Here are my favourite food and drink books published in 2022 with something to suit everyone’s prezzie stocking. I make no apologies for kicking off with a couple addressing, in their different approaches, a wellbeing approach to eating. The health of our planet seems inextricably bound to the healthiness of what we eat.

Food For Life by Tim Spector (Jonathan Cape, £20)

Initially sceptical about yet another nutritional gospel, I was won over by the famous epidemiologist dissing ‘superfoods’ and proclaiming his own food passions, which include dark chocolate, red wine and butter alongside all those key ferments, kimchi, kombucha and sourdough bread. Such food choices for health? Im with him all the way.

The new tome is an upgrade on his The Diet Myth, (2015), which popularised the idea that each of us has a unique and constantly changing gut microbiome that is crucial to our health and 2020’s Spoon Fed, in 2020, which debunked a legacy of food misinformation that encourage us to consume many products that are of scant nutritional value. The microbiome continues to take centre stage but the research message is that each individual’s ideal diet is different and common sense should prevail.

Healthy Vegan Street Food by Jackie Kearney (Ryland Peters & Small, £20)

A key element in Spector’s message is the importance of plant-based while avoiding the trap of vegan ready meals. He is keen on spices too, so Jackie’s latest book, revisiting her food discoveries across South East Asia, is a natural companion in the stocking. The former MasterChef finalist expounds on the health value of these tasty cuisines in my recent interview with her. What really impresses is, seven years on from her debut cookbook, the lack of recipe duplication alongside the lessons she has learned about the health value of ingredients as she tackles he own auto-immune issues.

Rambutan: Recipes from Sri Lanka by Cynthia Shanmugalingam (Bloomsbury, £26)

Like with buses, you wait around for ages for a definitive book on Sri Lankan cookery and then two come along. Compendious indeed is Hoppers, from the London chain name-checking the savoury rice crepe synonymous with the island, but I prefer this more narrative-driven alternative with its 80 attractive recipes, including fabulous mutton rolls. Coventry-born Cynthia’s family hails from the northernmost tip of Sri Lanka – Tamil territory – and the book does not shy away from the terrible conflicts as it explores the ravishing culinary culture. Above all, it is a celebration of a family in exile maintaining its links via food.

Notes from a Small Kitchen Island by Debora Robertson (Penguin, £26)

Now for a read that is less dramatic but with it own distinctive, domestic voice. The chapter names reveal the wry take on food from this erstwhile Daily Telegraph columnist: No one wants brunch’; ‘Why everyone hates picnics’; ‘How to survive having people to stay’; ‘unInstagrammable, that’s what you are’. Like Nigella Lawson, I am a fan of this diarist, whose kitchen apercus straddle Co Durham and the Languedoc. 

Here’s Debs on Roast Lamb with Durham Salad: “ My slow-roast lamb is luscious and garlicky, which would probably have offended my northern antecedents, who greeted the arrival of garlic in the trattorias and brasseries of County Durham circa 1970 with no small amount of suspicion, bordering on disdain. My mother, being a free spirit and one of the first people in the county to wear cork wedges, suede trouser suits and, famously, a crocheted bikini made by my Auntie Dolly, was an early adopter and always loved, and still loves, garlic, so this is for her.”

Cooking: Simply and Well for One or Many? by Jeremy Lee (4th Estate, £30)

Distinctive voices? Well that surely bring us to ‘national treasure’ candidate Jeremy Lee, whose debut cook book has been rapturously promoted. For once, happy to endorse; this really is an instant classic – my prime Christmas prezzie recommendation. I devoted a whole article to his recipe for salsify but in my heart of hearts would settle for the signature sandwich at his Soho restaurant Quo Vadis – smoked eel.

Butter: A celebration by Olivia Potts (Headline, £26)

Jeremy Lee prefers light, unsalted butter for cooking and baking. In her debut cookbook Spectator magazine `Vintage Cook’ columnist and former barrister Olivia begs to differ. Salted is her go-to in th fridge. Who’s to argue with a cook devoting 350 pages to the glorious (and healthy) key to so many culinary delights. I’ve been cooking from it ever since it dropped through my letterbox – most notably a Wild Mushroom, Tarragon and Mushroom Pithivier.

A Dark History of Sugar by Dr Neil Buttery (Pen & Sword, £20)

Sugar – now there’s another much-debated kitchen essential, this time with a troubled history to match its place on the table. I interviewed the Levenshulme-based (and yes sweet-toothed) food historian about his research which encompassed the murky worlds of both slavery and later, teeth-rotting commercial exploitation. Dark stuff indeed, but this is a delightful read, if not for the squeamish.

The World of Natural Wine by Aaron Ayscough (Artisan, £31.99) and The Wine Bible by Karen McNeil (Workman, £31.99)

Two very different approaches to wine writing, each to be treasured, both authors from the States. Natural wine proselytiser Ayscough is based in Beaujolais, the crucible of the natural wine movement thanks to certain key figures over the past four decades. Across 400 pages he traces that timeline in depth, exhaustively explaining what make this alternative ethos superior to mainstream ‘manipulative’ winemaking. 

Karen McNeil’s encyclopaedic tome runs to 700 pages and embraces the mainstream. The first two editions have old more than 800,000 copies. This updated third now has the advantage of colour and whole new chapters on Great Britain, Croatia, and Israel. he chapters on France, Italy, Australia, South America, and the United States are greatly expanded. What I like are the little sidebars on regional food or culture anecdotes. A great, approachable yet opinionated entry in the ever-evolving world of the grape.

Grandes Pagos de Espana is a prestige association of single estate Spanish wineries. A broad church indeed as I discovered at a recent public tasting at Manchester’s hub of all things Iberian, the Instituto Cervantes. The seven bottles we sampled ranged from a new wave richer-style Txakoli white from the Basque Country to a minimal intervention Mencia-led old vines field blend from Leon. I particularly liked the 100 per cent Garnacha Secastilla from the Somontano region.

Unsurprisingly though it was a trio of reds from a different but very familar grape that finished proceedings, culminating in the Pago Negralada from Abadia Retuerta. 

Wines from this estate are regularly supplied to winemaking schools as benchmark examples of Tempranillo, Spain’s most widely planted premium varietal. That information came from Miguel Gavita, who had guided through the Pagos tasting. No false modesty here – Miguel works for Abadia – but he can be forgiven. I know first hand, in situ, how good their wines can be. Perhaps the wonderful setting influenced my judgement when I stayed there one glorious late spring. It’s all coming back.

My planned visit to this luxury hotel with its own winery two hours north of Madrid had been nipped in the bud when a journalists’ press trip was cancelled. Then I ran into the Abadia head honcho at a Relais & Chateaux bash in Cheshire and he said: go on, we’ll host you solo. Le Domaine lodging project was still a work in progress when I arrived

Heavenly Retreat Among Spain’s Great Vineyards

Storks and cranes, the skyline of an abbey fortress surrounded by vineyard. The storks are nesting busily in the 12th century belltower; the cranes, the giant mechanical sort, are at rest. This is a Spanish bank holiday and work will resume tomorrow on turning former monks’ dwellings and stables into eight new guest rooms and the Sanctuario spa/pool complex. To complete the transformation into one of Spain’s finest hotels. 

Welcome to Abadia Retuerta, westernmost of the wineries producing some of Spain’s greatest reds along the River Duero’s Golden Mile. Le Domaine, is the place to stay around here with just 22 rooms and a cuisine curated by one of the country’s Michelin-starred greats.

I’ve only just arrived and barely settled in my room, pausing open to fling open the shuttered windows for an eyeful of vines before I am out among them for a pre-prandial stroll. The view back is equally enchanting – pale, honeyed stone cunningly renovated, harmonising Romanesque and Baroque.

Such evenings of mellow sun and blue skies have been rare this spring. At 800m above sea-level here they expect nights to be cold, but it has been uncommonly wet, too, bad for the grapes planted across 700 hectares upon which Abadia’s fortunes are built.

In 2005 their flagship wine, the Seleccion Especial conquered all at the International Wine Challenge, capping a remarkable fast track rise for an operation only begun in 1995 on land previously part of the legendary Vega Sicilia estate. 

The winning  wine was from the 2001 vintage. I never expected to be served a bottle from that year with my dinner in the Refectorio, but there it was, still vigorous yet elegant, the quintessence of Tempranillo (with the support of some Cabernet Sauvignon).

The Refectorio was where the monks ate (and occasionally kept their livestock). Now these soaring white stone vaults are home to Le Domaine’s fine dining restaurant. For the holy men’s simple gruel, root veg and pond fish substitute sauteed cuttlefish with a reduction of its own juice, cod cheeks whitened with gelatine with a honey emulsion, market fish with seasonal ragout and its toasted bone juice, then crispy baby lamb with quinoa.

(Abadia owners Swiss pharmaceutical giant Novartis originally enlisted Andoni Luis Aduriz of Michelin-starred Mugaritz to launch the kitchen operation. It retains a star to this day plus one of those sustainability-savvy green stars. Similarly, the winery was designed by Bordeaux legend Pascal Delbeck, the man who revived Chateau Ausone.)

The estate is actually just outside the borders of the official Ribera del Duero wine denominacion, meaning the wines bear the name of the nearest town, Sardon del Duero.

This actually gives the winery more flexibility in the vines it plants and a portal for innovation. Alongside, Abadia Retuerta really feels like the cradle of winemaking in the region.

The Santa Maria de Retuerta abbey was originally founded in 1145, by Doña Mayor, wealthy daughter of Count Ansúrez, Lord of Valladolid – one of many fortified religious houses built during the Christian “Re- conquest” of Castile from the Moors. The Ansurez family left “terras et vineas” (land and vines) to the French-based order of St Norbert, which was the beginning of the estate’s long history of producing wine. 

The abbey, though, after splendid additional building work during the Baroque era, fell into a steep decline until the current sensitive renovation that marries light-filled chic interiors (lots of marble, linen and luxury fittings) in the bedrooms in the Baroque half with the miraculously preserved original church and sacristy. 

Off the utterly calm cloisters you’ll find an even calmer yoga room, hi-tech meeting rooms and the Vinoteca casual dining space new and old stone all seamlessly joined… while high above the resident stork family keep a beady eye on guests.

Most of these come with wine in mind, sampling first at the Abadia Retuerta’s own tasting room in the winery and then visiting rival establishments along the route to “wine capital” Penafiel. Le Domaine offers a unique personal butler service that can sort out all arrangements for you. Hot air balloon trip, helicopter tour or, closer to the soil a horseback ride? Just ask.

My butler Juan ferried me east to Penafiel to see the remarkable, elongated white castle on the hill and the Richard Rogers-designed Protos winery. It’s a workaday place, as wine towns often are, but with lots of attractive tapas haunts and an astonishing enclosed medieval square called the Plaza del Coso. Folk hire the balconies of its private houses when bullfights are held there. On our visit the shutters were closed, a couple of cats snoozed and it shimmered in the sun like the epitome of Old Castile.

Delightful, too, my last walk before departure at Le Domaine – along a raised path between the Duero Canal and the river proper. The birdlife is abundant and the spring flowers are glorious. The estate pays the same meticulous attention to stewarding the environment as it does to producing proper wine and pampering luxury guests. 

Mummy stork suddenly takes wing and flaps across the vineyards under a cloudless sky. A final glass of Seleccion Especial awaits me in my cool room. I think I’ve gone to heaven.

Abadia Retuerta, Carretera Nacional, 47340 Sardon de Duero, Spain. 

Such a joy when two of my favourite food and drink passions consummate a relationship and the twin offspring are equally appealing. That’s what happened when Balance Brewing and Blending met Polyspore to create a brace of tremendous mushroom beers, available to buy now.

I tasted both Freckled Chestnut and Lion’s Mane from the bottle at the collab’s launch in the upstairs bar of Manchester’s Port Street Beer House. Both sets of business partners were present the christening – Will Harris and James Horrocks of mixed culture, barrel fermentation specialists Balance and Polyspore specialist mushroom growers Mike Fothergill and Dylan Pybus.

I’ve profiled both groundbreaking operations in recent months, visiting their respective bases in North Western Street near Piccadilly Railway Station and in the Radium Wrks Altrincham (Balance are currently moving to Sheffield Street nearer the station). Read those respective backstories here and here.

The collab beers, named after specific mushroom types, were scheduled for release at IndyManBeerCon at the start of October but weren’t quite ready Will and James (ex-brewers at Track and Squawk respectively) are nothing if not particular. The presence of Wild Beer Co at the festival, where I tasted their wasp nest yeast beer, reminded me that the Somerset-based brewery had once brewed a mushroom beer of their own called Breakfast of Champigons. It was a one-off. Down to, I suspect, a reluctance of even the most avid funkheads to grasp the fungi flavour in a glass.

Still there was a rapturous reception across the Pond for repeated batches of Texas farmhouse brewers Jester KIng’s Snörkel – a saison brewed with alderwood smoked sea salt and oyster mushrooms.

All very exotic but how do the new Balance brews stand up? They started off life in a single barrel, filled in December 2021. According to James: “This barrel was chosen as a base due to its nicely balanced acidity, fruity funk and clarity of flavour. The beer was split between two tanks, one had Lion’s Mane mushrooms added and the other had Freckled Chestnut mushrooms. The beer married with the mushrooms for just over a week before being bottled and laid down to condition.

“The wonderful mushrooms grown by Polyspore have imparted their own distinct character while letting the beer shine too. Lion’s Mane shows some really nice citrus character with vanilla and gentle umami whilst Freckled Chestnut has more earthy tones and nuttiness with a beautiful savoury element.”

Spot on. The brewers prefer the more up-front funk of the Lion’s Mane; I marginally prefer the Freckled Chestnut’s more brooding charms, which will open out surely with a year or two’s bottle ageing. Visit Balance’s website and both limited edition beers, priced at £18, appear to have sold out but, as with previous releases, you may be able to seek them out at specialist bottle shops. 

Lion’s Mane (Hericium erinaceus)is often cited as a myco adaptogen –  a class of fungi credited with medicinal merits across the centuries, especially by the Chinese. Hence it features in an IPA, part of a recently launched vegan and gluten free beer range called Fungtn. At 0.5per cent it is ‘guaranteed’ to keep you ‘hangover-free’. 

Personally, I’d rather take my chances and drink deep of the strikingly pure and complex 6.5 per cent Balance embodiment.

Some new destinations generate high expectations. Hence the enthusiasm with which I greeted Exhibition. Not just because it is heartening to see a historic Manchester edifice (home to a functional Pizza Express in its least interesting incarnation) given a stylish makeover; the presence of three quality indie food operators alongside a slick bar operation promised to set it apart from more canteen-like places chasing that food hall pot of gold.

Before this 400-capacity venue opens to the public on Saturday, November 12, I’ve been lucky enough to get a sneak preview of what’s on offer from OSMA, Caroline Martins and Baratxuri. While not neglecting a drinks offering headed up by Manchester Union Lager alongside smart wine and cocktail options. This was by special, lavish invitation only, so no way of gauging what the overall ‘live’ experience will be like. If that lives up to the parade of dishes served to us then Exhibition is a significant new player. a further bonus… it is dog-friendly throughout.

Here is a link to the lunch menu; and this is what’s on offer for dinner.

I’ve been a fan of Basque-inspired Baratxuri since its inception and over the years I’ve guzzled my share of Rubia Gallega Txuleton, bone-in rib steak from Galician dairy cattle aged over 50 days. At Exhibition £75 will get you 1kg’s worth served blue with fire-roasted new potatoes and tomato salad.

Another speciality of chef/founder Joe Botham also features. Rodaballo a la Parilla (£55) is a whole wild turbot grilled over ember and served with whippd pil-pil. Follow my turbot capital trail in Northern Spain here.

Simpler, less expensive dishes on the menu will satisfy equally well – the likes of immaculately sourced anchovies, the stickiest of ribs and scallops in the shell.

There’s a more compact menu from the offshoot of Scandi-influenced Michelin-rated OSMA in Prestwich, creation of Sofie Stoermann-Naess and Danielle Heron and. The name is an amalgam of duo’s respective home towns of Oslo and Manchester. My Manchester Confidential colleague Lucy Tomlinson gave it 16/20 in her review.

Priced similarly to its turbot rival across the dining rom, their whole cooked lobster is another huge temptation. They have a way with seafood. Check out their exquisite sashimi.

I’ve been a regular at Caroline Martins’ Sao Paulo Project pop-up at Ancoats’ Blossom Street Social. Her foray to Exhibition takes her away from tasting menus to a more stripped down approach, while still fusing Brazilian culinary traditions with cannily sourced local ingredients. Still, she couldn’t resist bringing with her a smaller version of her ‘splash hit’ choc pudding party piece I’ve written about before. My tip: don’t miss her Carlingford oyster with passion fruit sorbet.

Exhibition, St George’s House, 56 Peter Street, Manchester M2 3NQ.

An image of the humble vol-au-vent dropped into my inbox today and I almost swooned, giving it some retro love. Surprisingly the dinky, filled puff pastry didn’t make it onto the buffet of Abigail’s Party, nor did it feature in Simon Hopkinson and Lindsey Bareham’s 1997 retro recipe homage, The Prawn Cocktail Years

Naff image, though? Yes. Yet it has never really gone away as a buffet stalwart despite often languishing in the unfashionable tray. Certainly no one’s going to blame you for buying in a batch of ready-made bases to stuff with chicken, ham or mushrooms in a creamy sauce. One big plus – unlike the prawn cocktail, it’s resistant to ‘deconstruction’.

Variations, savoury and sweet, have been myriad ever since the dish’s invention in early 1800s Paris, credited to the great Antonin Carême. Originally a larger pie, the smaller cocktail party version we now know as a vol-au vent was then called a bouchée.

A testimony to its lightness, the name translates as ‘windblown’. Mrs Beeton (1861) offers us her strawberry version; we’re in naffer territory with Constance Spry (1956), her curry powder and boiled egg filling constituting vol-au-vent à l’indienne.

I expect much better from Climat when it opens in Manchester on Monday, December 5 on the eighth floor of Bruntwood’s Blackfriars House. Suppliers of this morning’s succulent j-peg, this rooftop restaurant/wine mecca is trumpeting the vol-au-vent as its signature snack. Following in the footsteps of the gougère, which serves in the same capacity at the team’s original base in Chester, Covino. That savoury carb, flavoured with Comte cheese, is made from choux pastry like its sweet cousin, the profiterole (which is in The Prawn Cocktail Years).

Luke Richardson, exec chef of Covino and Climat, tells me: “We want to have a different signature snack at each restaurant we open. The gougère will continue to serve Covino, while we’ve opted to resurrect the vol-au-vent for Climat, owing to their complete versatility throughout the seasons. They can literally be stuffed with anything. Beef tartare, parfait, truffle and ricotta, to name just a few.

“Both myself and Simon Ulph (Climat head chef) have worked closely together to develop an opening menu we are both super proud of and we think does justice to the building and the surroundings. We believe we offer something completely different to the Manchester restaurant scene.” 

I can vouch for the quality of food and wine at Michelin-rated Covino. Check out my report on a September visit. The setting there is cosy bistro; Climat is an altogether different beast – major selling points being the ninth floor panoramic view across Manchester city centre and a 250-strong wine list that itself stretches across the horizon. A substantial chunk of these will be Burgundies, a passion of Climat owner Christopher Laidler. Magnifique, I say. Equally promising is the regularly changing ‘modern’ menu with influences from across the world, described by chef Luke describes as ‘Parisian expat food’.

Feasting sized dishes aimed at tables of three or more to share will be a prominent feature in the 100-cover restaurant. Think whole turbot, slow cooked lamb shoulder or ex-dairy cuts on-the-bone. Alongside, Climat will follow the Covino small plates formula. Besides the vol au vents, the snack menu could include fresh malted loaves, seasonal oysters and charcuterie to match that comprehensive wine list.

So what’s on that wine list? Asking for a friend…

The name ‘Climat’ derives from the term used to describe a single vineyard site in Burgundy, which has its own microclimate and specific geological conditions. It’s the region that 40 per cent of the wine list will be allocated to. From some of the world’s best Chardonnays and Pinot Noirs, to the region’s lesser-known varieties and appellations. Who’s for a cheeky Mercurey, Montagny or St Aubin? From elsewhere expect to find at least 15 different grower’s Champagnes and the exciting wines of Jura. 

Climat, Blackfriars House, St Marys Parsonage, Manchester M3 2JA. The restaurant will be open Monday, 5pm-1pm; Tuesday-Saturday, 12pm-3pm, with snacks available -in-between before the kitchen reopens 5pm-11pm. Sundays the kitchen will be open 12pm-8pm, with the bar remaining open until 10pm. To book visit this link. Soft launches will also take place on December 2, 3 or 4, where guests will receive 25 per cent off their food bill.

Just a tiny shoal of fried whitebait tossed with house-grown Sichuan pepper, crisped garlic and coriander – snack prelude to another fascinating Moorcock at Norland lunch. In three months it will be no more, taking with it not only one of the UK’s great food experiences but also a rarely equalled adventurous drinks offering.

On this occasion it is the latter that has lured us to the squally hilltop above Sowerby Bridge. I’ve spent the weekend engrossed in Aaron Ayscough’s The World of Natural Wine (Artisan, £31.99), thus impressionable me can’t resist the prospect of tasting a clutch of minimal intervention reds and whites from France’s Jura and Savoie regions. They don’t disappoint.

Surprisingly Les Dolomies, profiled at length in Wink Lorch’s definitive Jura Wine (Wine Travel Media, £25pb), doesn’t get a mention in the comprehensive, France-centric new book from Not Drinking Poison blogger Ayscough. But then my beloved Jura is a maverick stronghold of natural wine and 15 pages only scratches the surface.

Savoie and neighbouring Bugey are more under the radar, but Domaine Partagé does get a glowing mention as one of five individual profiles. The author, a US expat, is based in Beaujolais, the crucible of the natural wine movement thanks to certain key figures over the past four decades. He traces that timeline in depth, exhaustively explaining what make this   alternative ethos superior to mainstream ‘manipulative’ winemaking. It certainly opened my eyes to the myriad dodgy practices employed in commercial production.

What you get is over 400 pages of (copiously illustrated) polemic. Ayscough pulls no punches in naming and shaming one-time natural crusaders, who have deviated from the true path. Sulfites anyone? The rest of Europe gets only a cursory over-view at the end, but that doesn’t detract from the most comprehensive exploration of a millennial phenomenon. Still the proof is in the pudding… or rather the glass. So back to the Moorcock, where any trepidation about haziness, excess brett and funk, vinegary volatile acidity, nail polish remover stinks or the dreaded ‘mouse breath are dispelled as quickly as the whitebait are despatched.

The four wines (above) we taste are exemplary. Yet each is no comfort blanket. Purity of fruit dominates with a certain attractive wildness. There’s acidity aplenty in the two whites that copes with the whitebait spice and later both the house nduja with roast Jerusalem artichokes and a smoked mackerel tartare. Both the Premice from Les Dolomies and Domaine Partagé’s Cricri were available by the glass at £8 all weekend.

The first uses the characteristic Jura grape, Savagnin, which here is hand harvested, whole bunch pressed and fermented in large tanks, taking advantage of wild yeasts. Terroir in abundance – Les Dolomies is named after the local salty, magnesium-rich limestone rock. Apricot, gooseberries and a white pepper tingle on the tongue.

The Cricri is quite a contrast, almondy, preserved lemony with a decidedly creamy aftertaste that I love. Tech stuff: direct press of whole cluster Jacquere grapes fermented and aged in fibreglass eggs. 

Both reds, at £12.50, are equally contrasting. Le Dolomie’s Bordel C’est Bon is from the Trousseau grape and translates loosely as ‘God that’s good!’. Grapes, de-stalked by hand, are fermented in stainless steel before being given 10 months’ élevage in old Burgundy barrels. For Jura it’s quite a substantial red, definitely damson and smoke on the nose, and  a plummy roundness to the palate.

Bibi from Domaine Partagé was served chilled, appropriate for a lighter carbonic macreation blend of Gamay and Savoie speciality Mondeuse that reeks of cherries and violets. Thanks to Moorcock co-founder and sommelier Aimee Tufford for the tip-off about lingering liquorice notes.

Partagé’s World of Natural Wine profile adds a human dimension. Vigneron Gilles Berlioz is “a fanatic for vineyard work with immense sideburns and a permanent suntan.” In 2016 he and his wife Christine (who work their land with a horse) “took the curious step of changing the name of their estate to Domaine Partagé (‘The Shared Estate’) to honour the co-operative input of all their employees and interns.”

Apologies then if I’ve given the impression of a rather earnest gospel to the converted. There are lots of diversions along the way from Ayscough. It’s wonderful to discover another Jura producer, Philippe Bornard, is “actually more famous outside the wine scene thanks to his 2012 appearance on L’Amour est dans le Pré (love is in the Field), long-running French dating show featuring farmers.” Just one of many eccentricities that go with the territory. 

Some of the author’s analogies are equally quirky. Take Loire producer Patrick Desplats, whose “output since he and Patrick Dervieux parted ways is like that of Andre 3000 since leaving Outkast; slim, indulgent and wildly inconsistent.” Elsewhere one vigneron’s early releases are compared with Cat Power’s – “shrill” – but the later output is as compelling as hers!

Where to buy natural wine in the north…

For the Confidentials website series I have written extensively about the best places to source minimum intervention bottles in the North and explained what constitutes unregulated ‘natural wine’. Follow these links: Manchester Part 1, Manchester Part 2 and Yorkshire. The latter piece profiled the wonderful Kwas in Huddersfield. Alas, it has since folded.

Showing my age. Just realised it’s 30 years since I sat down in the cinema to watch Delicatessen. I expected a celebration of pastrami on rye and coffee-toting waitresses with attitude. Instead I was served a post-apocalyptic, cannibalistic black comedy packed with butchered body parts. 

I blame a movie made two years earlier for my cinematic naïveté. The one where the Meg Ryan character simulates orgasmic cries. The one I always think of as When Harry Met Deli because that scene was set inside Katz’s on New York’s Lower East Side. And, yes, I have visited that apotheosis of all the kosher eateries recalibrating the Old Country in the New World. The touristy sign quotes the film dialogue: “Hope you have what she had.” We ordered differently.

There was a cluttered buzz to the joint, the queues to get in filtered through a ticketing system. The food? Not really star quality. And not really the global template for the Deli  these day, definitely a devalued catch-all term just like bistro and brasserie. Yet neither of these are synonymous with a sandwich shop.

A more positive perspective is the combo of grocer’s and cafe, ideally the latter feeding off the raw materials and store cupboard essentials of the former. A good example (with the bonus of a well-stocked wine shop and bar) was the late, lamented Lunya in Manchester, the original of which is still going strong in Liverpool. That is Spanish with a Catalan influence; the Italian equivalent, equally family-run, is Salvis’ Corn Exchange outpost in Manchester’s Corn Exchange.

My ideal deli though would be a suburban provisioner. The supplier of an impulse wine purchase, a decent cheeseboard, charcuterie, olives and bread to carry home around the corner. Even better, if the budget allows, to be able to tuck into all that stuff upstairs above the shop, augmented by an eclectic beer offering, including the owner’s own acclaimed lager.

Factor in the natural progression 100m away of a sibling butchers/fishmonger with its own eat-in small plates deli counter and it could only be Wandering Palate – The Movie and Farm & Fish – The Sequel. Location? Upwardly mobile Monton, the posh banlieue beyond Eccles. The first is the debut deli of Will and Emma Evans; the second their collab with The Butcher’s Quarter, which has two further outlets in the city centre.

It has taken me a while to trek here. As I sit in the window of Wandering Palate at 190 Monton Road, first with a De Koninck Bolleke, a Belgian amber-coloured pale in the glass of that name, then with a Bodegas Manzanos Gran Reserva Rioja Will brings me a selection of ‘picky bits’.

They are his Manc version of pintxos or cicchetti. The baguette bases are from Holy Grain, arguably Manchester’ best bakery, like Wandering Palate shortlisted at this year’s Manchester Food and Drink Awards. The toppings are sourced from the deli shelves. My favourites the Trealy Farm venison and juniper pâté with salsa verde and truffled Baron Bigod cheese with baby onions.

Time for browsing. A smaller beer collection (“we needed the fridge space for other items”) than you’d expect from Will, who co-founded Manchester Union Lager. That’s on tap here ahead of its unveiling in tank form at Manchester’s new Exhibition food hall this November.

Wine is a major player, though with a substantial natural wine offering, much of it sourced from Les Caves De Pyrene. Coffee comes from Yorkshire’s Dark Woods, charcuterie from Manchester’s own Northern Cure, cheese from The Crafty Cheese Man and much more.

Emma Evans is an acclaimed artist, whose canvases you can check out in the upstairs bar. She also hosts regular life drawing classes there. Probably more my thing is Wandering Palate’s Wine Club Wednesdays with free corkage.

Farm & Fish at 190 Monton Road equally aspires to be a community hub. It recently hosted a Polish wine tasting. But my eyes were for the meat and fish counters. I inevitably splashed the cash, coming away with a kilo of  ox cheeks and a robust boiled crab. I could happily have sat in the window there with a further wine as evening fell… to survey the Monton ‘paseo’.

Ensō is an old Zen word meaning “a circle that is hand-drawn in one or two uninhibited brushstrokes to express a moment when the mind is free to let the body create”. 

That’s how I almost felt tasting beer with that name at the recent Indy Man Beer Con in Manchester. Brewed using wasp yeast and in-season apricots, it tasted naturally honeyed, giving a whole new slant on ‘amber nectar’. I was exquisitely pure. You always get surprises from the Wild Beer Co, but this surpassed expectations. So what was the backstory behind the buzz?

The Shepton Mallett based brewers are celebrating their 10th anniversary, so sought a statement beer to grace their presentation box. Like the Royal Funeral preparations it has been a drawn out process. Eureka moment came when they managed to harvest a wild yeast from an abandoned wasp’s nest and a handful of dead wasps discovered on the farm next to the brewery. 

Five months’ harvesting later and it was ready to kickstart Ensō. The fresh apricots and British hops seemed a perfect fit for this one-off 6% ABV wild ale, currently available only as part of the Wild Beer Co 10th Anniversary Box (pre-order via the web shop at £74.99). But there are plans for it to be released as a separate product before Christmas.

Wild Brew Co consulted with entomologists (as you do) along the way. “This kind of project is what we are all about, so it had to be investigated. Wasps are proven to play a significant part in the preserving of wild yeast throughout the colder months, and then helping to reintroduce it back into the wild when spring arrives.” 

For the full narrative read their blog. Then consider the wider entomological picture. 

Research shows the importance of wasps to the brewing process. They preserve the yeast picked up from summer fruits over the cold winter months and continue to preserve it for reintroduction in the spring. A couple of academics from University of Florence found that the guts of wasps provide a safe winter refuge for yeast – specifically saccharomyces cerevisiae, the fungus we use to make wine, beer and bread.

For years scientists had assumed that yeast’s ability to show up on virtually every grape in a vineyard was most likely due either to birds or bees with wind scattering a factor. The trail then narrowed to wasps, which hibernate, then construct nests in the spring. 

To find out if wasps were indeed the saviour of yeasts, the team collected samples from 17 Italian vineyard regions. Result: he majority of them harboured yeast in their guts across all four seasons and the yeast turned up in the guts of the young shortly after they were first fed ensuring that the yeast could carry on indefinitely.

Thanks, wasps. And by the way the wasp-free remainder of the Wild Beer Co line-up was among the best on show at Indy Man and the most comprehensive I’ve encountered since dropping in on their Bristol waterfront taproom. Top of my bucket list, though, is a visit to their HQ a few miles from Glastonbury.

Matthew Curtis in his excellent Modern British Beer (CAMRA Books, £15.99) describes “a certain peacefulness to the location – touch of magic in the air, perhaps. Inside the barrel store the air is taut with the musty scent of beer maturing in oak. It’s a climate ripe for the practice of the mystical art of spontaneous fermentation and he creation of evocative beers that live up to the ‘Wild’ element of the brewery’s name.

You can almost feel the benign presence of the wasps in the barn.

Main wasp image by barockschloss. 

While we await the eventual unveiling of a Manchester Town Hall fit for 21st century purpose we can welcome Exhibition bar/food hall, a more modest repurposing of a nearby building on Museum Street that is part of the rich heritage of the city centre. Just look at the glorious Art Nouveau facade of St George’s House, the dragon slayer celebrated by a terracotta version of Donatello’s sculpture. 

Once home to the YMCA, it was previously the site of the Peterloo Massacre and the city’s first Natural History Museum, whose most bizarre incumbent was Hannah Beswick, the ‘Manchester Mummy’, This wealthy 18th century woman with a pathological fear of premature burial asked for her body after death to be embalmed and kept above ground to be periodically checked for signs of life.

The signs of life at Exhibition are far more encouraging with the announcement of a wholly appealing trinity of independent food kitchens across its 6,000sqft space alongside two bars and dedicated exhibition spaces for local artists, all set to open this November. Its creators already run the coffee shop/wine bar Haunt in the building.

With all due respect, the arriving Osma, Caroline Martins and Baratxuri are in a different league. More enticing than the line-up at Society, down the road next to the Bridgewater Hall, or at the newly opened New Century Hall. A beer offering headed up by Manchester Union Lager suggests the 400 capacity venue also has the nearby Albert’s Schloss in its sights.

So what to expect foodwise from Exhibition?

Admission: I’ve never made it to the Scandi-influenced, Michelin Guide rated Osma in Prestwich despite glowing reports all round. Baratxuri, though has been on my regular radar ever since this Basque fire cookery fave sprang from big brother Levanter in Ramsbottom in 2015. It has since pushed its boundaries with city residencies at Escape to Freight Island and more recently at Kampus. The infectious, innovative skills of Brazilian Caroline Martins have been a more recent addition to Manchester’s foodscape. As the Great British Menu chef’s Sao Paulo Project pop-up nears its close at Blossom Street Social, Exhibition looks to offer a further showcase for some of the city’s most exotic ingredients.

OSMA during the day will serve open sandwiches with fillings such as cured Scottish salmon, golden beetroots, spinach and mustard, or rump of beef with onion jam, rocket and parmesan, all alongside fresh salads and hearty soups. In the evening, there will be new small plates such as Avruga caviar pots with toasted brioche, a sashimi plate served with caper and shallot sauce, whole lobster (above) with herb butter or a dish of roasted and pickled beetroots with raspberry and rose.

BARATXURI will offer sharing plates such as Capricho Oro’ Txuleton, a 1kg bone-in rib steak, from the Asado oven alongside fire-roasted short rib with crushed garlic chickpeas and pomegranate molasses salsa plus raciones of boquerones and Jamon Iberico de Bellota and an extensive range of pintxos at lunchtime. 

THE SAO PAULO BISTRO promises a more relaxed spin on her Brazilian-British fusion with local suppliers at the heart of the new menu. Caroline will work closely with Platt Fields Market Garden, Dormouse Chocolates, Northern Cure, The Flat Baker and much more. Menu highlights include hand-dived scallops with creamy cassava sauce, Sao Paulo steak sandwich made with Lancashire ribeye and Garstang blue sauce, and a showstopper chocolate dessert using liquid nitrogen. My tip: don’t miss her Carlingford oyster with passion fruit sorbet.

The drinks offering also looks a winner. General manager Gethin Jones has masterminded spectacular cocktail offerings at the likes of Cottonopolis, Edinburgh Castle and Ducie Street Warehouse, while a a dedicated rotational line for Manchester breweries such as Sureshot, Cloudwater and Pomona sends out all the right signals. Topping that, the main bar will be the first in the city to offer Manchester Union straight from in-venue tanks. There’ll be wine on draught, too, with high quality Verdejo promised and by the bottle and glass an emphasis on low intervention wine.

After dark, Exhibition will transform into a late night bar with DJs, live singers and instrumentalists taking centre stage. Expect an eclectic mix of genres and a roster of local and international DJs, every Wednesday-Sunday. Seven dedicated areas will see a new local artist exhibiting their work every season.

Back to normal, post-pandemic? Well, not quite. Manchester’s food drink scene faces further unprecedented pressures with the current cost of living and energy crises. Yet the daring, innovative flame still burns bright and hell, do they all know how to party. My morning after lifesaver was the recuperative vibe of the city’s glorious new Mayfield Park.

That’s the ‘back garden’ of Escape to Freight Island, again the venue for the Manchester Food and Drink Awards, where there was a rapturous reception for a parade of independent heroes. As fascinating a set of winners as I can recall. Name me another UK city where the big four awards would have gone to such an eclectic quartet as Where The Light Gets In, Eddie (Walled Gardens) Shepherd, Another Hand and Speak In Code. 

These winners were chosen by a combination of a ‘mystery shopping panel’ selected from MFDF judges, including yours truly, with a measure of public input. Independent Food Producer and Independent Drinks Producer were judged by a panel taste test. The rest of the awards followed last year’s precedent and were solely the result of the (impressively large) public vote. 

Across the board there was evidence of a strong commitment to sustainability, local sourcing, cultural diversity and community values. Buzz words all but sometimes just talking the talk. Not here.

Take the aforementioned ‘big four’. Stockport’s Where The Light Gets In sources produce from The Landing, its own urban gardening space on top of the town’s Merseyway Shopping Centre. Eddie Shepherd is even more hyper-local; his plant-based ‘underground restaurant’ in Whalley Range is driven by the bee hives and herbs in his (walled) garden diners look out on.

In the city centre Another Hand is a committed purchaser of fruit, veg and herbs from Cheshire’s groundbreaking Cinderwood market garden, which supplies several of the establishments on the Awards shortlists. Vegan cocktail specialists Speak In Code, a four minute walk away from Another Hand, is remarkably hands-on. The bartending staff craft the various veg, fruit and spice-led cocktail concoctions alongside plant-based snacks and their own customised ice.

Finally a hugely deserved award cementing the resurgence of Stockport as a gastronomic destination. Restaurant of the Year WTLGI and its baked goods sibling, Yellowhammer, which was also up for an award, had to share the limelight with two of the North’s canniest events operators. I’ve known John and Rosemary Barratt for nigh on three decades and Foodie Fridays, packing the cobbled ginnels around Stockport Market Place, is their benchmark achievement. On the night it earned them both Pop Up/ Project of the Year and the coveted Outstanding Achievement Award. Their on-stage celebration, below, was a fitting climax to a special night.

Here is the list of this year’s winners…

Restaurant of the Year – Where The Light Gets In

Shortlisted: 10 Tib Lane, Erst, The Sparrows, Another Hand, Mana, The Firehouse, Where the Light Gets In.

Chef of the Year – Eddie Shepherd (The Walled Gardens)

Shortlisted: Caroline Martins (Sao Paulo Project), Joseph Otway (Flawd), Sam Buckley (Where the Light Gets In) Patrick Withington (Erst), Adam Reid (The French), Julian Pizer (Another Hand), Eddie Shepherd (The Walled Gardens).

Newcomer of the Year – Another Hand

Shortlisted: The Alan, The Black Friar, Bundobust Brewery, Flawd, Yellowhammer, 10 Tib Lane, Another Hand.

Bar of the Year – Speak In Code

Shortlisted: Blinker Bar, Flawd 9, Henry C, Ramona, Schofield’s Bar, 10 Tib Lane, Speak in Code.

Pub or Craft Ale Bar of the Year – The King’s Arms, Salford

Shortlisted:Bridge Beers, Heaton Hops, House of Hops, Nordie, Track Taproom, Station Hop, The King’s Arms (Salford),

Independent Food Producer of the Year – Dormouse Chocolates

Shortlisted: Great North Pie Co, Holy Grain, La Chouquette, Long Boi’s Bakehouse, Polyspore, Yellowhammer, Dormouse Chocolates.

Independent Drinks Producer of the Year – Hip Pop

Shortlisted: Cloudwater Brew Co, Into the Gathering Dusk, Bundobust Brewery, Stockport Gin, Steep Soda, Track Brewing, Hip Pop.

Pop Up/ Project of the Year – Foodie Fridays, Stockport

Shortlisted: Platt Fields Market Garden, Sao Paulo Project, Suppher, Eat Well Spring Festival, Bungalow at Kampus, Heart and Parcel, Foodie Fridays. 

Neighbourhood Venue of the Year – Bar San Juan, Chorlton

Shortlisted: Baratuxi, The Easy Fish Co, Nila’s Burmese Kitchen, Ornella’s Kitchen, Osma, The Perfect Match, Bar San Juan.

Food Trader of the Year – Burgerism

Shortlisted – House of Habesha, Little Lanka, Lovingly Artisan, Mira, New Wave Ramen, Pico’s Tacos, Burgerism.

Affordable Eats of the Year – Salt & Pepper MCR

Shortlisted: Aunty Ji’s, Bahn Mi Co Ba, Cafe Sanjuan, Levenshulme Bakery, Go Falafel, Mama Flo’s, Salt & Pepper MCR.

Coffee Shop of the Year – Pollen

Shortlisted: Cafe Sanjuan, Factory Coffee, Grind and Tamp, Grapefruit, Just Between Friends, Station South, Pollen

Plant-based Offering of the Year – Wholesome Junkies

Shortlisted: Four Side Pizza, Herbivorous, Otto Vegan Empire, Ruyi, Sanskruti, The Walled Gardens

Wholesome Junkies.

Food and Drink Retailer of the Year – Chorlton Cheesemongers

Shortlisted: Ad Hoc, Hello Oriental, Coopers Lets Fress Deli, Le Social, Out of the Blue, Wandering Palate, Chorlton Cheesemongers.

Foodie Neighbourhood of the Year – Ancoats

Shortlisted; Chapel Street Salford, Monton, Prestwich, Ramsbottom, Sale, Stockport, Ancoats.

Great Service Award – Dishoom

Shortlisted: Bull & Bear, Hawksmoor, Flawd, Schofield’s Bar, Speak in Code, 10 Tib Lane, Dishoom.

Howard and Ruth’s Outstanding Achievement Award – John and Rosemary Barratt (Foodie Fridays, Stockport)

The Manchester Food and Drink Festival, delayed for a week by the Period of National Mourning, continues until Sunday, October 2. Here is my lowdown.  Event images mostly courtesy of Carl Sukonik

And finally a plug for the 25 Eventful Years of The Manchester Food and Drink podcast, which I did with festival founder Phil Jones, top food PR Siobhan Hanley and the doyen of Blue Badge guides, Jonathan Schofield. It was a hoot. Listen here.

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