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Cinderwood –  a fresh approach to sourcing that even elevates the humble turnip

Back from visiting a remarkable market garden in deepest Cheshire, I did three things – rewatched the Netflix Chef’s Table episode on US ‘farm to fork’ guru Dan Barber, Googled ‘Singing Frogs Farm’ in Sonoma County, California and trawled the Internet for deals on celtuce seeds. Damn you spellcheck for repeatedly swapping in ‘lettuce’.

It wasn’t instant. I didn’t actually go straight home following my exploration of sandy-soiled Cinderwood, outside Nantwich. After Arriva had whisked me and Richard Cossins from Crewe into Manchester, I stopped off at New Islington Marina for a few dishes at Flawd natural wine bar, of which Richard is co-owner. We came bearing gifts for his business partner, Joseph Otway – turnips we had picked from a polytunnel an hour before for this much-travelled chef to slice into translucent discs to shelter smokehouse mackerel.

Further Cinderwood produce followed in canny assemblies that belied the limited cooking facilities at Flawd. Particularly lovely was a halved gem lettuce topped with Garstang Blue Cheese and leek with a pungent sprinkle of crunchy stuff. Chilled juicy Gamay chosen by Flawd’s ex-Noma sommelier Daniel Craig Martin added to the ultra-fresh appeal of dining this way. Al fresco would have added but a stiff breeze subverted the Ancoats sunshine.

Many contemporary Manc restaurants are now buying from the Flawd team’s one acre growing arm 40 miles to the south. The distinguished likes of Mana, Erst, Elnecot, 10 Tib Lane, The Creameries. Honest Crust pizza king Richard Carver has placed a huge order for regular fresh basil  a. It demonstrates a burgeoning commitment to letting the freshest of ingredients tell their own story.

Which brings us back to that trio of reflex reactions I opened with. Dan Barber was Richard and Joseph’s boss when they worked at his (literally) groundbreaking restaurant, Blue Hill at Stone Barns in upstate New York, a converted barn just 30 miles (or maybe a million) from Manhattan.

As with other restaurateurs/chefs of their generation, forward thinking yet respective of tradition, Barber’s 2014 book, The Third Plate: Field Notes on the Future of Food, is the duo’s bible.

The Third Plate champions organic flavour-driven produce as a meal focus. Shift to fewer slabs of protein, elevate the finest quality veg and grains to centre stage, respect the earth is the message. The movement has been mirrored over here by Simon Rogan’s Cumbrian farm, and the urban growing project of chef/patron Sam Buckley at Where The Light Gets In, Stockport, where Joseph Otway became head chef.

It’s all about connections. Quite dizzying connections. Richard, who worked for Rogan at his London ventures Roganic and Fera, was general manager of Blue Hill at Stone Barns when Joseph arrived as fish chef there before working at Relae in Copenhagen, where he met Daniel, then a sommelier at Noma. Sounds like a culinary equivalent of ‘Rock Family Trees’, but you get my drift.

So how does ‘Singing Frogs Farm’ (above left) join the narrative? Enter the man destined to be head grower at Cinderwood. Trained at a long-standing organic farm in Southern England, Michael Fitzsimmons (right) moved back to be nearer his native Liverpool. At one point he worked at Michelin-starred Moor Hall near Ormskirk, complete with its own walled kitchen garden. Yet it was thanks to an unlikely cheffing stint at WTLGI that he was steered back to his first love, horticulture. 

The seeds were sown at a late night wind-down in the Stockport branch of Wetherspoons when he bonded with Joseph Otway and sommelier/natural wine expert Caroline Dubois, later to be Cinderwood’s first customer through her Levenshulme cafe, Isca. All three were keen on establishing a true farm to fork link, a commercial sustainable, growing project geared to generate maximum flavour. The Sam Buckley influence was obvious and the innovative Stone Barns Center, while Singing Frogs offer practical inspiration for Michael on how to work with soil. The key? No tillage.

Tillage is the mechanical manipulation of soil. In its place you should: Disturb the soil as little as possible. Keep as many living plants in the soil, as often as possible. Grow as many different species of plants as practical. Keep the soil covered all the time. Incorporate animals.

According to the Singing Frogs website, “When one understands the myriad scientific reasons for each of these principles, one quickly sees how tillage in all its forms is the complete antithesis of soil health.”

There is a long way to go for for Cinderwood to match the productivity of their likeminded Californian cousins but it is early days yet. It took a further year after that Wetherspoons summit for the twist of fate that helped make the dream come true. 

Higher Ground was the new seedbed. That was the pop-up kitchen Otway, Cossins and Co launched at Kampus, the ‘garden neighbourhood’ of diverse apartments being created across from Canal Street in Manchester city centre. Their restaurant showcase in the site’s inherited ‘bungalow on stilts’ was scheduled to last four weeks but was cut short by the arrival of the pandemic. Which, as it turned out, gave them plus Michael the chance to assemble Cinderwood – via a lot of hands-on graft.

There was land to be cleared, sheds and two polytunnels to be erected, water and electricity supplies to be secured and a ton of pressure on Michael to put his horticultural principles into practice. With success he now has an assistant grower, Mike McCarten, who brings his own cheffing nous from working at Richard Carver’s Altrincham Market side-project, Little Window. The network tightens.

Yet still none of this would have been possible without the arrival of their future landlords at Higher Ground’s launch night in February 2020. Bearing steaks. Their own reared sirloin. As a kind of organic calling card. Jane and Chris Oglesby had turned over their land at Poole Hall near Nantwich to raising Longhorn, Dexter and Belted Galloway cattle in the most natural possible way.

As Richard Cossins recalls: “Chris Roberts (a chef specialising expert in cooking with fire and author of For The Love of Food) had told the Oglesbys they really ought to meet us, we’d really get on, so they just turned up out of the blue. Jane produced this pasture-fed beef from her handbag and Joseph, after opening the windows, cooked these amazing steaks.

“Jane really knew her stuff, had read The Third Plate and it had inspired her quest for regenerative beef. We bonded at once and they offered to lease us land to start Cinderwood on the estate. One acre would be enough for us to get going, though there is an option for a further four, which me might use for soft fruit. The soil is rich from being dairy pasture in the past. It was just perfect for us to work with.”

Family money from the Bruntwood property empire is behind Jane’s 120-strong rare breed herd. Few ‘farmhouses’ are as lavish as Regency mansion Poole Hall, but this is no Marie Antoinette playing a shepherdess vanity project. It’s very hands-on. On our visit I was hugely impressed by the ethical commitment of farm manager Ste Simock, proud that his beef herd benefits from total freedom to roam wild plant-rich pastures. The animals are never kept indoors, never tread on concrete even; the bulls stay with the herd; to avoid any stress in the beasts he accompanies them in pairs to Callum Edge’s small scale abattoir on the Wirral.

Twice a week Michael Fitzsimmons makes his own delivery journey into Manchester, finishing up at Flawd. En route to Cinderwood I had popped into Another Hand on Deansgate Mews for brunch and just missed his drop-off of the radishes of your dreams. The chefs there Julian and Max are huge fans of the produce.

Michael’s own dream would be of a cluster of small-scale nurseries surrounding the city, selling to and fuelling a thriving indie restaurant scene. For the moment we just have Cinderwood.

So what about my third quest – in pursuit of the elusive celtuce I saw Michael carefully tending outside polytunnel 2? That’s a story for the future. Read about it via this link.

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The stalks are high – celtuce makes a comeback on the back of ‘farm to fork’

Readers of this website will be aware of my reverence for leftfield ingredients. So it was a delight to encounter celtuce on my recent adventure down at Cinderwood, the chef-led market garden in Cheshire.

Grower Michael Fitzsimmons pointed it out, an unglamorous leafy straggle in the lee of the polytunnel. At first glance a cross between dandelion and chard. “I’m really excited about it,” Michael told me. “The plant is like a lettuce that has bolted. It grows tall and might productively flourish nine months of the year. This variety is called ‘Purple Sword’. We’ve got our eye on another, but we’ll have to order the seeds from America.”

That’s where chef Joseph Otway first discovered the joy of celtuce when he was working at Blue Hill at Stone Barns, a groundbreaking high end ‘farm to fork’ restaurant yoked to non-profit educational space Stone Barns Center for Food and Agriculture. The emphasis there is on tasting menus using produce plucked from the fields hours before.

I’m going to have to take the word of transatlantic celtuce fans for what a mature plant turns out like. Apparently at full maturity the stems are roughly 20cm long but just 5cm wide. One food writer described it as like a cos lettuce on top of a gnarly broccoli-like stem, the tops long and luscious. Its origins are in the Mediterranean, but it found its true home after it migrated to China and Tibet via the trade routes.

In that country the stem and leaves are referred by different names: wosun and yóumàicài and have different uses. Like our own Swiss chard it is two vegetable in one.

Generally the slightly bitter leaves braised in a broth; in Sichuan the nutty, mild-tasting stems, once peeled, are stir-fried quickly or, raw, they add a water chestnut-like crunch to salads. It pickles well, too. And you can grill it like lettuce (no relation).

Via Dan Barber’s championing of it at his Blue Hill restaurants its has become a green rival to kale and sprouts on menus from Brooklyn to Manhattan. Expect it to conquer all before it eventually in Manchester. High in vitamins A and C and potassium, it even panders to health kicks.

Barber has credited Jack Algiere, the farm director at Stone Barns, with ‘discovering’ celtuce, but it is a vegetable that has ‘been in the public domain’ since the 1890s when it was sold as asparagus lettuce. In the early 1940s it made a reappearance in the catalogue of Pennsylvania’s W.Atlee Burpee Company after a missionary posted some seeds from China. I discovered all this from Jane Grigson’s perennially useful Vegetable Book (1978), where a page and a half on celtuce is sandwiched between celeriac (also once ‘queer gear’) and chayote (still is).

And so to hon tsai tai…

In less enlightened times greengrocers used to call exotic veg ‘queer gear’. The late TV talk show host Russell Harty used to claim that his stall holder father Fred “introduced the avocado to Blackburn Market”. Sadly diminished these days, it’s unlikely to be showcasing the likes of hon tsai tai any time soon.

But this leafy Asian arrival may soon be joining celtuce in the sprouting ranks at Cinderwood. Michael Fitzimmons’ next ‘project’ may be cultivating this plant, whose kinship is with cime di rapa (broccoli rabe). It sports dark green leaves with purple veins and deep purple stems with small yellow flowers. Everything is edible and apparently offers a sweet mustardiness, brought out by the inevitable stir-frying.

Another veg of Chinese origin, kailan, offers a similar taste profile. Might this be the next ‘new’ veg on our plates? So many greens, so little time.

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Zero waste, great taste – why we need Open Kitchen more than ever

Just two months ago when the current cost of living crisis wasn’t the headline news it is now and families weren’t being lectured by Tory fat cats on how to budget for deprivation Food Waste Action Week was offering its own stark reminder of food supply disconnection and trumpeting ways to fix it.

Fighting talk then from the exec director of Manchester’s Open Kitchen, Corin Bell: ”I’ve been passionate about food, food waste and food sustainability for as long as I can remember. Open Kitchen came out of a lot of trial and error in trying to develop a model that balanced tackling both food waste and food sustainability in real ways, not conflating the issues, and not using one as a sticking plaster for the other. 

“I hope that Open Kitchen can continue to be part of the campaigning movement fighting for a future where good food isn’t wasted in the first place, and emergency food provision isn’t needed, because poverty has been ended.”

As food bank use burgeons this seems further away than ever. Yet it’s not just about no family going hungry; it’s also an environmental imperative. Campaigner at Love Food, Hate Waste claim that the average UK family wastes the equivalent of eight meals every week, while food waste in UK households produces nearly 25 million tonnes of CO2 every year.

In response to all this Open Kitchen has In the vanguard of a setting a sustainable catering example, working with a huge range of food businesses to source beautiful ingredients that would otherwise be jettisoned. Zero waste is indeed their culinary mantra. So near dated milk is turned into paneer for tikka kebabs, wonky veg and fruit transformed into pickle and ketchups.

To showcase what can be achieved taste-wise, Corin and her team established its flagship Open Kitchen Café & Bar inside the People’s History Museum on the banks of the Irwell. To celebrate its first birthday new head chef Sean Lee has created a fresh summer small plates menu mostly out of raw materials that would otherwise have gone to waste. 

Sean’s CV includes exec chef of The Bath Arms, Cheddar and The Congresbury Arms, Bristol and The Burlington Restaurant at The Devonshire Arms in the Yorkshire Dales. A quite different environment but he’s not fazed: “I love the concept, and the chance to be really creative with an ever-changing mix of food. I hope that I can build a name for myself in Manchester, and also further the cause of stamping out food waste and championing local sustainably produced food. It’s a great challenge.” 

Expect Sean’s menu to change constantly to include as much local, seasonal produce as possible. For the moment there’s mozzarella arancini with home-made herb oil and garlic aioli, tempura crunchy seasonal veg with sticky tamarind sauce, and spicy butterbean hummus and homemade flatbreads, smoked haddock fishcakes and roast veg and and smoked sausage frittata. Accompanying is a new range of spritz cocktails, including a Negroni (what’s not to like?) or local beers from Blackjack.

Open Kitchen Cafe & Bar, People’s History Museum, Left Bank, Manchester M3 3ER.

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A feuilleté of quail eggs and asparagus to celebrate Ms Molyneux’s 90th

Some cookbooks have a longer shelf life than others. Well-thumbed, splattered indelibly with ingredient stains, they’ve stayed the course. Many courses, if you forgive the culinary jeu de mot. One such tome is The Carved Angel Cookbook by Joyce Molyneux, a bastion of my recipe collection since it was published in 1990. It sold 50,000 copies despite the chef’s lack of TV exposure or reluctance to self-publicise. Unlike a certain Mr Floyd, who ran a gastropub upriver from Joyce’s Dartmouth, Devon base. Until bankruptcy.

Her  book celebrates the very special restaurant on the riverfront, where she made her name. I mention it now because this groundbreaking female chef turns 90 this month after being retired for well over two decades. 

Happy Birthday, Joyce (and fellow legend Shaun Hill, 75 this week and still at the stove in his Michelin-starred Walnut Tree, near Abergavenny). 

An appropriate dish to cook in Joyce’s honour might well be the famous Salmon in Puff Pastry with Stem Ginger and Currants, invented by her mentor George Perry-Smith when she worked for him at The Hole in The Wall, Bath in the Sixties. It accompanied her to Dartmouth when in the early Seventies he set up her and his stepson, Tom Jaine, to run the Carved Angel.

One hitch, though. It’s not in the The Carved Angel Cookbook. I’d got it in my head that  it was. An easy enough mistake to make. You’ll certainly find it in two Jane Grigson books, her Fish Book (1993) and The Observer Guide to British Food (1984),where this great food scholar/cook writes: “I’d gathered that the source of the idea was a medieval recipe, but then I found something almost identical in the Cook and Confectioner’s Dictionary by John Nott (1726, reprinted in 1980). In that more fanciful time, the pastry was scored to look like a fish; inside were mace, butter and ginger in slices, along with the salmon.”

For the salmon Perry-Smith insisted on best Wye, then Tamar when he moved his own restaurant to Cornwall; for Joyce definitely Dart?

There was an obvious affinity between Joyce and Jane (who died of cancer in 1990). Tom recalled Jane and her irascible poet/critic husband Geoffrey coming for dinner to the Angel once. Joyce was apprehensive because at least one recipe had come straight from one of Jane’s books. Fortunately all went swimmingly.

Years later, Joyce would hang a grand Jane Bown portrait of Jane at the threshold of her kitchen and, one further link, Jane’s daughter Sophie was co-author of The Carved Angel Cookbook.

All of which I find fascinating but it still leaves me adrift of a birthday dish. Easy really. Let’s keep the puff pastry. Joyce provides a recipe: you could buy it in but insist on butter. It provides the light casing for a very springlike dish – A Pastry of Quail’s Eggs and Asparagus with a Herb and Cream Sauce. Wild cepes would be a luxury addition but are not essential. Check out the recipe at the end of this article. As for that definitive salmon and ginger en croute dish Google and ye will find. Versions are all over the Public Domain.

So what makes Joyce Molyneux and the Carved Angel so special 30 years on?

I happened to be in Bath this year for International Women/s Day. By odd coincidence that city has been Jan’s home since she retired in 1999, having taken ownership of the Angel years before. I called her groundbreaking before. That she certainly was, as was evident during the infrequent dinners we booked there. Joyce was always there in the properly open kitchen – an innovation in those times – with a larger quotient of female sous chefs than you’d normally encounter. And a sense of calm.

It’s seen as cool these days for kitchen staff, not just servers, to bring out  plate to table. That was the norm there. Local sourcing? Farm to fork? In the book there’s a shot of the chef patron harvesting from her own lofty allotment above the winding River Dart. She made exemplary use of the seafood on her doorstep and first introduced me to samphire plucked from the foreshore.

The menu, invariably just a few dishes, no plate overcrowded, avoided the Froglification of ‘fine dining’ at that time. Still I couldn’t resist substituting feuilleté for puff. The true French influences are obvious, yet they are filtered through the acutely Gallic sensibilities of Perry-Smith, Grigson and, inevitably, Elizabeth David. I can’t recall how many covers there were. Not many. Everyone appeared to be enjoying themselves. We certainly did.

The story of how Joyce achieved such eminence, even for a while keeping a Michelin star,  is striking. Read Rachel Cooke’s tribute as The Observer Food Monthly gave her a Lifetime Achievement Award in 2017.

It traces her journey from domestic science classes designed to equip a gal for marriage (Joyce never wed) via a revelation what gastronomy could be during an eight stint in a Stratford restaurant to the Hole in The Wall epiphany.

How The Carved Angel soared and then, post Joyce, began its descent

When the Good Food Guide named The Carved Angel the Best Real Food Restaurant of 1984 it was a remarkable reward for Joyce Molyneux’s persistence in following her culinary vision. She took over completely when Tom left the following year. In his memoir of that time he quotes a poem about the Carved Angel written by adopted Devonian and regular customer Poet Laureate Ted Hughes: 

‘The Angel carved in wood

Resisted all temptation.

She fasted and withstood

Libidinous immolation

And anointings of breasts

Of birds and thighs of beasts.

She did not bat an eye

When those two loose-mouthed harlots

Claret and Burgundy

Turned glass and drinker scarlet.

She barely coloured – say

Chassagne Montrachet.

She only cracked when Tom

Plucked Sally from the shrine as

A cork out of the Dom.

This bomb among the diners

Shattered the Angel – left

Her not so carved as cleft.’

Joyce continued to run The Carved Angel until 1999. Since her retirement it’s had highs and lows under several ownerships. As The New Angel under turbulent celebrity chef John Burton Race it briefly regained its Michelin star. Nowadays, rebranded The Angel, the kitchen is in the hands of 2018 Masterchef: The Professionals finalist Elly Wentworth. Along the quay the big chef name in town now is Mitch Tonks at The Seahorse. His culinary hero? Joyce Molyneux.

A Feuilleté of Quail’s Eggs and Asparagus with a Herb and Cream Sauce (serves 4)

Ingredients

100g puff pastry; 8 quail’s eggs; 225g green asparagus tips; 1 egg, beaten; sesame or poppy seeds; Messine herb sauce; chervil or watercress, to garnish.

Method

Roll out the pastry on a lightly floured surface to form a 20cm square, 4mm thick. Trim edges and divide into four 10cm squares. Place on a baking sheet; rest in fridge for at last 30 minutes. Boil  pan of water. Add egg for one and half minutes drain, rinse with cold water and place in a bowl of cold water to rest. Tie the asparagus in a bundle, cook in boiling, salted water until tender (5 mins). Drain and keep warm.

Brush pastry with beaten egg and sprinkle with seeds. Bake in a pre-heated oven, gas mark 9 for 5-7 minutes until golden brown and risen. Out of he oven cut each so there’s a lid. Store the lids in a warm place for use later.

Re-heat the eggs in hot water for a minute and heat the sauce thoroughly. Drain eggs and place two in each pastry case with asparagus and coat with sauce. Cover with pastry lids and garnish.

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The Alan has landed! Why chef Iain Thomas’s exquisite hotel menu floors me

The unlikely spectres of Cliff Richard and Paul Kitching haunt my imagination as I dine (magnificently) in a new Manchester hotel that restores my faith in exposed brickwork and small plates. Both the 81-year-old former poster boy of British pop and the one-time enfant terrible of Michelin tasting menus are still going strong. So this is no elegy.

My whimsical connection is The Alan’s former incarnation as the Arora hotel, in which Sir Cliff was a stakeholder, and the cv of current chef Iain Thomas (below), who learnt his trade under Kitching, once of Juniper in Altrincham, a restaurant that married wackiness with true one star quality. A bit like Cliff?

All this was back in the early part of this century and Manchester has moved on. Well, not always. Many incoming hospitality operators feel the need for bee motifs, Hacienda colour schemes and gratuitous homages to Emmeline Pankhurst, Alan Turing or Tony Wilson. 

That could have happened to the old Arora, later the Princess Street Hotel, which had long shed its star appeal. I can’t ascertain when the five Cliff-themed rooms were consigned to history – there ought to be a plaque.

Briefly in the basement the Arora was home to a ‘destination restaurant’, Obsidian. How dated neon-raked images of that doomed project look now. What a contrast to the sustainable core of the refit from the new owners, which strikes you as soon as you enter off Princess Street. The outside sign is so discreet that the ambition of the opened-out lobby/bar takes you aback. Welcome to a relaxed, Shoreditch vibe that continues across the 137 bedrooms of this six storey Grade II listed edifice, all vibrant brickwork and distressed paint.

Congratulations (and jubilations) to the raft of designers name-checked on the website. I was particularly smitten with the lobby floor made from a collage of fragmented and discarded marble pieces, and a bar front “inspired by the M62 that runs round our city” (do they really mean the M60?) consisting of cigarette butts, weeds, flowers all set in a resin.

It is all a playfully welcoming surprise. Yet my object in visiting is to check our Chef Iain’s all-day seasonal menu, with more ambitious small and larger plates in the evening. I first met him when he hosted a game dinner at reinvented old boozer The Edinburgh Castle in Manchester’s Ancoats neighbourhood. As with his predecessor in the kitchen there, Julian Pfizer (now of Another Hand) he was given his head and then the owners seemed to get cold feet about culinary ambition.

The Alan strikes just the right balance. From the off it seems just the kind of relaxed setting and offering if you are a hotel guest but there’s plenty of well-sourced interest on the menu to make it a destination in its own right. Ah, the sourcing. Iain name-checks the city centre Butcher’s Quarter for his meat, while mushrooms are from Polyspore, and  microgreens from Aztec Farms, the vertical farming start-up based at Manchester Science Park. On the drinks list there’s beer from the city’s own Pomona Island and Cloudwater with caffeine input from Ancoats Coffee. The wine list, understandably from further afield, is uninspiring, alas.

Then, provenance one-upmanship. As spring gathers pace expect a very special vegetable input from the chef’s own allotment in Tameside’s Hattersley Projects. I trust him to make the most of it all on the evidence of his impressive track record – in kitchens since 16 with stints at Establishment in Manchester (where Rosso now is), at the “amazing” Paul Kitching’s Michelin-starred 21212 in Edinburgh and s sidekick to Davey Aspin, one of the iconic chef names in Scotland.

At The Alan we asked to try all eight small plates on the menu, all priced around £5 to  £6.50. Attractive looking snacks and meat could await another visit. The plan was to sit at the chef’s table with a perfect eye-line onto the open kitchen, but old bones dictated we retrenched to a booth. 

The dishes came in pairs and were a well-judged mixture of plant-based and flesh. No  duff note with either direction but we were most impressed with the vegan salt-baked celeriac with truffle and sherry vinegar and the cauliflower tikka with cumin, coriander and pomegranate, both managing to be earthy and yet delicate at the same time. Punchier was what threatens to become a Thomas signature dish – lamb fat hispi cabbage. Here lamb trimmings are rendered down and the fat is used to sous vide the cabbage, which is then warmed up in a lamb fat cream emulsion with braised shoulder.

There’s an equal richness to a potato and ox cheek terrine, an elaborate confection where 10 butter-brushed layers of finely sliced potato, a layer of ox cheek and a further 10 spud layers are sandwiched together, and served with blobs of French’s mustard and dill pickle gel.

Undoubtedly there’s an Ottolenghi influence going on. The likes of Confit thighs of Goosnargh chicken are glazed with pomegranate molasses, soy sauce aand mushroom ketchup and, also garnished with nasturtium leaves, that simple Turkish aubergine and tomato dishImam  Bayildi, that translates as “the Imam fainted”.

The Levantine spice palette of cumin, coriander, along with pomegranate arils also permeate Iain’s otherwise classical Cheshire beef tartare, but it’s all lightly handled. Ditto a ceviche of Scottish halibut, where chicory and but orange partner the fish rather than overwhelm. Is any hotel dining menu in Manchester (the obvious exception of Adam Reid at The French apart) better than this?

The Alan, 18 Princess Street, M1 4LG. 0161 236 8999. All rooms feature Emperor sized beds dressed in 200 thread count Egyptian cotton, 50” Samsung Smart TVs with Google Chromecast and pay-per-view movies, superfast Wi-Fi and Audio Pro Bluetooth speakers. The tech-forward hotel is also one of only four in the UK to offer Google Nest smart concierge in all its rooms. There are a variety of rooms on offer, the affordability of which gained The Alan a place in the ’40 UK Hotels For Under £100’ list in the latest Sunday Times.

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Northcote takes spring in its stride via the Chef’s Table or the Gourmet Menu

I’m going to treat myself to all the Spring Gourmet Menu dishes pictured above and below. To celebrate an eight year anniversary of mine, coming up in June. OK, my day in their new Cookery School doesn’t even count as a footnote in the garlanded history of Northcote. The stalwart country house hotel had already held a Michelin star for 18 years when I donned their monogrammed apron and did it less than proud. 

In a 2014 piece for Manchester Confidential I charted the shame of my soggy lamb wellington. I’ve still got the apron; Northcote, at Langho outside Blackburn, retains the star… and perhaps deserves a second.

Much else has changed. Nigel Haworth, whose cooking earned the star, moved on after over 30 years’ at the stove. Good to see his new venture, bringing back to life his own former gastropub, The Three Fishes, has swiftly gained him 2022 Michelin Guide recognition. Now part of the Stafford Collection and handsomely refurbished, Northcote continues Nigel’s Obsession Festival, hosting the cream of the world’s chefs every January.

 The greatest legacy of all, though, is Lisa Goodwin-Allen, still just 40, who was barely out of her teens when she started there and rose to be head chef by the age of 23. These days her profile has never been higher. Only recently she was on telly again as a Great British Menu judge. Alongside overseeing Northcote, she spends a couple of days a month as consultant down in London for the Stafford. Holding the fort for hid exec head chef is 27-year-old head chef Danny Young, 2017 National Young Chef of the Year.

The pair have that Spring Gourmet Menu on the way and March (before it snowed) seemed a good time to revisit to road test their Chef’s Table in the same 16-capacity room that’s still home to the Cookery School. Its large glass doors look out onto the kitchen with a kitchen cam for salivating close-ups.

No wellington flashbacks for me thankfully as we tasted four seasonal courses. Slightly early days for vernal abundance to determine the menu entirely but ample evidence of a kitchen as good as, maybe better, than ever. Remarkable technical skills on show but not for show, the whole focus on enhancing the intense flavours of the raw materials. 

It’s an important balancing act to strive beyond country house food expectations without alienating the well-heeled, middle aged and beyond demographic. Though I do believe veteran MD Craig Bancroft when he outlines the importance paid to making first-timers feel at home, especially if daunted by an encyclopaedic wine list. I have no such qualms, on the day of the lunch recognising Craig’s nous in selecting a canny quartet of matching wines.

Our lunch consisted of Orkney scallop, ‘green curry’, cultured yoghurt, lemon (with the bonus of an extra, tempura scallop); quail, frozen liver parfait, apple verjus, bacon, sweet turnip; aged Lake District beef, allium, hen of the woods mushroom, black garlic; warm Bramley ‘Apple Pie’, nuts, maple, caramelised milk.

I loved that deconstructed apple pie (Lisa’s a technical whizz with puds) but the stand-out dish was the quail, served delicately with the bird’s liver in tiny frozen dice, melting into the gamey breast.

Invention is in a constant flurry of renewal in Michelin-starred kitchen. When we were there that new gourmet menu was on the brink of being approved. It sounds irresistible, hence I’m searching for a booking slot. And saving up. Priced at £115 per person, the menu can be paired with course-selected wine by the glass (£71.15) as well as the addition of The Northcote Cheeseboard (£15 or £20), comprising a selection of either five or seven cheeses from The Courtyard Dairy, served with Peter’s Yard Crackers and Homemade Bread. Available Wednesday to Sunday from 12pm to 2pm. So what do you get for your money?

Chargrilled Wye Valley asparagus, sheep’s curd, sorrel; roasted veal sweetbread, white mushroom, wild garlic, caper; wild turbot, clam, bacon, smoked potato, roe; Yorkshire duck, heirloom beetroot, aged balsamic, bee pollen; and that ‘apple pie’ (main image).

Northcote, Northcote Road, Langho, Blackburn BB6 8BE. 01254 240555. For information on a variety of gourmet breaks visit the website.

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Buzzing Kampus will benefit from The Beeswing – help it take flight with sweet cash

It’s far from up there with P&O’s unceremonious mass cull of their crews but one of the more unsavoury moments in a troubled 2021 for the hospitality trade was Bruntwood’s decision to dispense with vin-yard, a bijou independent wine bar/shop at its Hatch ‘retail and leisure destination’ on Manchester’s Oxford Road. The landlord’s apparent reason was a need to recoup revenue lost during the pandemic by taking over booze sales from its tenants. The quality wine offering from vin-yard’s Anna Tutton has never been adequately replaced.

Anna Tutton at her vin-yard wine venue at Hatch. She has high hopes for her new venture

For several years it has been a ploy for developers, enlightened and otherwise, to add a dash of millennial cool to their sites by hosting street food wannabes on fixed term deals as a launchpad for eventually establishing their own permanent bases. Now with the economy in freefall that’s easier said than done. When I ran into Anna at a recent wine tasting she told me over lunch about her own life-after-Hatch plan for The Beeswing and it sounded a perfect next step, albeit again pitched as the icing on a property cake – at the Kampus ‘garden neighbourhood’ across the canal from the Village.

The Beeswing is a co-production with business partner Joe Maddock, who ran West Didsbury’s much-loved Pinchjo’s back in the day. For the new venture he’ll provide a small plate menu to match Anna’s eclectic wine offering (mainstream plus some natural). I was particularly taken with the black sesame crusted feta triangles, my main picture, from a menu that will reflect the melting pot of food styles around Manchester – including dals, plant-based and Ottolenghi-influenced Middle-Eastern. All food images by Rebecca Lupton.

Design – sneak preview courtesy of these 3D renders from Andy Gough – is in the hands of the talented and lovely Soo Wilkinson, co-founder of Chorlton’s The Creameries. Set upstairs above Nell’s Pizza place, it too looks a treat with its softened industrial look.

But now comes the rub. There is a budget deficit and Anna and Joe urgently need your crowdfunding help…

The pair’s initial costing was £80,000 and when the figure leapt up to over £100,000 they made up that deficit, but they £25,000 remain adrift of the new final total, so they have launched a crowdfunding campaign, deadline mid-April. It’s a great indie cause – contribute here.

Your potential rewards? You can pre-order a meal for two with wine for £50, or if you can’t wait for the restaurant to open, you can order a meal for six and two bottles of wine to be delivered to your home for £150. You can even help shape the menu by throwing £25 into the pot to be invited to a private dining event of menu cook-offs with chef Joe, and tell him what you think works – or doesn’t. I’ve invested in that one.

Kampus’ developers Capital & Centric and HBD have been pretty canny recruiting some established indie food and drink names to populate Instgrammably picturesque Little David Street. The presence of Pollen Bakery, Cloudwater, Madre, Great North Pie Co, Yum Cha and The Beeswing will attract a clientele way beyond the on-site apartment dwellers.

Cloudwater/Levanter collab at Kampus

This is still very much a work in progress, but to whet the appetite Manchester’s highest profile craft brewery, Cloudwater and Ramsbottom’s award-winning Spanish restaurant Levanter (sibling of Baratxuri) have unveiled a 10 week residency. This will consist of a series of globe-trotting weekend block parties around the ‘tropical garden’ with DJs saluting the likes of California beach sounds and raucous Mexican festivities for Cinco de Mayo, Irish folk parties and smooth NYC jazz.

My focus will obviously be on Levanter’s Joe Botham serving up his legendary giant paellas from 3pm at the canalside Bungalow. The residency kicks off on Easter weekend.

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Connor Black – remember the name. The Bull & Bear has a talented new cub on the block

Such an old chestnut that one about ‘policemen are getting younger’. Stats say different and anyway the phrase is a reflection of our own mortality creeping up on us. Chefs, now that’s another matter. Especially when they’ve been fast-tracked by a shrewd mentor. Step forward Tom Kerridge and Connor Black. The first is a ubiquitous figure across the English food and drink scene, his latest telegenic showcase judging on the revamped Great British Menu; the second, a 25-year-old who first entered the Kerridge orbit aged just 15, has just made the leap forward to Head Chef at The Bull & Bear, in Manchester’s Stock Exchange Hotel.

What immediately appeals on dipping into Connor’ debut menu is the sense that he is very much his own man. From the start, in the summer of 2019, the northern outpost of the Kerridge has borne the big man’s stamp. Less the standard of food (at a price) that brought him two Michelin stars at The Hand and Flowers in Marlow; more the accomplished pub food you’ll find at his second operation in that town, The Coach.

Connor worked his way up to be sous-chef at The Hand before becoming Head Chef of The Shed, that posh pub’s intimate 10-cover private dining room. His meteoric rise stated much earlier. At 13 he was working part-time in kitchens on the Isle of Wight; at 15 he arrived at the Hand and Flowers for work experience and stayed; two years later he was named Hospitality Guild Apprentice of the Year. All the while contributing to menu development. A spell away working on the continent contributed to his development.

So what does all this bring to the plate in Manchester? A smaller menu, like so many places post-pandemic, yes, but the dishes are noticeably less hearty, though following the Kerridge “refined pub grub” template.

Definitely a good thing in these eyes as I accept starter advice and sample  Roasted Hand Dived Orkney Scallop with Pickled Crown Prince Pumpkin and Smoked Butter Sauce (£24.50) It’s exquisite. Only 60 of these very superior scallops are delivered each week and the storms have stymied even that until, luckily the day of my lunch. A ‘table snack’ of Cheddar Cheese Scones with Marmite Butter is less successful. Dry scones and I’d forgotten how Marmite Marmite is.

 A pre-opening journo jolly to Marlow showed me how seriously the Kerridge team sources. Witness this again with my main Dry Aged Udale Duck Breast off the rotisserie with Caramelised Endive, Rhubarb and Garlic Sausage ‘Cassoulet’ (£34). Up to 40 days in Udale’s Himalayan Salt Ageing Chamber intensifies the flavour of an already benchmark Creedy Carver duck. But the dish is enhanced by the subtle bittersweet/sharp flavours Connor brings to the accompaniments.

Belly of Blythburgh Pork with Marmite Glazed Hasselback Artichoke, Smoked Hazelnuts and Pear Ketchup (£34) and Roast Cornish Cod with Sweet Garlic Puree, Lemon Braised Leeks, Shiitake and Mushroom Consommé (£33.50) also take the eye.

Rhubarb, bang in season, reappears in my retro trifle. All the puddings are £11.50, ranging from Warm Baked Eccles Cake with Lancashire Black Bomb Cheese to a Peanut Butter Crème Brûlée with Raspberry Jelly and Banana Yoghurt Sorbet.

The trading floor of the Grade II listed former Stock Exchange, is as imposing as ever, the large  open kitchen built to cater for a substantial number of covers. Meshed into the revamped B&B regime is a new Head of Food and Beverage, Matthew Griffin, who has previously worked under Jason Atherton. And Group Exec Chef the vastly experienced Warren Geraghty is regularly up from London. As a potential safety net? Will any of this phase young Connor? I doubt it.

The Bull & Bear, Stock Exchange Hotel, 4 Norfolk St, Manchester M2 1DW. 0161 470 902.

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Hello pretty! Designer Oriental hits the shelves. Try my fresh alternatives

It is still hard to credit how much city development has escaped my attention while locked down in my Pennine fastness. Returning gradually to Manchester, I can suddenly feel adrift – and not always in a pleasurable way. Take Circle Square, a brooding behemoth of an apartment complex on the old BBC site off Oxford Road. 

OK, I first crossed its portals on a sullen, drizzly day but didn’t get the vibe promised by Vita Living: “Contemporary apartments and unreal amenities, all neighboured by leafy-green space in the form of the brand-new Symphony Park. Artisan shops, independent bars and restaurants surround Circle Square and make it a true urban oasis for everyone to enjoy.”

On the same day’s trail the ‘tropical garden’ at rival development Kampus looked ominously, bedraggled but the site opposite Canal Street offers a quirky mixed bag of living spaces, while formidable food and drink offerings (Pollen, Cloudwater, Beeswing) are on their way. Similarly, the giant towers of Deansgate Square are being serviced by quality delis (to spare the upmarket residents the trek to the Hulme Asda).

Circle Square’s own newly opened food hall is its most striking feature. Hello Oriental, an architecturally swirling three-floor, subterranean complex. boasts an Asian inspired bakery and café, a Vietnamese restaurant, a whole gallimaufry of East Asian street food options and a supermarket stocking an Instagrammable selection of packaged foodstuffs and colourful snacks hitherto available online. I suspect the small plate dining opportunities will prove more of a draw than the basement shop.

Strangely sterile the physical shop. Hardly anything on the shelves that counts as fresh. For that I’ll still be making my way down to ramshackle old Chinatown. We all have our favourite stores there. Mine is the Hang Won Hong on the corner of George Street and Booth Street. Chinese ingredients apart, it offers enough Thai and Korean staples to fuel my store cupboard. 

For my Chinese recipe needs I usually turn to Fuchsia Dunlop, for Korean Jordan Bourke and Rejina Pyo, for Japanese home cooking and ramen Ivan Orkin. Online for pan-Asian I’ve recently discovered mycookinghut.com/, an acclaimed blog by Leemei Tan-Boisgillot.

Here are a couple of her recipes, which feature in her latest cookbook, due out in June.

Korean Spicy Seafood Noodle Soup

Ingredients

1 tbsp sesame seeds; 15g dried wakame; 500g mussels, scrubbed and debearded; 1 tbsp sunflower oil; 1 onion, sliced; 3 garlic cloves, finely chopped; 1cm piece of root ginger, peeled and finely chopped; 4 dried shiitake mushrooms, soaked, drained and cut into thin strips; 1 tbsp Korean red pepper powder or cayenne pepper; chicken stock ¼ Chinese cabbage, core removed and cut into bite-sized pieces; 1 tbsp light soy sauce; 1 tbsp chilli oil; 300g raw, peeled large king prawns, tails left on, deveined; 400g squid, scored with a crisscross pattern and cut into bite-sized pieces; 500g cooked fresh fine egg noodles or 350g dried fine egg noodles; 2 spring onions, finely chopped.

Method

Heat a frying pan over a medium-high heat, then add the sesame seeds and dry-fry for a few minutes until the seeds begin to pop.Tip onto a plate and leave to one side.

Soak the dried wakame in a small bowl in warm water for about 10 minutes until it rehydrates. Drain, rinse and leave to one side.

Tap any mussels that are only partly opened and discard any that don’t shut. Put the mussels in a saucepan over a high heat and steam for 3–4 minutes, or until the shells open. Discard any that don’t open fully. There is no need to add any additional liquid to the pan, as the mussels will release their own liquid to steam in. Remove the mussels from their shells and leave to one side.

Heat the sunflower oil in a large saucepan over a medium-high heat. Add the onion and cook for 2–3 minutes until soft and translucent, then add the garlic and ginger and cook for 2 minutes, or until fragrant. Add the shiitake mushrooms and Korean red pepper powder and cook, stirring continuously, for 1 minute. Remove from the heat and add the chicken stock.

Return the pan to the heat and bring the stock to the boil. Add the Chinese cabbage and cook for 3–4 minutes until tender. Add the soy sauce and chilli oil and then add the prawns and squid. Bring to the boil for a few seconds, then reduce the heat to low, cover and simmer for 5–6 minutes, or until the prawns turn pink and are cooked through and the squid is tender. Three minutes before the end of cooking, add the mussels to heat through.

Divide the hot, cooked noodles into deep soup bowls, then spoon the prawns, squid, cabbage and mussels into the bowls.

Bring the chicken stock to a vigorous boil. Add the spring onions and prepared wakame to the bowls, then ladle in the piping hot stock. Sprinkle over the toasted sesame seeds and serve immediately.

Sichuan Mapo Tofu

This is a famous Sichuan dish that comes with a story. It is said that during the Qing dynasty, a restaurant on the outskirts of Chengdu was well known for a delicious, very spicy tofu dish, which was made by the restaurateur’s wife. She had pockmarks on her face, and as a result was called Mapo – ma means ‘pockmark’ and po means ‘elderly woman’, and her signature dish was called Mapo Dou Fu.

Ingredients

300g soft silken tofu, cut into bite-sized cubes; 1 tbsp sunflower oil; 1 cm piece of root ginger, peeled and finely chopped; 3 garlic cloves, finely chopped; 200g beef or pork mince; 2 tbsp chilli bean paste; 1 tbsp light soy sauce; 1 tsp granulated sugar; 1 tsp ground toasted Sichuan pepper; 1 tsp cornflour; 2 spring onions, roughly chopped. Serve with 400g cooked egg noodles

Method

Bring a large saucepan of water to the boil, then remove from the heat. Carefully tip the tofu into the water and leave to one side.

Heat the oil in a wok or frying pan over a medium-high heat. Add the ginger and garlic and stir-fry for 1–2 minutes until fragrant but not coloured. Add the mince, break up the lumps and cook, stirring occasionally, for 5 minutes, or until starting to brown. Add the chilli bean paste, soy sauce, sugar, ground Sichuan pepper and 200ml water, stir to combine and slowly bring to the boil.

Carefully drain the tofu and add it to the wok. Gently push the ingredients around the wok until the tofu pieces are coated with the sauce. Do not stir as it may break up the delicate tofu. Let it simmer for 3–5 minutes until heated through.

Meanwhile, combine the cornflour with 1 tablespoon water in a small bowl. Slowly pour the cornflour mixture into the wok or pan and gently fold through. Sprinkle over the spring onions and serve immediately with noodles.

• Both recipes are fromThe Asian Home Kitchen by Leemei Tan-Boisgillot, to be published by Nourish in hardback, price £20, on June 14, 2022. Leemai is a recipe writer, food stylist

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My Italian food trail – Sicily’s ricotta salata the key to Pasta alla Norma

Opera has alway been entwined with food, especially Italian. We’re not talking tour riders of the stars with Pavarotti apparently demanding a 24 hour kitchen be set up next to his room with fridges packed with pasta, tomatoes and roast chickens, enough to feed 20. It was a phobia from an impoverished childhood – the big man ate comparatively moderately.

No it’s the way great names have become attached to certain dishes – Tournedos Rossini, Spaghetti Caruso, Peach Melba, Salsa Verdi. OK, I employed artistic licence on that last one. And then there is a truly terrific dish called after an actual opera. It is also one of the simplest to prepare, provided you’ve sourced the exact ingredients.

Pasta alla Norma has become the unofficial signature dish of Sicily. Invented in Catania on the east coast about the time Vincenzo Bellini’s romantic opera Norma premiered, it is said that the pasta was created as a homage. Legend has it that Nino Martoglio, an Italian writer and poet, was so delighted when presented with this dish that he compared its splendour with that of the opera.

Alternatively, according to Ben Tish in his evocative cookbook, Sicilia (Bloomsbury, £26) – one of my Cookbooks of 2021 – “another story tells of a talented home cook who served her creation to a group of gourmands and was duly christened at the table via the classic Sicilian compliment of Chista e na vera Norma (‘this is a real Norma’). Whatever the truth, the dish became an instant classic and its fame spread around the world.”

At my last London review meal before the lockdowns I ate this iconic dish of rigatoni, aubergine, tomato, basil and ricotta salata, appropriately enough, at Norma, the restaurant Ben created in Fitzrovia for the Stafford Group, showcasing the dishes in his book, many with Moorish influences. He has recently moved on. I finally published my account of that memorable meal in June 2021.

Since when I’ve looked out for Pasta alla Norma on menus in my native north. Among the indies specifically offering the island’s cuisine you won’t find it at Sicilian NQ in Manchester or A Tavola Gastronomia Siciliana in New Mills, though Trinacria in York do serve it. Less surprisingly the more generic Rosso in Manchester or the PIccolino chain do not list it. Rivals San Carlo do, but substitute pecorino for the ricotta salata. A cardinal sin in Catania, even though these crumbly, grateable sharp cheeses have much in common.

Indeed, my home quest to replicate the perfect Norma has been hampered by the absence of ricotta salata in my life. Until recently.

So what makes the salata version separate from that mild soft whey cheese found in tubs across the land. For a start, it packs a pungent, salty punch. Hence the name. It is  is only made over winter and spring when pastures are lush and herb-filled and the cooler air is perfect for ageing. 

I located an authentic version from Bermondsey-based Italian Artisan food importers Ham and Cheese after being alerted by the folk behind new Hebden Bridge bar, Coin, who serve a range of their charcuterie.

The ricotta salata I bought online is made by the Agostino family, who sell it normally from their butchers shop in Mirto, on Sicily’s north coast, west of Messina. We must have driven past on a road trip from Etna to Cefalu (main picture) the other year.

Their version is made from full-fat, raw cow’s milk, sometimes with the addition of goat’s or sheep’s milk, and is curdled with lamb or kid rennet before being put in to moulds. After a couple of days it spends 48 hours in a brine bath and is then aged for three months. It was a wonderful component of the Tish recipe for Pasta alla Norma. My one deviation from the norm (sic)? I added salted capers. Because they go so well in that other Sicilian aubergine, classic, caponata. Below, it tasted as good as it looked…

Ingredients: 2 firm aubergines, trimmed and cut into 2cm dice; 150ml extra virgin olive oil; ½ onion, finely chopped; 2 garlic cloves, finely chopped; a good handful of basil leaves

800g quality canned chopped tomatoes or passata; 400g dried rigatoni; 200g ricotta salata cheese, grated; sea salt

Method: Put the diced aubergines in a colander in the sink and sprinkle with salt. Leave to drain for 30 minutes. Preheat the oven to its highest temperature, around 250°C/230°C fan/Gas Mark 10.

Rinse the aubergine in cold water and pat dry with a kitchen towel, then toss in a bowl with half the oil. Spread out on a baking tray, place in the oven and cook for 15-20 minutes or until caramelised, turning occasionally to make sure the pieces don’t dry out.

Meanwhile, heat the remaining oil in a medium saucepan over a medium heat and add the onion and garlic. Sauté for a couple of minutes, then add half the basil and the tomatoes. Bring to a simmer. Turn down the heat and cook gently for 23–30 minutes or until thickened (the exact time will depend on your canned tomato brand).

When the sauce is almost ready, cook the pasta in plenty of boiling salted water according to the packet instructions to al dente. Add the aubergine to the sauce. Drain the pasta (reserving a little of the cooking water) and toss in the sauce. If the sauce seems too thick, add some cooking water to loosen.

Divide among the plates and sprinkle with the ricotta and remaining basil leaves, roughly torn over the top. It’s best to allow this to cool slightly before eating.

Serves four

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