josephine Bouchon I stayed at The Z Hotel Leicester Square, 3-5, Charing Cross Rd, London WC2N 4HS, latest site for this stylish but affordable boutique lodging group. You couldn’t be closer to the West End action, yet the  95-room property nestles in a quiet corner beside the National Portrait Gallery. Indeed our extra comfort Club Queen room looked out on the Gallery entrance.


You wait all your days for a debunking of the minerality’ in wine and then two come along. Both books, just published by the Academie du Vin Library, take a genuine tilt at accepted assumptions of terroir. 

The subtitle of Taste The Limestone, Smell The Slate by Alex Maltman (£35) is a mite off-putting: “A geologist wanders through the world of wine” Did my favourite wine writer,  Andrew Jefford, put me at ease with his summation? ‘“Rocks and soils haunt our thinking about wine. We see links, sniff origins, taste connections, digest differences. Is this cause and effect – or fantasy? Alex Maltman is ghostbuster-in-chief. This wide-ranging and clearly reasoned book shines a torch through cobwebs.”

Cobwebs initially entangled me as I waded through Professor Maltman’s links between terroir, geology and microbiology, but I was gripped once he put into scientific context wine writing’s insistence that minerals in the vineyard bedrock contribute to the eventual taste in the bottle.So many other factors are at play. His conclusion: ‘minerality’ is a pseudo-science.

Inescapable mind. In a recent copy of Decanter magazine Beverley Blanning MW, author of a new book on Wines of the Loire Valley, reviewed eight Sancerres from that limestone-clay terroir with a hint of flint in the east of the region. The Domaine Vacheron sample is spared, but in her short evaluations of the other seven ‘mineral’ features seven times, ‘minerality’ three.

So what does have a major impact according to Maltman? Check out the chapter, Four Elephants in the Wine Room”. The four key factors are soils, rootstock selection, choice of yeasts, and ambient factors affecting taste perceptions.

Book number two, which wields its debunking scythe much further, is Sunny Hodge’s The Cynic’s Guide To Wine (£25). As the title suggests it’s a rational antidote to romantic grape tosh, making use of the writer’s scientific background (in mechanical engineering) and running his two London wine bars – Diogenes the Dog and Aspen & Meursault.

Hodge is vituperous about the bullshit of wine speak: “‘The more we talk about wine in that way, the less we learn about wine. The more we understand why this tastes so “green-appley” because of the natural malic acid; why your Merlots and Cabernets taste so peppery, because of the pyrazines… I know it’s very technical food talk, but the more we talk about it normally, the less smoke and mirrors there are.” It’s a more approachable book than Maltman’s, ranging wider. I particularly liked the final chapter exploring taste perceptions and neurology.

I also enjoyed the sense of genuine personal engagement in the writing. Take this passage after he has pointed out that almost all rocks and minerals are essentially tasteless and odourless: “It is hard to believe that we conjured aroma associations with certain metals and rocks out of nowhere. I can myself recall the most distinct smell of lead from an unfortunate turn of events in Peckham.

“In my early twenties (he is now 35) I ended up with a couple of lead air rifle bullets lodged in the back of my head and jaw when I was the victim of a clichéd London robbery following a skate filming session… To this day the smell and taste of that alien object under my skin is unforgettable. How is possible that smell didn’t exist?”

After such polemics a recognisable vineyard journey from one of the great English wine writers. Sarah-Jane Evans’ The Wines of Northern Spain has long been an essential guide to regions that are among my favourites. Now seven years on comes The Wines of Central and Southern Spain (Academie du Vin Library, £35), which takes us from from Catalunya to Cadiz via the Levante and ends on the wilder shores of the Balearics. Trendy Sierra Gredos doesn’t make the cut, but the omission is slight when there is much else to savour in this encyclopaedic evaluation of arguably Europe’s most interesting wine country. In particular I love they way she tackles the recent transformation of traditionally hidebound sherry country in Andalucia,

Also new in the same series is The Wines of California (£35) by Elaine Chukan Brown. It is an in-depth look at what is the world’s fourth largest producer of wine, focusing not just on her base, Napa, and Sonoma but other viticulture areas emerging against the challenge of climate change, drought and the threat of wildfires. 

The book, heavyweight in every sense at nearly 500 pages, is divided into three major sections. The first presents the key ideas that help make sense of California wine as a whole, including the history of the state’s vineyards and how the topography delivers California’s climatic and soil conditions. The second tackles each major region in turn, spotlighting the most significant and interesting producers. A final section discusses the future of the industry across the state.

The Smart Traveller’s Wine Guide Series offer a pocket-sized, well-illustrated  wealth of information that can enhance a road trip or stay in any region. The latest volumes, each just £12.99, live up to that billing – Tuscany by Paul Caputo and Rioja by Fintan Kerr  (each £12.99). Both had me scanning cheap flights over.

Image credits: Chateauneuf du Pape galets (Megan Mallen); Sarah-Jane Evans and Sunny Hodge (Academie du Vin Library); Priorat (Antonio M Romero Dorado) and Sanlucar (Til F Teek).

These days I eat out less than I did. All relative maybe. But I do cook tenaciously at home on the back of canny sourcing and our own garden bounty (again only relative). And, of course, vicarious pleasure is always there when I see chefs and restaurants I was among the very first to champion picking up plaudits. Great to see a national critic finally make it to Bavette Bistro in Horsforth and laud it to the heavens. Equally welcome is the universal praise for the great Shaun Moffat at Winsome (bring back the wild boar Barnsley chop please). Amazing but not surprising news that Pignut, Helmsley (shortly to be Pignut at the Hare in Scawton) is one of five restaurants shortlisted for the Estrella Damm Sustainability Awards).

In contrast, some eating places I have loved from the start suffer from perceptions of glam overload, which detracts from the food on offer. Take Fenix in Manchester, a pioneer in the happening quarter around Aviva Studios.

In my original 2022 review for Manchester Confidential I couldn’t help teasing about its mythical Mykonos persona while being wowed by its contemporary fine dining take on Greek food. I’ve been back several times and never been disappointed, the latest to sample its 2025 summer menu and a range of superb Greek wines. 

There was me, a huge fan of the Thymiopoulos red range, centring on the Xinomavro grape, and I’d forgotten how good their Malagouzia-Assyrtiko white blend from Macedonia can be, melding the full-on fruit of the former with the saline minerality of the latter. Lovely but it was eclipsed by a limpid red from Crete. Nicos Karavitakis has worked wonders in squeezing rich cherry flavours out of the pale Liatiko grape without losing the fresh acidity.

I missed the original Fenix press invitation because I was then eating my way down the Rhone Valley (OK I do get out), but answered the ‘do come along later’ call. And wasn’t disappointed. A co-production, as always by Athens-based exec chef Ippokratis Anagnostelis and in-situ head chef chef Zisis Giannouras (the one with the heroic beard), it offered no dramtic over-haul but some delicious tweaks.


Wagyu Dolmakadi, stuffed vine leaves with ‘that’ beef’ didn’t sound me but was delicious, albeit at £24.50 for a trio of the tiny wraps. Even better was charred Calamari with taramasalata cream and lime dressing. Spicy red snapper dressed in aji panca with fresh mango and olive oil felt less authentically Greek, but that’s the point of Fenix. The menu is filtered through an innovative modern Greek sensibility. It doesn’t always work. An over-sweet white sesame dressing on a broccolini side did no favours for the the robata tenderloin with potato terrine and black olive. 

Mediterranean dish of the dinner was tiger prawns on a tangle of linguini in a saffron and tomato crustacean broth, infused with a hint of Pernod. Maybe more Amalfi than Athens, but who cares?

An old favourite remains irresistible among the desserts – the quartet of  Greek baklava ice cream, Greek Tsoureki ice cream, yuzu-lemon sorbet and chocolate Valrhona sorbet. Definitely a trencherful for two to share. It arrived plus another new dish that’s definitely a star in the Fenix firmament – cinnamon fruit crumble and a caramelised apple crème brûlée.

Don’t forget the drinks of the Gods too (here I go again) on the cocktail list. Once again I pre-prandially tested my strength on Hercules’ Eighth Trial. For £16.50 you get an awesome back story as well as a steamingly good presentation. “Son of Zeus and Alcmene, divine monster-slaying hero Heracles was forced to undertake a series of trials. The eighth was capturing a herd of man-eating and fire-breathing horses from Diomedes. His victory is immortalised in our watermelon and whisky pre-dinner sipper.”

Fenix Restaurant and Bar, The Goods Yard Building Goods Yard Street, Manchester M3 3BG. 0161 646 0231.