Consider the Rag Pudding? I never had until a decade ago when I was doing the words for chef Robert Owen Brown’s Crispy Squirrel and Vimto Trifle(MCR Books £12.99). Among 50 recipes celebrating the traditional food of the north, this speciality of Oldham millworkers was one of Rob’s less glamorous dishes. Just mince and onions in a suet crust steamed inside a ‘rag’. No need even for a pudding bowl, just freely available muslin or cotton cloth. Poor folk’s food, dispensing with even herbs or spices.
This Saturday on our beloved Bracewell’s butcher’s stall on Todmorden Market there were rag puddings on sale, sourced from the sole surviving commercial producer – Jackson’s Farm Fayre of Milnrow, who sell direct boil in the bag (or microwave) eight packs for £12.80. They are made by hand but using a hi-tech material instead of the original `rags’.
Suet remains essential also to more ambitious meat puddings and two high-profile specimens were mine to compare two days apart. First up was Ox Cheek and Guinness atThe Devonshirepub in Soho, then Braised Short Rib with Red Wine and Somerset Cider Brandy at the Manchester outpost of Hawksmoor.
Basic rag puddingBrand leaderThat something extra
This was hardly thrifty fare. The Devonshire pudding in its pool of jus cost £26, but duck fat chips were £6 extra and other veg sides a fiver; the Hawksmoor came in at £25, but it was more substantial and the whole deal included beef dripping chips, mushy peas and extra gravy. Very chippy tea – in a restaurant. Pubbier than the Devonshire, which has arrived in the capital to great fanfare as the epitome of an old school dining hostelry.
Two of its co-founders bring impeccable food skills. Heston Blumenthal acolyte Ashley Palmer-Watts, once of the Fat Duck and Dinner, is there to elevate gastropub staples, Charlie ‘Flatiron’ Carroll to ensure the live fire cooking in the Grill Room does justice to the in-house butcher’s sourcing. But it is the the third of the Devonshire trio that has sparked all the social media attention. Oisin Rogers created the legend that is the Guinea Grill Mayfair, deservedly so.
Devonshire’s finestHawksmoor ‘genius’
He has a thing about Guinness. In the Devonshire downstairs bar I witnessed the unbelievable amount of the dark stuff pouring through the pumps. Quite a buzz about the place. Maybe I prefer the pint you’ll get at the less manic Cock Tavern in Phoenix Street near King’s Cross, but it’s great to see Oisin’s well-tended stout playing an essential role in the ox cheek filling for the Devonshire’s suet pudding. Tasty, yet perhaps the reduction was too sticky for me, just as the chips were too dry and flakey. Collapse of all those Metropolitan stout parties bigging them up up.
The chips were better, fluffier inside, at Hawksmoor as I sampled their new lunchtime specials, which include that – superior – slow-braised short rib and root veg pudding. What tickles me about this total triumph on a plate is Oisin Rogers’ own accolade for it. When my fellow Manchester Food and Drink Awards judge and committed carnivore, Louise Rhind-Tutt Tweeted about the Three Year Aged Somerset Brandy twist to the filling he replied: “I wished we’d thought of this. Kinda genius.” And it is.
Suet and its savoury secrets
The distinctive blue, yellow and red packaging of Atora is the supermarket standard bearer for beef suet. From it tumble pellets of the shredded stuff, base for “for fluffy dumplings, pastries, puddings and pies”. Plant-based alternative on the shelves is vegetable suet, but there are issues with the presence of environmentally unfriendly palm oil.
Nothing for me, though, is as satisfying as the real deal – the soft fat from around the kidneys that protects them from damage. Deep yellow in colour, it is rich in vitamins and essential fatty aids. Order it fresh from a proper butcher’s; they can remove impurities and mince it for you. Or you can grate it yourself. It keeps in the freezer. The umbrella term is tallow but that includes dripping, which is rendered fat from across the beast.
Fresh beef suet has a bland taste (the mutton variety is more challengingly sheepish) and a dry, crumbly texture. When it’s incorporated into sweet dishes – think traditional Christmas Pudding – it brings a richness, yet somehow avoids making them taste meaty. For pie crusts, it creates a flaky and crispy texture that absorbs filling juices beguilingly.
Rump steak and chips keeps its place on the menu and is joined by, alongside the suet pudding, at prices ranging from £16 to £22…
Shortrib au poivre
Slow-cooked for 10 hours until tender, brushed in mustard, dipped in cracked pepper and coated in peppercorn sauce then served with buttery mash or our beef-dripping fries.
Flat iron steak
This tender shoulder cut is char-grilled and served in the style of the hottest restaurant in 1930s Geneva: Café de Paris – with beef dripping fries and a salad of watercress, shaved radishes and cornichons in a mustard dressing.
Charcoal-roasted hake
With slow-cooked peppers, onion, garlic, thyme and olive oil and finished with fresh basil leaves.
Tunworth Royale patty melt
This burger/toasted cheese sandwich hybrid was invented in 1950s LA by William Wallace ‘Tiny’ Naylor (nerds note: he’s on the cover of the Beastie Boy’s 1994 album, Ill Communication). Hawksmoor makes theirs between slices of Texas Toast. with their stalwart burger patty, plus unctuous Tunworth and mozzarella for ‘maximum string factor’.
Salt-baked celeriac
The veggie option, served with Hen of the Woods mushrooms glazed with soy and whipped ricotta celery leaves, capers and fresh marjoram.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2024/02/hawks-pud.jpg?fit=793%2C588&ssl=1588793Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2024-02-28 13:35:522024-02-29 11:30:29Clash of the beef suet puddings – Guinness rich or cider brandy version victorious?
Above is the most recent steak I have devoured. It’s a 21-day aged, grass-fed Chianina breed T-bone. It came so rare it was almost pulsing, but that’s how they like it in Tuscany. I shared it with my wife at Regina Bistecca (‘Queen Among Steaks’) in the shadow of Florence’s Duomo. On the menu we sere surprised to discover a “my favourite steak ever” tribute from our own Jay Rayner, who reviewed the place in 2019.
Did our own splendid slab of beast deserve such an accolade? I’m not sure. Better than Hawksmoor’s finest Porterhouse? But it was damned good. Outshone in truth by our recent wild boar Barnsley chop at The Edinburgh Castlein Manchester. That boar was not reared but culled from the acorn-rich Forest of Dean, so counts as game. Animal husbandry for the plate is a much more divisive subject. Not without political overtones these days.
The Jack’s Creek pasturesWorld’s Best?Beef served at Ben Brasil
Take the event, just across Great Ancoats Street, I attended more recently. The Aussie Beef & Lamb brand hosted a tasting at the Bem Brasil restaurant, where various cuts of award-wining family-owned Jack’s Creek steak were served churrasceria-style to the hospitality trade and a handful of food writers. Not on the menu that day, their grain-fed, wagyu-black angus cross sirloin has just been named the World’s Best Steak in the 2023 World Steak Challenge. Well, but is Jack’s Creek – a family-owned flagship, exporting to 20 countries – symptomatic of what we might expect when Aussie exports to us go up possibly tenfold? What of mass-produced lesser quality products that might monoplis our supermarket chill cabinets?
What we got to taste at Bem Brasil was beef was 60 day wet-aged and grain-fed, with two cuts given a further seven days’ dry ageing. Cumulatively this carnivore charm offensive never quite convinced.
Perhaps I was swayed by my conviction that the controversial, Brexit ideologue-fuelled UK-Australia Trade Agreement benefits them far more than us, selling our farming industry down the river. All at odds with the Aussie mission’s own mantra that its exports “can offer a point of difference for UK consumers looking for high-quality, consistent and sustainable red meat that complements but does NOT compete with British product.”
I brought up issues highlighted by the press (hereis Donna Lu in The Guardian) on cattle farming Down Under – growth-boosting hormones, antibiotics, sustainability dilemmas, grass-fed v grain-fed, wet ageing v dry ageing, choice of breeds, price points of mass market v niche and the threat to British farming. Their spokesman’s main response was that the UK can’t supply enough meat of its own to meet demand, so lifting the tariffs makes sense.
To try and make sense of it all I decided to ask a few North West chefs (and a butcher, who supplies them) for their feelings on four key issues…
1 Grass-fed v grain-fed? Does this affect the taste of the end product you put on the table? Do both have their place?
2 Dry-aged v wet-aged? What are the advantages of either and which route do you prefer to go down? And why?
3 Animal welfare. How important is this to you as a chef?
4 Sustainability is a huge issue. How do you address it in your own use of meat and the kitchen process?
James HulmeCaroline Martins
James Hulme, The Alan Hotel, Manchester
1 Grass-fed all day, fat is creamier, though in younger animals, however, there tends to be less fat I find. Hence why I use older cows. Although I understand the need for farmers to supplement with grain given the cost of land etc.
2 Not a fan of wet ageing. Meat is watery, less flavour. And doesn’t have a good aroma. Dry, concentrated flavour, stronger “cheese” smell. But high levels of fat are required to keep it moist.
3 The old cliche, a happy animal will produce better meat. Stress etc doesn’t help anything in life!
4 I waste nothing on an animal. Fat, cartilage, bones, marrow all used. When I had The Moor (Heaton Moor), we would take the bones after making stock and then turn them into charcoal for cooking with.
James added interestingly: “Given that we export 150,000 tonnes of beef each year. I’d doubt our supply is short. It probably boils down to a cost POV, meat produced cheaper by using grain which speeds up growth. However, there will be a trade off with quality of meat, flavour and marbling.
“I went to the US Embassy a few years ago for a similar meeting about usda. And have since watched a few documentaries on the subject which I imagine are similar to Australian production. It comes down to weight as to when an animal can be slaughtered, if they can speed that process up to cost less and hence sell for cheaper they will.
“If the grass is of a high quality the time to slaughter weight is similar. From what I’ve seen Oz farms aren’t generally very green. Mass sprawling dessert in the outback, so grain is probably necessary. At the end of the day, mass producing meat for an export market at a cheaper price than homegrown can not be good for anyone.”
Caroline Martins Sampa Project, Ancoats
1 In an ideal world, all produce would be grass-fed because it tastes much better and there’s less carbon footprint. On the other hand, grass-fed beef is not always available from our local butchers. Hence, when working with Littlewoods (of Heaton Moor, see below), I’m always placing seasonal orders ahead of time. So if it’s hard for us as chefs to plan our menus around grass-fed availability, imagine for house-holds? I think both grass-fed and grain-fed have their place in our current society, as long as it’s a healthy balance. But ideally, all should be grass-fed.
2 I never buy wet-aged beef. Mostly because of flavour and texture. Wet-aged steaks tend to get a “liver” texture, and flavours get diluted between the fibres. Dry-ageing steaks, intensify flavours. The same goes for vegetables. Dan Barber (Blue Hill) shrinks his vegetables to concentrate flavours. That’s exactly what happens with dry-aged beef. Less water = more flavour.
3 It’s very important. In fact, in the demographics I’m located with SAMPA, I can’t really get away with serving grain-fed or beef that hasn’t been free-ranged. Guests ask about the origin of our steaks all the time. These last couple of years have had a massive change in the way we eat proteins, hence such a large surge of veganism. Especially with Millennials and GenZ.
4 All our proteins come from within Lancashire+Cheshire. The more local you can source, the better for the environment. I take pride on it, and even mention it on my menus so guests are aware of how we’re sourcing our produce. Regarding availability here I’ve never walked into a butcher or a Sainsburys/Tesco/Aldi that was sold-out of British beef (especially if you’re willing to buy cheap grain-fed beef).
Iain ThomasMarcus Wilson
Iain Thomas, The Pearl, Prestwich
1 I feel that grass-fed you get a stronger flavoured meat, less fat, the animal and cuts tend to be smaller but definitely taste better as the animal has had a longer life and time do develop a deeper flavour. In an ideal world no grain-fed would be used and all meat would be grass fed. Unfortunately with the demand to eat out all the time and drive costs down, some restaurants need to use them to get the product at a cost they can afford and in the volume where they can meet demand
2 I would also go for dry-aged. I feel you will always get a much better taste and result. It’s always going to cost more as you will lose some of the blood in the dry ageing process. The smell you get off a dry-aged piece of meat is absolutely incredible. In contrast, I feel wet-aged just sits in its own blood and some almost smells sour and like Its passed its best. I believe it’s a way of big supermarkets pumping out poor quality meat at a lower price point.
3 It’s very important, even though we are going to eat them in the end. I feel animals that have had a good life and been treated well with very little stress will always produce a better quality flavour.
4 By working as closely with the suppliers as possible, using whole carcass butchers that don’t waste any of the animal, treating the meat we get in the kitchen with respect, using native breeds to the uk. Also using different cuts of the animal. You can’t always use the prime cuts that everyone wants. If the butcher has something that needs used up and I can do something nice with it, I’m more than happy to take it off their hands.
“I think what Littlewoods are doing is amazing and it would be good if we could all go back to using the small local family butchers. The passion and knowledge that Marcus and his team have is amazing and is really helping the industry get back to where it should be.”
Over to Marcus (who provided my wild boar Barnsley chop)…
Marcus Wilson of Littlewoods butchers, Heaton Chapel
“I’m not if the opinion that importing cattle/livestock which rely greatly on water for grass/feed from one of the driest continents in the world, or promoting stall reared grain-fed cattle, is a good idea. The UK has the perfect environment to rear cattle/sheep without a cost to the environment and, if reared in a regenerative manner, will increase carbon capture and diversity. The recent deal, was one of the worst trade negotiation outcomes I think I’ve seen in the agricultural sector. The callous disregard the Conservative government show to our farmers is shocking. I object too to the suggestion that we desperately need to import meat from Down Under. UK farms supply 86 per cent of what we require. Every single farmer’s back is up.
“With wet-ageing, supposedly less wasteful, when you cook the on the grill the steak loses weight through the juices sizzling off. After being locked in the vacuum packs it often ha an offaly odour, which is unpleasant. Thanks to being fed on grass and pasture, the meat from our cattle has better marbling and much better flavour.”
Joseph OtwayAdam Reid
Joseph Otway, Higher Ground, Manchester
1 Grass-fed in my experience has a better flavour due to how the grass affects the fat content
2 Dry-ageing increases the flavour and more effectively breaks down the intramuscular fats. The obvious downside is loss of weight, which costs more money.
3 Very important.
4 We take whole carcass as much as possible and utilise every part of the beast throughout our menu.
1 As a chef who values local/British produce I’ve always aimed to use grass-fed stock as I believe it offers a more natural product.
2 I don’t fully understand the wet ageing process. I’ve always aimed to use meat that is very dry-aged as the less moisture the more flavourful and tender the meat. It would take some serious work to convince me otherwise.
3 This is important above all else, happy animals make for tasty meat! On a serious note I’ve always lived with the philosophy that if we intend to consume an animal we should pay it the respect of giving it a happy life. The idea that living things are commodities only bred to serve the end goal of feeding us is quite disgusting.
4 I aim to use produce in moderation, we rely on only using the best quality, so I try to utilise every element of the ingredients we bring in and promote moderation in the way people consume food. I believe a lot of the sustainability issues we have around food are driven but he way society allows big businesses to promote the ‘more is more’ ethos.
Robert Owen Brown (right)Doug Crampton
Robert Owen Brown, ‘nose to tail’ chef and BBC’s Kitchen Cabinet panellist
1 Grass fed for me… slow grown, higher in nutrients, then grain supplement at the end to add a finish. They both have their place.
2 Dry-aged all the way for me. I understand the wet-aged method, And you undoubtedly lose less weight and it’s way less expensive. But the finished article never seems as good on the palate.
3 Massive emotive subject. For me it has to be the most important part of meat production. Unfortunately high welfare meat is way more expensive to produce .There is always going to be a market for cheap meat.
4 Minimise waste. Dry-aged is notorious for waste because you lose weight in the ageing. You are using more energy and equipment in the process and the trimming of the bark that has built up. It is a lot less sustainable. Offset that by buying local high welfare.
Doug Crampton, chef patron, Eight at Gazegill (read my preview)
1 Grain-fed animals are predominantly feed lot animals fed higher calorific grains over grass – as ruminants take grass in they have a complex process of breaking down cellulose and extracting sugars and nutrients, the latter also results in a slower grown muscle with higher levels of omega 3 fatty acids. Grass-fed is without doubt a better animal with many environmental benefits over feed lot or barn reared. Although indoor animals finish more quickly they do so at a cost in terms of welfare and environment, the equivalent of the bovine broiler hen.
2 Dry-aged is simply better as the air is allowed to circulate around the carcass or primes and this natural drying process breaks down the muscle and results in a stronger flavour and a more tender cut. This does not occur in wet-ageing, which is a process adopted by many large abattoirs as hanging and ageing space is simply not available, unlike in smaller niche operations.
3 Animal welfare is key to every aspect of meat production and this is very important in the kitchen. The manner in which an animal is reared has a huge impact on the taste and quality of a cut of meat.
4 Sustainability is a massive subject. So I’m just taking a narrowed view and focusing on Eight, where all our meat is sourced from our host farm Gazegill Organics or partner farms. They work closely together to make available excellent, well cared for livestock. We will be using kitchen waste in compost and will be installing poly tunnels and a kitchen garden to complement our home-grown meat and dairy. It is a great advantage to be able to talk about the home-grown meat on the menu, adding that layer of information which is generally lost when buying off the peg at a wholesale butchers.
• For the most comprehensive championing of the health benefits of grass-fed, antibiotic-free beef visit the Gazegill website.
Sam BuckleyWhere The Light Gets In
The last word comes from Sam Buckley, chef patron of Stockport’s Where The Light Gets In, one of the first UK restaurants to earn a Michelin green star for sustainability, where meat forms only a balanced component of the menu. Surprisingly Sam has wearied of the entire sector’s claims of ethical responsibility, seasonality and the like. “It all often comes down to marketing hype… i don’t buy into it all,” he tells me.
He echoes critics of ‘regenerative farming’ such as George Monbiot. “In our kitchen we don’t waste a single thing, our food tells a narrative. But there is no balance in the food system as a whole. The amount of land we use to graze cattle, the amount of premium energy needed to grass-feed a beast you never get that energy back in. Is it the best use of land for feeding our population?
“Maybe I m a hypocrite because I still eat meat and I can appreciate the flavour complexity created by dry ageing – all that reduced moisture, the fungus and micro-organisms released, but there may be more urgent priorities.”
As a chef who sources as locally as possible, even growing his own fresh produce at acommunity growing space on the roof of Stockport’s Merseyway shopping centre, Sam’s major beef with the Australian meat deal is the ludicrous import distance involved: “You can feed and treat the livestock as well as possible, you can read the Lord’s Prayer to each cow every day, but you shouldn’t be shipping them 10,000 miles.”
Meat is Murder, Morrissey’s prescient plant-based message, remains a strident soundtrack to veganism, in harmony now with the methane-blamers in the battle against global warming. And yet to yoke mass-produced, factory-farmed supermarket protein with enlightened sustainable animal husbandry yielding remarkable, healthy produce is a travesty.
Read my pieceon the farming practices supplying Higher Ground, in the running to be Manchester’s restaurant standard bearer, then eat there to see what all the fuss is about. At the moment it is just acorn-fed free range pork (I hugely recommend the pig’s head terrine) on the menu. from Jane’s Farm in Cheshire but soon its grass-fed beef will feature too, not a scrap of the animal wasted. Higher Ground is sharing the first Dexter cross carcass with fellow newcomer Climat.
They are not alone in championing beef. These days few retired milkers can look forward to a long retirement, just a few years’ extra grazing to mature their flesh for the grill or pot. At the recent launch of Stock Market Grill– formerly Tom Kerridge’s Bull & Bear –in the Stock Exchange Hotel head chef Joshua Reed-Cooper served us ex-dairy Friesian rib eye steak (substantial, so £55).
Excellent as that rib-eye was, it was trumped at another hotel dining room I’d almost written off after the departure of exec head chefIain Thomas,who had launched it to acclaim. His permanent replacement at The Alan is James Hulme, as meat savvy as any chef around. When he ran his own restaurant, The Moor, in Heaton Moor he struck up a working relationship with a farm near Buxton, he told us across the chef’s counter.
“I used to take three ewes at a time, drive them to the abattoir. I didn’t kill them myself but I think you should be able to kill stuff if you want to eat it. Many chefs, even at top places, have no idea which part of a cow different cuts come from.”
With such knowledge he embraces the farm to fork ethos, extracting the maximum use of a beast. It took half an hour to prepare our 800g of retired dairy cow, James’s sous chef treating it first to a dose of searing flames. In all its final crimson glory it’s a wonderful mouthful with enough left over for three days of doggie bags for Captain Smidge the chihuahua. £85 the cost, but there’s ample and beyond.
Our little dog was never going to be brought back any of the Pomme Anna style confit beef fat chips – glistening gold slabs of carb crisped in fat from the animal’s beef cap, which also fuels the best beef tartare in the city, lubricated by whipped bone marrow. It’s made distinctive by chopped gherkins and cured egg yolk plus breadcrumbs toasted with beef fat. What else?
The vegan option is never paramount with this chef who honed his talents working for Gordon Ramsay, Jason Atherton, Marco Pierre White, Tom Aikens and our own Aiden Byrne when launching 20 Stories. Still his plant-based offering is better than most. We enjoyed poached and roasted salsify with apple and red wine but, seasonality decreed that was about to depart the menu, its replacement another off the mainstream radar veg, kohlrabi. And, of course, with that fine dining cv, he can’t resist undermining any vegan potential with a dash of life-enhancing butter. Grilled hen of the woods with ancient grains and whey butter is definitely a dish de nos jours.
But easily our favourite among the small plates was again meat-led. My favourite lamb breast dish is the classic French version, Sainte-Menehould. Slow-braised, then strips of it baked with a mustard and breadcrumb coating. This is simpler, the product of pressing with the addition of that most un-Gallic of tracklements – kimchi. The most delicate of kimchis turned into a ketchup.
There’s an improved wine list arriving at The Alan and we suspect this chef will not hesitate to up his menu game, too. For the moment it’s good to see one of the city’s coolest venues consolidating its immediate impact despite big changes.
So many Manchester homages to exposed brick are just plain grubby but this wide open space of muted pastels and cute design quirks really sings. With food to match from James Hulme. Grab a seat at the counter and watch an unsung master at work.
The Alan, 18 Princess Street, Manchester M1 4LG. 01612368999.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2023/03/Steak-1.jpg?fit=1000%2C750&ssl=17501000Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2023-03-21 16:41:002023-03-22 08:47:14I wrote off The Alan too soon – James Hulme has beefed up the menu magnificently
These beauties are giving you the hard stare. Stocky they may be, but Dexters punch above their weight in the beef stakes. Cross-bred with Longhorns, not just grass fed but rich pasture-nourished 24 hours a day, they produce meat that is unparalleled.
Expect to find this product from ‘Jane’s Farm’ at Poole Hall, Cheshire – alongside their ultimate free range pork – sizzling off the Josper at the reincarnation of Higher Ground. Repurposed as an ‘agriculturally focused bistro and bar’, it will open to the public in Manchester on Saturday, February 18. Here’s a link to their sample menu. There’s a palpable sense of elation that, three years on, the globe-trotting restaurant team that wowed at a pop-up in the fledgling Kampus development can now really fly.
Joseph, Daniel and RichardFlawd’s view over islington Marina
The pandemic restrictions clipped their wings. Two years of planning for one potential site ended in deep frustration. But Joseph Otway, Richard Cossins and Daniel Craig Martin battled back. Most visibly at Flawd, their natural wine bar up at Islington Marina in Ancoats. Otway got shortlisted for Chef of the Year at the 2023 Manchester Food and Drink Awards and was highly praised by Sunday Times reviewer Marina O’Loughlin. All this despite the venue’s very limited cooking facilities.
Cinderwood market gardenMichael, Ste and Richard
The real tools behind his artfully assembled small plates were the salad, fruit and veg sourced from Cinderwood, their own organic market gardenin deepest Cheshire. It was how the Higher Ground gang occupied the lockdown hiatus, turning over the one acre leased to them by Poole Hall’s owners, Jane and Chris Oglesby. Polytunnels and a shed were built, horticultural nous acquired in the shape of head gardener Michael Fitzsimmons and a supply chain created to a network of enlightened restaurants. The future seeds were sown, but that has proved to be only the beginning as a deal has now been struck to take on Jane’s remarkable meat.
Higher Ground and Climat collab
The latest restaurant in Manchester to source from Cinderwood will be Climat, which hit the ground running just before Christmas. It’s actually quite a long way off the ground – on the eighth floor of Blackfriars House – and was praised to the skies last weekend by Observer critic Jay Rayner. Climat are actually going one step further by tapping into the ‘Jane’s Farm’ link-up that promises to make the resurgent Higher Ground such an exciting destination for 2023. The two restaurants have reserved a four-year-old heifer to share, avoiding wastage, and that beef will be on stream into the spring. But first the triangular farm to fork pathway will be forged by the pork on Joseph Otway’s launch menus.
Jane Oglesby has kept back six pigs from the autumn, which have been gorging on acorns in the Poole Hall woodland, so they each weigh a whopping 150 to 170kg. Noah’s Ark style, every fortnight a pair of pigs will be ferried to an independent, small scale abattoir on the Wirral, accompanied by farm manager Ste Simock. The carcasses then go to Littlewoods in Heaton Chapel, arguably the finest butcher’s in the region, to be jointed for the Higher Ground chef team.
The end product may include (off the sample menu) pig head terrine, pickled garlic capers (£10), Jane’s acorn reared pig belly with grain and mushroom porridge (£24) and dry-aged pork leg steak, cauliflower, fermented mustard leaf (£20).
The beef, in its turn, will hang for at least four weeks at Littlewoods. Future plans include mutton from sheep sourced from Jane’s cousin in the Dales. A further third of an acre is being leased at Cinderwood, where sheep will graze, turning over the soil naturally, avoiding the plough, just a final ruffling with a rotivator before brassicas are planted on the site. The aim? Both brassicas and meat will be ready at the same time for a seasonal companionship on the plate. This is so true to the agricultural philosophy Jane espouses…
LonghornLarge Black
Jane Oglesby and the joy of regenerative farming
After negotiating a maze of rutted country lanes in the Nantwich hinterland it’s after dark when we pull up at Poole Hall. So I have to take it on trust that out there across 200 acres those Dexter crosses and a scattering of their Belted Galloway rivals are revelling in being given the licence to roam and chomp the vigorous wild plant life, while in the woodland thickets Large Black x Tamworth porkers root for acorns. Just like their Spanish cousins. But they are still a work in progress, unlike the 120-strong cattle herd, which Jane Oglesby has been building up for over a decade.
I’ve come down from Manchester with Joseph and Richard to collect a couple of pork joints for the test kitchen ahead of a New Year’s Eve feast at Flawd (three sittings, check availability with them), where the centrepiece will be pork shoulder slowly seethed in milk. If it follows the Italian method for Maiale al Latte, lemon and sage will feature. As a dish it’s not a looker since when the pork is cooked the milk will have curdled into brown nuggets, but it will be delicious.
Joseph, Richard with porkJane serving the broth
Inside Poole Hall, a sophisticated kitchen belying the country house’s Regency trappings, our host Jane offers us each a bowl of restorative beef broth. It reminds me of the ’dry-aged beef ends broth’ reputedly served when the great American ‘farm to fork’ champion Dan Barber transformed his upmarket Greenwich Village restaurant Blue Hill into a pop-up called wastED for two weeks. It later guested at Selfridge’s in London
You nailed it: creating thought-provoking dishes out of kitchen cast-offs. Even the candles were made out of beef tallow, which you dipped your bread into (Caroline Martins at her Sao Paolo Project in Ancoats was recently pulling off the same trick). Akin to the Italian brodo, that Barber brothmay not sound a radical statement but it marks a change of direction in a top-end restaurant culture that can be profligate with raw materials.
Using every part of an animal, capitalising on the virtues of vegetables, respecting the soil – Joseph Otway and Richard Cossins learned these lessons first hand while working together, as fish chef and front of house respectively, at Blue Hill at Stone Barns in upstate New York. Barber’s farm to table restaurant is symbiotically linked with an on-site Rockefeller-funded non-profit farm and educational centre engaged with the pursuit of ‘regenerative farming’.
That too is Jane’s hands-on mantra across her own increasingly fecund Cheshire land. No ploughing, encouraging wild nutrients in fields formerly given over to dairy farming. Result a yummy riot of clover, yarrow, trefoil, chicory, sheep’s parsley and plantain. She insists: “My belief is that when they have a multi-varied diet the meat is more tasty, all down to the variety of herbs consumed.”
It was through a mutual friend that Jane linked up with the Higher Ground team. As Richard Cossins recalled on my initial visit to Cinderwood: “Chris Roberts (a chef specialising expert in cooking with fire) had told the Oglesbys they really ought to meet us, we’d really get on, so they just turned up out of the blue at our Kampus pop-up launch night. Jane produced this pasture-fed beef from her handbag and Joseph, after opening the windows, cooked these amazing steaks.
“Jane really knew her stuff, had read Dan Barber’s (seminal) book,The Third Plate, and it had inspired her quest for regenerative beef. We bonded at once and they offered to lease us land to start Cinderwood on the estate.”
One thing led to another. Joseph and his team got to appreciate the quality of the meat, while hosting private dinners for Jane and her husband Chris, chief exec at developers Bruntwood. All this culminated this autumn when the couple rendezvoused across the Pond at Stone Barns with Joseph, Richard and their Flawd/Higher Ground partner and natural wine expert Daniel Craig Martin (this NOMA alumnus met Joseph when the pair were working in Copenhagen).
For Jane Stone Barns more than lived up to its manifesto of an integrated system of vegetable, cereal and livestock production, dedicated to cultivating new varietals, and its former employees recognised the Barber sustainable quest had even ratcheted up a gear.
What none of them was quite prepared for was their meat course in the kitchen there. By the fireside at Poole Hall Joseph shared phone images of the half a cow’s head they were served. Not nearly as shocking as the infamous horse’s head in the bed in The Godfather. Still it’s more approachable when the choice meaty bits have been levered out for you.
‘Jane’s Farm’ send their animals in pairs for slaughter to Callum Edge’s abattoir on the Wirral. To reduce stress they may be accompanied by Ste Simock. Day to day the herd is calmed by leaving the bulls with them and employing a 15 year-old dairy cow to impart her own field wisdom.
The Belted Galloways, brought in to be ‘finished’ are from her cousins’ farm up in the Dales – Jane’s first contact with agriculture. “As kids we used to come up from London or Birmingham to stay at their farm,” she recalls. Much has happened in the world of cattle rearing since then. Not least the shrinking number of small scale abattoirs like Edge’s, the latest to quit the century-old Mettrick’s in Glossop. The remaining ones are hog-tied in red tape, the industry geared to force-fed, accelerated growth livestock.
“Pasture-fed animals necessarily take longer to grow, but regulations dating back to the Mad Cow Disease epidemic place restrictions on animals over 30 months old,” Jane tells me. This former GP, has said in the past: “The health of my family was what got me into farming. The combination of being a GP and a mother started me thinking seriously about what I was eating. When my daughter was a baby, there was very little information about what was in food or how it had been raised.
“I started to read about hormone use in cattle. We had a friend who had a beef farm and all his cattle had permanent growth-hormone release things in their neck. I didn’t want my children to be given growth hormones, plus there was the use of pesticides on the cattle feed. I was at the point where I thought I might become vegetarian. Then I thought, we’ve got land, I could have a cow and my family meat that I’ve reared myself. Initially it wasn’t that much of a commitment, apart from the small amounts of time that one cow and its calf take.”
‘Ideologue’ George Monbiot…On the other side of the fence
But what about the health of the planet, Jane? I ask this in the wake of Animal Liberation activists occupying Michelin-starred Mana in protest at them serving meat. All that cattle-generated methane contributing to global warming. So what are you thoughts on the George Monbiot documentary Apocalypse Cow: How Meat Killed The Planet?
“Big choices have to be made on behalf of the planet. We have to regenerate the soil. Extensive rewilding is not the right direction, reintroducing wolves and vultures and all that. Monbiot is an ideologue, who sets out to challenge existing norms, but is too embedded in what he proposes. I don’t believe in the stats he uses to convince us how much cattle contribute to global warming compared with so much else. His is not the way.”
Monbiot has been equally dismissive of sheep’s contribution. So let’s finish with a ‘nature will heal itself’ narrative from Jane’s resident flock of Shropshires. “We had this maverick sheep, which went off on its own to just nip off the tops of plantains (the ‘mother of worts not the banana cousin). It set us thinking. Perhaps it was ailing. This was finding medicine the plantain is one of the great healing plants.”
So what to expect from the 2023 version of Higher Ground?
Faulkner House on the corner of Faulkner Street and and New York Street is the new permanent home for Higher Ground. The 3,000 sq ft space will seat around 50 covers, with the design incorporating floor to ceiling glass on two sides of the building, as well as a large island that will be shared between both the front of house and back of house teams.
There’s no shortage of experience there. Richard Cossins’ CV includes fronting Feta at Claridges and Roganic for Simon Rogan, but he is pragmatic about the new project they have settled on. “We don’t feel like now is the time to be opening a tasting menu only restaurant. Flawd’s success has shown that an approachable, neighbourhood concept works well. It actually makes us question our original thinking. Starting with Flawd has been the perfect entrance to a new food and beverage landscape.”
Menus will change on a daily basis depending on the season and ingredients will be sourced from the North-West with a focus on organic, small-scale agriculture and small herd, whole carcass cookery.. The wine list will encourage discovery and curiosity with a spotlight on small-scale, low intervention winemakers from around the European continent.
Natural wine expert Daniel Craig Martin Curing Rebels charcuterie
Expect an a la carte offering as well as a sharing menu option priced at £45 per person, made up of both individual courses and sharing dishes, encouraging family-style eating. Example non-meaty plates could include Cumberland Farmhouse Cheddar Quiche and BBQ Leek Skewers and Cow’s Curd and Celeriac with Spanish Blood Orange andBay Leaf. Curing Rebels charcuterie from Joseph’s native Brighton will continue to feature. Guests will be offered the choice of sweet or savoury options to round off their meal with Garstang Blue and Lager Rarebit sitting alongside Yorkshire rhubarb, Custard and Caramelised Croissant on the dessert menu.
The grill will be central to the operation. While head chef at Stockport’s Where The Light Gets In Otway followed the ‘second plate’ principles of veg dominating with a reduced amount of meat effectively forming the sauce. With the Oglesby tie-in he has to accommodate butchering and not wasting any part of whole carcasses. “It’s a daunting challenge,” he tells me. “It’s about more than the prime cuts. We are going to have to be creative.
“Now that we will have a full-scale kitchen to work with, we’re eager to further our existing relationships with the many local producers and farms here in the North-West. We should hit the very beginning of spring when the restaurant opens. From a produce perspective it couldn’t be more exciting,”
Flawd will continue under the stalwart stewardship of Megan Saorise Williams with Where The Light Gets In fermentation specialist Seri Nam taking over in the kitchen.
Higher Ground, Faulkner House, Faulkner Street, Manchester M1 4DY.Bookings now being taken.Walk-ins welcome.
Family holidays in Provence. Those were the days. Not always without incident. The first time I ever drove abroad was an eerie 3am hire car trundle along Nice’s Promenade des Anglais after horrendous flight delays. Two tots in the back too tired to even attempt: “Are we nearly there yet?” ‘There’ was the hilltop village of Haut de Cagnes, a maze of cobbled passages, at the top of which lay our holiday ‘villa’ or ‘near hovel’.
In those innocent pre-internet days we’d booked it via the small ads of The Lady magazine. It had apparently served as the wartime Gestapo HQ before falling into the hands of a retired Daily Express stringer. It dated back to the 13th century and so, it seemed, did its plumbing.
Fortunately when the gas boiler conked out on day two there was a resourceful local Monsieur Fixit on hand. He and his partner also babysat our spotty kids – both of whom had succumbed to la varicelle (chickenpox) – allowing us to chill at the local bistro. Fine meal there, but the best of the holiday came from our own primitive stove. I cooked the classic Daube à la Provencale.
It was the product of a vibrant local market, the village’s best attraction alongside the artist Renoir’s house and the Chateau Grimaldi. Ingredients? Boeuf biologique, lard salé, olive oil, fleur de sel, onions and garlic, garrigue herbs and a bottle of equally herby red, a second bottle of which we consumed with the slow-braised beef. Of course, we didn’t have one of those traditional claypot daubières to cook it in, but it still turned out sublime.
Attempts since have never quite matched that daube debut. It didn’t help that I flipped between different recipes. Yet all along on my bookshelves lay the solution. It took the death of Lulu Peyraud in 2020 and a lockdown trawl out of curiosity through A Provençal Table to reignite my quest. Eureka!
Her version is the fruit of a lifetime’s cooking (she died aged 102) in the kitchens of her family’s vineyard in the Bandol appellation 200km west of Nice. Her friend and disciple Richard Olney, expatriate American bon viveur, assembled all the book’s terroir-driven recipes under the subtitle The Exuberant Food and Winefrom Domaine Tempier.
Olney’s magnum opus, Simple Food, offers a daube recipe that is more daunting, not quite as intricate as his two takes on cassoulet but you get my drift. Introducing her to America’s West Coast culinary elite (Chez Panisse’s Alice Waters wrote the foreword to A Provençal Table), the faux rustique Olney built up an almost mythical image of Lulu (née Lucie, winemaker husband Lucien).
Alongside acting as an ambassador for the Tempier wines, she just loved cooking and entertaining. Up early in the morning to meet the fishing boats and buy the pick of their catch, or to the market for fruit and vegetables, she would go home and cook for large parties for lunch or dinner several times a week.
A role model for me? Yet all that back story was enough to put me off when, a few years on from La Varicele, we had our next Southern French holiday. ‘Play with the vigneron’s dog’ we told the kids as we sampled delicious reds and rosés made from the Mourvedre grape at various vineyards in the hills above the Med. But Tempier was a stop-off too far. I made do with buying the book. Here is the quiet wonder you’ll find on page 179 of my 1995 Pavilion edition…
Lulu’s Daube à la Provencale
Ingredients
4lb chuck steak, cut into 3oz pieces, 4oz lean, streaky salt bacon, in a single slice, cut across into ⅓ inch-thick lardon; ½ cups peeled, thinly sliced carrots; ½ lb onions; 3 branches of thyme, 2 bay leaves, parsley stems; one strip dried orange peel; 1tbsp olive oil; bottle of deep red wine; coarse sea salt; bouquet garni (thyme, bay leaf, orange peel, celery stalk, parsley).
Method
In a large bowl, intermingle the meats, vegetable, herbs and orange peel, sprinkle over the olive oil, and pour over red wine to cover. Maria, covered, fo several hours or overnight, turning the contents of the bowl around two or three times. Strain the marinade into another bowl. Discard the carrots, onions, herbs and orange peel. In a heavy pot (preferably a daubière) layer the meats, sprinkling with salt, and place the bouquet garni between layers. Pour over the marinade and bring slowly to the boil. Then maintain a slight simmer for six hours. Lift off as much floating fat from the surface as possible. Discard the bouquet garni
Serve with macaroni and parmesan. I didn’t. And I added garlic and basil. Sacrilege. Plus a pig’s trotter so I could serve the left-overs cold en gelée. Inspired. I’m sure Lulu (and Richard) would have approved.
Main image of Haut de Cagnes by Renaud d’Avout d’Auerstaedt
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2022/08/Haut-de-Cagnes_-copy.jpg?fit=1883%2C1260&ssl=112601883Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2022-08-21 07:33:172022-08-21 18:38:26Revisiting Daube à la Provencale – the legendary Lulu’s greatest hit?
Destination restaurants in Manchester hotels are almost extinct. The days when Michael Caines had his name over the door at Abode and David Gale ruled Podium at the Hilton further down Piccadilly are long gone. Both now offer standard hotel brasserie fare. As do relative newcomers such as Dakota (though their Grill, well sourced, is surprisingly good), QBIC and Hotel Brooklyn.
Adam Reid, following his mentor Simon Rogan at The French inside the Midland Hotel, continues to fly the flag for Great British Menu style fine dining, but even that failed to make the cut in this year’s Estrella Damm Top 100 UK Restaurants list.
Arguably the city’s most high profile hotel, The Lowry, has dumbed down from the early Noughties days when German chef Eyck Zimmer created some of the finest dishes ever seen in Manchester. Recent restaurant space makeovers there and at the Radisson Edwardian do not equate to a radical upgrade of the food offering. The Peter Street Kitchen at the latter, partnering Mexican and Japanese menus, is a wild card, though. Let’s leave it at that.
Which bring us to Sunday lunches, a perennial draw in hotel dining rooms. Scrap them at your peril. The worst case scenario being carveries, which discreetly we’ll shove on the back burner.
Possibly the best roast in town is inside the Stock Exchange Hotel, at the Bull and Bear. You’d expect that from Tom Kerridge, whose whole ethos trumpets comfort food done with accomplishment. But, though the stunning setting sings ‘destination’, we’re not talking food on a level of his two Michelin star pub in Marlow, The Hand and Flowers.
The Ducie Street Warehouse has relaunched its own Sunday Lunch offering with the added bonus of the UK’s first dedicated Cauliflower Cheese Menu, courtesy of head chef Andrew Green, who has previous in this department. At Mamucium dairy took centre stage one ‘Cheesemas’ with a menu that included a 3kg cheese wheel to share.
I must admit my arteries wobbled at the though of tackling classic vintage cheddar cauliflower cheese and twists featuring truffle, bacon fizzles, blue cheese (our choice), garlic and herb crusted, macaroni, a totally vegan cauliflower cheese and, the ultimate, a four cheese version with parmesan, gruyere, philadelphia and cheddar.
Relief came at table when I realised they were all sides at £4.50 a pop. Alternatives included old stagers such as Cumbrian pigs-in-blankets and honey roasted heirloom carrots.
Head chef Andrew Green is a meat and cheese specialist putting his stamp on Ducie Street Warehouse
Glossop-born Andrew has been one of the Manchester chef stalwarts in recent years. Though he started in an Italian restaurant, the rest of his his professional career has been in hotel kitchens, a couple at the Airport before he headed up The Lowry’s and then Mamucium’s. His forte has been meat cooking, notably a classic Beef Wellington, and he has always sourced from top notch butchers such as Mettrick’s, WH Frost and currently The Butcher’s Quarter.
So why am I slightly disappointed in the dry-aged shorthorn beef sirloin and roast supreme of corn fed chicken we share as mains? Small plate starters had signalled a user-friendly, standard, global hotel menu, but our mains didn’t take it up a gear. A pond of all-purpose gravy, chewy roasties and chunky Yorkies didn’t do the meats any favours – the chicken tasty enough but on the dry side, beef sliced in thin wafers needed the lift of the horseradish we requested.
Alternative Sunday mains were rosemary roasted leg of lamb, free-range gammon and a weekly changing vegan roast. You can even order a pick and mix of all four meats on the plate. Nothing to scare the punters but lacking the pizzazz of the setting, the vast stylish ground floor below the Native Hotel.
Slightly more exciting sounding is access to two-to-share offerings that sit in the normal a la carte – harissa spiced whole chicken, miso glazed fish of the day, 800g tomahawk of Cheshire beef or a whole roasted ‘ras el hanout’ cauliflower.
Bistrotheque was the initial food and beverage offering when Native created 166 apartments in the Grade 11 listed Victorian warehouse back in. It was soon apparent its quirky comfort food at posh prices formula didn’t transfer well from the East London original, so after six months it was ditched and the 80 cover dining room became Restaurant at CULTUREPLEX (the co-working, arty raison d’etre for the rest of the ground floor). Highlight of this manifestation was a pop-up by the cutting edge restaurant team of Higher Ground (now operating Flawd at New Islington Marina). Its front of house expert, Richard Cossins, famously opened Fera at Claridge’s for Simon Rogan. But that was London and this is Manchester, where the real culinary frissons are rarely to be found inside hotels. Now pass the horseradish.
‘Sunday with Sides’ is available every Sunday, with special cocktail offers and live music, from 12.30pm to 8.30pm at The Ducie Street Warehouse, 51 Ducie Street, Manchester, M1 2TP.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/10/Cauliflower-Cheese-Menu-scaled.jpg?fit=2048%2C1366&ssl=113662048Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-09-28 12:15:002021-10-05 08:44:37Ducie Street Warehouse – My case of the cheesy cauli wobbles?
As I pen this al fresco appreciation of conjoined Ramsbottom restaurants Levanter and Baratxuri, both are preparing to re-open inside for the first time in many months. More choices again. Inside or out? It was difficult enough pre-Pandemic to pick which of the Botham family’s Iberian destinations to drop in on.
Latterly (it’s only relative) it was Baratxuri’s bar with its flurry of Basque pintxos that won out, but the pedestrian conversion of Square Street meant a joint reservation system and shared menu outside. So was a sunny Saturday lunchtime under the awnings the best of both worlds? Definitely.
The glory of Baratxuri, writ even larger at its Manchester Escape To Freight Island site, is Joe Botham’s way with fire. Yes, more wood-fired grills (check out my Heady Basque Mix of Woodsmoke and Wild Turbot). How then could we resist, from the asador, the Galician Xuleton, giant rib steaks from 10-year-old Capricion de Oro oxen dry aged for a minimum of 45 days?
There was a raft of on the day prices, dependent on weight from £51 to £80. We asked for the £60 for three of us. We were just charged the £51 for a serving that was easily enough – after a succession of support act pintxos. The txuleton (bone-in cut from former dairy cattle) came simply with padron peppers and dressed tomatoes.
The menu description uses the word ‘malty’. Not a word I’ve used about steak, but now I’m a convert. The dish was stupendous. Well rested, the charred flesh had a slight chew to it but was intense in flavour, the salt enhancing this rather than distracting.
What else did we have? Also from the wood-fired oven a tranche of that favoured Spanish fish, hake done a la gallega, ie Galician style, which involves spuds, garlic, chorizo and, in this instance, pea emulsion (£12).
Chorizo featured again inside the Baratxuri bar favourite, txistorra sausage rolls (£4.50), but this time took second place behind another snack at the same price, the sobrasada pintxo. Here Mallorcan soft cheese and PIco blue cheese are melted on tostadas with honey and walnuts.
We had started with an £8 plate of jamon serrano plus bread, oil and balsamic and salmorjo for dipping. I’m glad I saved some bread to mop up the goo of ember-roasted scallop, salt cod whipped potato and Iberico lardo – a clever little dish, again £8. Coliflor bravas (£5.50) hit the spot too.
The three of us shared a bottle of supple, complex Madai Mencia (£35), the great Northern Spanish red that isn’t Rioja and finally with the txuleton, which we knew we had to wait 40 minutes for, some actual Rioja. A belter of a Rioja at £8.40 the glass. The Carpess crianza was a spicy, cherryish dude, cloaked in the smoothest of oak overcoats. Bravo.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/09/star-steak-scaled.jpg?fit=2048%2C1536&ssl=115362048Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-09-15 12:38:472021-10-12 21:52:20Txuleton and padron pair up for Baratxuri/Levanter al fresco feast