I ought to be reassured by Richard Corrigan writing “there’s no such thing as a recipe for colcannon really,” but all he’s doing in The Clatter of Forks and Spoons is dismissing the need for exact measurements or debating whether you can substitute kale for Savoy cabbage. The great chef is not jettisoning the spuds, bedrock of this rustic Irish classic.

Both colcannon and its country cousin champ can be made using fresh or leftover potatoes, but they have to be the floury sort, boiled in their skins. The texture is all wrong with waxy varieties. Parsnips can be added but mustn’t be a puree.

My ‘Colcannon Royale’ with celeriac and pancetta gilding the cabbage lily

The champ mash variant is proof, though that dishes mutate with the times. Originally it was made with stinging nettles – peasant stuff indeed – but over the years spring onions, green and white parts, became the norm. The word colcannon is from the Gaelic term cal ceannann, which means white-headed cabbage while cainnenin can mean garlic, onion, or leek.

But does all this looseness give me carte blanche to make colcannon with mashed celeriac, albeit kept deliberately lumpy? After all, the Scots equivalent of an avenue for leftover mashed potatoes, rumbledethumps, can easily incorporate swede or turnip, while England’s own bubble and squeak has licence to use up a whole gallimaufry of fridge remnants.

In this company, celeriac is a class apart, especially when the mash (never a puree) is augmented with cream and butter, then stirred into lacy Savoy and young leek, braised but retaining a certain bite. Oh and I couldn’t resist adding crisp pancetta to the mix. I call it my Colcannon Royale.

My combination of traditional coq au vin and colcannon was wickedly delicious

It would have made a fine bowlful on its own, but I partnered it with an old school coq au vin, which made for a testingly rich lunch. Before I had a much-needed lie-down I continued some cursory research into the role of colcannon in Irish life and its curious association with Halloween.

Indeed the first written mention was a 1735 diary entry of one William Bulkely, a traveller from Wales who had the dish on October 31 in Dublin: “Dined at Cos. Wm. Parry, and also supped there upon a shoulder of mutton roasted and what they call there Coel Callen, which is cabbage boiled, potatoes and parsnips, all this mixed together. They eat well enough, and is a dish always had in this kingdom on this night.”

Bulkely didn’t know the half of it. For Halloween the Celts developed their own souped up fortune telling equivalent of coins in Christmas pud. It all kicked off with a blindfolded spinster plucking from the garden the head of cabbage or kale that is to be cooked in the colcannon.  

Charms were mixed into the dish itself. Which charm you found was seen as a portent for the future. A button meant you would remain a bachelor and a thimble meant you would remain a spinster for the coming year. A ring meant you would get married and a coin meant you would come into wealth.

To seal the deal unmarried women would stick the first and last spoonfuls of Halloween colcannon into a stocking and hang it on their doors. Guaranteeing the first man who walked through the door would become their husband.

There’s even a 19th century folk song, ‘The Skillet Pot’ that celebrates the dish:

“Did you ever eat colcannon when ’twas made with yellow cream,
And the kale and praties blended like the picture in a dream?
Did you ever take a forkful, and dip it in the lake
Of the heather-flavoured butter that your mother used to make?”

Time to consult Alan Davidson’s Oxford Companion To Food, one of the greatest books in the English language. An immediate surprise in the colcannon entry is its adoption by the English upper classes in the late 18th century. According to one account: “A more elaborate mash was prepared of potatoes and Brussels sprouts, highly flavoured with ginger and moistened with generous amounts of milk and butter.” Now that is a ‘Royale rival’.

Caldo Verde is a distant Portuguese relative of colcannon and all the other cabbage/potato combos

Still for those lower down the social ranks it is so often a leftover dish. And I’ve still got three quarters of a Savoy cabbage and half a bag of Rooster potatoes. Onions, garlic and chorizo are yanked from the larder, chicken stock from the freezer and soon, small world, a big pot of Portuguese Caldo Verde is simmering on the hob. Shall we call it Sopa de Colcannon’?

If you call a harbourside housing complex Isbjerget, ‘The Iceberg’, you must expect penguins to take advantage of its steeply sloping rooftops. Sliding, somersaulting, eventually discovering super powers to rocket into the grey waters off Aarhus. 

The place is strong in architecture, the final frontier being the redundant dockland of Denmark’s vibrant second city. So on our weekend break we’d trekked down to the tip of the rapidly developing Aaarhus Ø quarter and were struck by the angular singularity of Isbjerget, completed in 2013. So were the creatives of the French film studio 11h45, who based their 2017 penguin-centric animation around it, as if were a real hunk of ice cap. Have a look, enjoy.

2107 was Aarhus’ turn to be European City of Culture. Standard bearer from that perception-altering year has to be the ARoS Contemporary Art Museum, whose Your Rainbow Panorama – a 150-metre-long circular walkway, designed by Danish-Icelandic artist Olafur Eliasson – dominates the skyscape. An unrivalled 360 degree view of the city is filtered through various coloured glass panels. It adds an unearthly glow to the brutalist concrete clock tower of Arne Jacobsen’s City Hall.

The rest of the world class collection, with the likes of Andy Warhol and Grayson Perry,  is equally rewarding and well set out. If time is short head for Ron Mueck’s five-metre-tall sculpture of a crouching boy, first exhibited at our own Millennium Dome in 2000. Oh, and you can play table tennis among the installations in the basement.

Afterwards we wandered up the hill to the city’s free-to-enter Botanical Gardens with butterfly-thronged tropical houses. From here there are further thrilling views across Aarhus.

Panoramic viewpoints in the city proper include the rooftop terrace and skywalk at the city’s premier department store, Saaling on the Söndergarde. Just take the lift and stairs to the top floor and enjoy reasonably priced wines and cocktails while taking in the whole dock area, redeveloped or working.

Access is less frequent to the spired tower of the Domkirke, but it boasts another splendid view. The vast red brick expanse of this Cathedral dominates the main square, Store Torv. Originally built in Romanesque style in 1201, three centuries later it was given a Gothic makeover at which time it gained its magnificent Bernt Notke altarpiece, the font and frescoes. It’s dedicated to the patron saint of sailors, St Clemens appropriately enough with the waterfront just yards away. 

Our base, the budget hotel, Cabinn, was nearby, handy for the Latin Quarter. The oldest part of the city offers a maze of streets and concealed courtyards to explore, half-timbered, flower-bedecked. It’s laidback by day and fun after dusk when the bars and cafes are rammed.

Designer shopping seems to be centred around the picturesque Graven, where you can also get your Nordic coffee fix at La Cabra, but our favourite thoroughfare was the Mejlgade, home to our Aarhus ‘local’, Mig og Ølsnedkeren, a craft beer mecca.

The Latin Quarter hosts a couple of hip but eye-wateringly expensive Michelin-starred  restaurants, Gastromé and Domestic. We dined handsomely at a more casual New Nordic spot, Langhoff og Juul in Guldsmedgade.

Even more on-trend was Pondus, a bistro spawned by Substans, arguably the city’s best Michelin joint and relocating to the resurgent waterside. Pondus’s set menu was deceptively simple and classy compared with rival establishments along the dining-focused Aarhus Canal.

We visited two food halls too – Aarhus Central Food Market (tip: go for the award-winning Hungry Dane Burgers) and, much jollier, Aarhus Street Food, a more recent arrival, inevitably based in recycled shipping containers. Our visit to the latter coincided with the city’s annual Royal Run, offering a range of sweaty challenges up to 10K. Participants thronged the 30 or stalls in the hall just behind the bus station on Ny Banegaardsgade.

We fought shy of ordering one unique local delicacy, curry dumplings, from ‘Grandma’s House’, settling instead for banh-mi and bao buns, washed down with local micro brews from the Ølfred bar.

To sample a retail produce market with fish, cheese and organic veg head down to Ingerslevs Boulevard in trendy Frederiksbjerg, south of the station. The open air market  is open Wednesday and Saturday 8am-2pm. On the way back where better than a hoppy refresher on trendy Jægergårdsgade at the Mikkeler Bar – an outpost of the globally famous Copenhagen gypsy brewers.

Elsewhere there is so much quirkiness to celebrate. We loved the Dome of Visions on the waterftront Inge Lehmanns Gade. It arrived from Copenhagen seven years ago as a sustainable timber round house, comprised of 588 curved beams with 186 different shapes. Inside it’s a lush greenhouse, hosting a cafe which looks across the harbour at the still working shipping docks. Next door among gardens is a mushroom farm based on spent coffee grounds.

You suspect this whole waterfront site will eventually be developed commercially, bridging the gap between Aaarhus Ø and Dokk1, a monumental events space/library that opened in 2015. It too has its own special Danish eccentricities. Its artwork centrepiece is a 3 ton bronze pipe bell, The Gong, which new parents can ring remotely from the University Hospital maternity ward when a child is born, while the ceiling of the underground car park features a large art installation known as Magic Mushrooms, a downscaled model of an imaginary city turned upside down. Cap that, capital Copenhagen.

A day trip out to the ‘Killing Fields’

All eye-catching but our day had been dominated by an out-of-town homage not on everyone’s bucket list… back into prehistory. Just a bus ride away 30 minutes south, inside another remarkable (Seventies) building, grass roofed and hunkered into the landscape – the Moesgaard Museum.

Awaiting us there ‘Grauballe Man’. Dug from the Jutland bogs in 1952, the body eerily preserved by peat since the third century BC, the throat slashed, suggesting he might have been a human sacrifice. 

The photographs burn into your mind; to see this leathery-tanned Iron Age icon in the flesh, so to speak, is among the most moving experiences on the planet. And blessedly for a while we had the room where he is exhibited to ourselves to mouth the opening lines of Seamus Heaney’s great poem: ‘As if he had been poured in tar, he lies on a pillow of turf and seems to weep the black river of himself.”

The rest of the Moesgaard is a thrilling, interactive journey into Danish, Scandinavian and European history and culture, Stone Age, Bronze Age, Iron Age and onwards – a treasure house of artefacts but also pandering to the inner kid with some thundering, plundering Viking recreations.

Fact file

Neil Sowerby flew to Aarhus with SAS Scandinavian Airlines, which runs a regular service most of the year from Manchester Airport. For full tourist information visit www.visitaarhus.com and www.visitdenmark.com. An AarhusCard gives unlimited travel, plus free or discounted entry to many of the city’s headline attractions, and costs Dkr 329 (£40) for 24 hours to Dkr 749 (£90) for 120 hours. Cards can be purchased at the bus station and most attractions. The main tourist centre can be found at Dokk1, where you can use free online touch screens for information and ideas.

Time was there used to be a new brewery opening every month in Manchester with cosy taprooms hard on their heels. That torrent of craft has slowed to a trickle with the emphasis now on established operations upsizing to bigger premises. Track are shifting up to Piccadilly Trading Estate opposite Cloudwater while both Beatnikz Republic and Blackjack have expanded into neighbouring arches.

Bucking the trend (though it has, appropriately, had the gestation period of an Indian elephant), is the Bundobust Brewery, which is opening from 4pm on Thursday, September 16, offering the group’s full repertoire of Gujarati street snacks and craft beer, much of it their own, created on the premises. So the kind of major, major opening we’ve been starved of. And it’s dog-friendly. Our chihuahua Captain Smidge (below left) approved even though spicy veggie is not quite his thing.

It’s located in the Grade II-listed St James Building on Oxford Street, a swift stagger from Oxford Road Station or the St Peter’s Square Metrolink stop.

The last time I was on site was February 12, 2020 and we all know what inhibiting factor for hospitality happened shortly after. Kitted out in a hard hat, I quickly recognised why Bundobust co-founders Marko Husak and Mayur Patel had fallen for the former car park with its wealth of period features – vintage alarm bells, glazed bricks and ‘Drive Slowly’ signage – plus a show-stopping giant glass atrium mirroring the Piccadilly Bundobust’s glass apex. 

This is all on a much bigger scale, influenced by US brewpubs and with a focus on sustainable furniture. Each chair is made from 40 recycled plastic water bottles, while school desks have been repurposed into beer hall-style tables, complete with “I Woz ‘Ere” etchings across a 150-seat taproom and restaurant. All  within a fully-functioning brewery that gleams with all the allure of a new toy. A toy that’s in the hands of a very experienced head brewer.

Dan Hocking, former main man at Holland’s world-renowned Uiltje Brewery, has spent the past year perfecting recipes behind closed doors in the state-of-the-art facility.

Bundobust’s brand new Vienna-style Lager, Cartway Lager, will be available exclusively at the brewery upon opening, taking its name from the historic ‘Cartway’ space within the St James Building that the brewery occupies. Hocking says: “Vienna Lager has a fantastic balance of sweetness and bitterness, and it’s the best all-rounder beer style to pair with food”.

On the opening day the first 200 pints are being given away, with the purchase of food and we expect lager demand will make it Goodnight Vienna.

Marko tells me: “We were due to open in May 2020. The past 18 months have slowed us down, but the delay has meant that we’ve been able to develop our beer recipes. Expect the familiar Bundobust vibe and menu, with the bonus of being in a working brewery”.

That 10-hectolitre custom-build is capable of producing 20,000 pints per month. The beer range will only be available, on rotation, at the Brewery and at the other Bundobust venues in Manchester, Liverpool and Leeds. They are designed to partner the award-winning food.

CHAITRO. 5% Nitro Chai Porter. Smooth and creamy Porter with roast malts, a whack of our Bundobust chai masala, and fresh ginger.

PEELA. 4% Pale Ale. Easy drinking hazy Pale, brewed with Azacca and Ekuanot hops. Loads of tropical fruit flavour.

DHANIA PILSNER. 4.8% Coriander Lager. Clean and crisp Czech-style Pilsner with a hit of citrusy toasted coriander seeds.

KIPSY BHAI. 4.8% Kellerbier. Traditional Kellerbier-style lager with German malts and hops. Clean, balanced and crisp.

EAST IS EAST. 6.5% New England IPA. New England-style IPA showcasing ever-changing combinations of the freshest hops.

WEST IS WEST. 6.5% West Coast IPA. Dank and bitter IPA. Piney and resinous, brewed with a rotating selection of the choicest hops. An absolute stand-out.

Bundobust Brewery will also be collaborating with the cream of UK brewery talent. Recent collaborations include Andhera Hoppy Black Lager with Deya Brewing Company, New Delhi Dazzler India Pale Wit with Northern Monk, and Salted Lemon Sour with North Brewing Co.

On a personal note, I have a small role in the Bundobust Odyssey. I was an early reviewer, for Shortlist magazine, of Marko’s pioneering Sparrow Bier Cafe in Bradford, ensuring it made the Top 10 UK craft beer bars, and as a customer wolfed my share of dosas, choles and chaats at Prasad, the Patel family’s acclaimed restaurant, now in Drighlington. In 2014 the two friends combined beer and veggie small plates to create the first Bundobust in Leeds (yes, Zelig-like I was there). The Brewery is just the latest chapter in a delicious indie story.

The Manchester Food and Drink Festival kicks off on Thursday, September 16 with the full raucous backing at the Cathedral Gardens Hub of Mr Wilson’s Secondliners (above). As usual the Festival is packed with events and should profit from a huge public appetite for some kind of tasty ‘new normal’. Here is my choice of five very special MFDF opportunities to enjoy yourself and support a resurgent hospitality industry…

Bull & Bear Festival Hub Takeover, Cathedral Gardens, 7pm, Mon, Sep 20. £55. 

Tom Kerridge’s posh operation in the Stock Exchange Hotel will will be bringing the pub to the hub on Monday 20 September for a three-course feast with music, too. Expect potted Loch Duart salmon with apple jelly and cucumber chutney to start and a braised beef and cheese pie with English mustard for your main and a pud of banana custard with dates, pistachio and honeycomb. The Festival Beer Bar is there to add to the pub experience.

MFDF x Eat Well Dinner, Mana, Blossom Street. Tue Sep 21. £200.

This is the big one – a collab between some of the city’s finest chefs at its only Michelin-starred establishment, all to raise money for Eat Well, a social enterprise tackling food poverty in Manchester. Participating are Mana’s own Simon Martin, Mary-Ellen McTague (The Creameries), Ben Humphries (District), Eddie Shepherd (Walled Garden) and Anna Søgaard (Erst), each preparing one course. Tickets go on sale Friday, September 10. 25 spots only are available. Book here.

Elnecot x It’s Alive Supper Club, Blossom Street. 6pm onwards. Tue Sep 21. £65.

Much-loved Ancoats pioneer Elnecot are joined by their wine suppliers It’s Alive for a menu inspired by the British Isles. Natural wines will be paired with the likes of a Yorkshire hogget broth, a surf and turf and a rendang doughnut.

Tast Meets The Macallan, Tast, King Street. 6.30pm Thu Sep 23. £125. 

Exec chef Paco Perez and head chef Julià Castelló have designed a five-course gastronomic tasting menu that includes octopus, oysters, autumn rice with mushrooms, cheese and figs plus poussin, beetroot and truffle. There’ll also be one limited-edition Macallan whisky that pairs with this feast. Choose Barcelona but also choose Scotland via Manchester. Choose a ticket that costs £125.

Sustainable Wine Evening, Open Kitchen Cafe & Bar. 7pm, Thu Sep 23. £28.

Launching a run of seasonal events, Open Kitchen, inside the People’s History Museum, showcase a selection of wines from the Bolney Estate in Kent, a winery known for its sustainable land management since 1972. Taste six wines across the evening (I particularly recommend the Lychgate red) with table snacks and a wider small plates menu available to purchase.

Check out our preview of MFDF – Manchester’s Biggest Chippy Tea Is In The Bag and Your Vote Counts for Everything for a full list of MFDF Awards nominees. For the latest updates on the programme (Sept 16-27) and to vote for your favourites off the shortlists visit the MFDF website.

I love the shaded downstairs bar at Kala in Manchester. It’s a place of assignation. You just slip in off King Street and slide onto a tall stool. Open a copy of The Times at the obituaries section to signal you are here to the swarthy man in the Crombie three seats away. There is information to be shared in covert fashion. The fate of nations may hang in the balance over a glass of Sicilian Catarratto. Even that name is suggestive of subterfuge.

OK, it’s called fantasising. As I await the October publication of a posthumous John le Carré novel I have daydreamed back into the treacherous world of George Smiley and his Russian nemesis, Karla. Just lose the R. The swarthy contact is an old PR pal I’m meeting for lunch and urgent post-lockdown gossip. He may know where the bodies are buried but he’s not telling. 

There’s a table awaiting us upstairs at this Manchester link in Gary Usher’s Elite Bistros chain. You can’t avoid mentioning the patron; it’s like failing to affix ‘Putin’s’ to ‘Russia’. Inimitably he’s been back on social media recently, defending one corner of his empire against some bolshie customer while in June he re-emphasised his crowdfunding genius by raising over £150,000 in 24 hours to create a catering arm for his company.

As you can gather I’m a fan of Usher and his bistros and I’m glad they’ve held it all together during the pandemic. I’ve dined at four out of the six and never had a remotely unsatisfying experience.

This last time is no different. The set menus are pricier than of yore – three courses for £40, two for £35 – but worth it. There’ s a canny continuity about the Elite food offering in the hands of exec chef Richard Sharples. The unsurpassable wobbly custard tart is nowhere to be seen, alas, but the stalwart featherblade of beef glows out of the menu sheet and has to be my main. The swarthy one take a punt on the plaice.

First, though, the starters. Mine is an uncompromising looking dish of squid rings two ways, au naturel (encasing charred aubergine, lemon and confit garlic) and blackened on a red pepper sauce. Perfectly Med. My ‘sinister companion’ finds equal joy in the creamiest puddle of burrata hosting cubes of pickled kohlrabi with a blackened spring onion and fennel seed dressing.

The surprisingly fleshy plaice is grilled whole, then dressed with salted lemon butter. Watercress and straw potatoes are ideal simple accompaniments and there’s also ‘leek ash’, which is superfluous.

Which brings us finally to the signature bistro dish that is as magnificent as ever – the featherblade, here partnered with ruby beetroot ketchup and parmesan truffle chips. Oh and a summery bottle of Jean-Marc Burgaud Beaujolais.

So what is the secret of the Kala featherblade?

We went undercover to find out. Actually we Googled it. First you need the right cut from a grass-fed beast – a long flat muscle tucked in behind the shoulder blade, also known as flat iron. A line of connective tissue runs through the featherblade’s centre; cooked down this creates a gelatinous texture that generates great gravy and consistent texture. The blade is best slow-cooked whole.

The Elite Bistro chefs braise it for up to eight hours in chicken stock and red wine, along with a mirepoix of onion, carrot, celery, leek, garlic, thyme, and rosemary. To create a sauce they stick the mirepoix in a huge pan with a load of chicken bones and simmer overnight. Next day the liquid is strained, then reduced with red wine until it’s a rich, glossy sauce. 

It’s not finished there. Usher revealed the final secret touch in an interview: “We take the blade and put it in a pan of this sauce. Then literally someone stands there spooning the sauce over the meat, again and again, for 20 minutes. What happens is, as the sauce reduces, it’s getting thicker and stickier. Every time you put it on, it’s creating a layer. That’s where the sticky, naughty dirtiness of it comes from.”

Truly evil, just like Karla.

Kala, 55 King Street, Manchester, M2 4LQ. 0161 839 3030. Reservations 0800 160 1811.

Finnochio’s, a San Francisco night club, famed for its drag queens, just failed to make it past the Millennium, having traded for decades on the Italian slang word for homosexual, rent boy even. Why the generic name for fennel took on queer connotations I have no idea; I’m just happy to pay upfront for the culinary satisfaction Finnochio always brings – in all of its forms.

In particular I’m hooked on fennel pollen. It’s a speciality of Tuscany, but it is taken to the next level in Calabria, Italy’s deep south, where they call it “the spice of angels”. It soars way above earthbound fennel seeds.

Calabria, source of the finest wild fennel pollen, dubbed ‘spice of the angels

Hand harvested, like the equally labour intensive saffron, and dried in the sun, it comes at a premium (around £16 for 15g). Understandably, each flower head will only yield about a ¼ teaspoon of creamy yellowy pollen at the most. Yet it offers a defining taste of the Mediterranean summer with a little going a long way. A pinch will provide an explosion of liquorice, anise and citrus, which used sparingly, can add an extra dimension to both sweet and savoury dishes. 

Combine it with Himalayan pink salt to create a rub for pork, use it to energise an orange and olive oil cake or simply finish off a pasta dish with a dash. I add it to stocks and soups obsessively.

You could, of course, harvest your own but wild fennel is not at its most intense in my Yorkshire hinterland. And bear in mind, ye who balk at picking wild mushrooms, fennel and poisonous hemlock (remember Socrates) are both in the same carrot family, sharing distinctive umbrella-shaped flower clusters; those of fennel are yellow, hemlock white.

If you’re still keen peruse these instructions by Californian master forager Hank Shaw, one of my go-to gurus in all things wild.

As an alternative, two reliable online sources of authentic fennel pollen are Spice Mountain and Sous Chef.

Fennel pollen and Florence fennel bulb are related but offer different culinary properties

So how does the pollen relate to fennel bulb?

A perennial home favourite of mine has been a fennel risotto with vodka (recipe here) from the River Cafe cookbooks, enhanced of late by the addition of my beloved pollen. It uses those white bulbs we know as Florence fennel, dubbed ‘pregnant celery’ by the writer Maggie Stuckey and adapted to be used as a vegetable, particularly good with fish.

Both wild and domesticated fennel are he same plant, Foeniculum vulgare, the feral stuff only differing because it rarely sets a bulb. Fennel is tough, appropriately enough for giving its name in Greece to Marathon (the place with much fennel). It is herbaceous, meaning it “dies” every year and regrows from the root in spring.

All that rebirth stuff chimes with the mythological (and health promoting) status of finocchio. It was inside a stalk of dried fennel that Prometheus, defying Zeus hid a charcoal lump from the chariot of the sun to bring the gift fire to humankind.

My little pot of fennel pollen is my own gift of pagan sunshine that keeps my kitchen civilised throughout the dreary winter.

Best kept secrets and hidden gems have a habit of finally exploding into the public domain. So Farm Trip may count as a wider coming of age for Rivington Brewing Co. Proof of the pudding? Tickets sold out in a flash for all five days of this craft beer ‘Woodstock’ with over 50 different guest beers on offer.

Ben Stubbs and his brewtap team will be praying for an Indian summer for the event, running from Wednesday, September 29, to Sunday, October 3. The hilltop that hosts the traditional family farm, a camp site and one of the UK’s best craft breweries is idyllic in the sunshine with its views of Winter Hill and Rivington Pike, but squally weather will send you rushing for the sanctuary of the marquee. 

Fog? Not a problem; just neck it. Never Known Fog Like It, 5.2% New England pale ale, is the standard bearer for a beer range that wears its American influences on its sleeve. Matthew Curtis, who I interviewed about his essential new book, Modern British Beer, chooses Days of Candy as his benchmark Rivington brew. It’s a west Coast style, ie clear, grapefruity, resinous, making ample use of Hallertau Blanc, Mosaic, Simcoe and Chinook. It’s been a lovely stalwart since Ben opened the brewery in 2014 with his farmer brother-in-law Mick Richardson, but I go with the crowd in favouring Fog (hopped with with Citra, Mosaic, Simcoe & Chinook). 

Even before UK craft aficionados fell head over heels for murky, juicy brews inspired by East Coast USA I invariably ordered it when I trekked up to Rivington’s legendary Tap Beneath The Trees summer weekends. The walk past the three reservoirs (above) is the best route. The woodland setting was as intoxicating as the brews from the makeshift bar – IPAs, saisons, porters, barley wines, even a Grisette (a farmhouse style from the Northern French mining region). It all signalled a magical new chapter for Home Farm, in the same hands for 10 generations. The Farm Trip is just the same beer adventure writ large.

Rivington Brewing Co, Horrobin Ln, Adlington, Chorley PR6 9HE. Tap open Wed-Sun. No tent stay 2021. Caravan/trailer, tent/motor home only.