Ominous warning for the recipe I was about to challenge myself with. Spicy Mutton and Tomato Biang Biang noodles. What could possibly go wrong? Not the roasted tomato and mutton broth constituents of this adaptation by Pippa Middlehurst of a classic dish from Xi’an, eastern hub of the Silk Road.
No, it was the handling of the biang biang that was likely to shoot me in the foot. Basically you’ve got one chance to stretch the noodle dough to the right silky, elasticity. BIang Biang is the onomatopoeic sound the dough makes when you slap it on the worktop. Pippa says it takes practice to perfect; after much trepidation and the required minimal contact I landed lucky with my metre lengths of noodle. Comparatively. The final dish, laced with coriander, cumin and star anise, was gorgeous.
It’s from Bowls and Broths (Quadrille £16.99), sophomore cookbook by the cancer research scientist turned supper club maestro, aka @pippyeats, after the huge success of her debut, Dumplings and Noodles.
The new book will be published on September 2, ahead of the launch of her food school and fully-equipped community cookery space for hire, Noodlehaus in Ancoats later in the year. It might well fit the bill for any further educational initiation of mine into the noodlesphere. So far £43,775 has been pledged in a Kickstarter Campaign.
This base in an old mill is the obvious next step for Pippa, winner of the BBC’s Britain’s Best Home Cook in 2018. She quit the lab that year to run cookery workshops and supper clubs around Manchester under the Instagram soubriquet @pippyeats. Result of travels around Taiwan, China and Japan, including noodle school in Lanzhou, was Dumplings and Noodles.
Her latest local al fresco expedition was setting up stall last weekend at Platt Fields Market Garden, providing high class ballast for their Deya Brewing and Friends event. Yet another sign of a new wave city food culture that transcends traditional restaurants and bars.
As for her own project, she told my colleagues at Manchester Confidential ahead of her Kickstarter launch: “I am so excited to be able to create my dream cookery school in the heart of Manchester. The building is in an old mill and has the most incredible natural light, which will be amazing for the photography workshops I will be hosting. The space will be open to all and I am looking forward to working with the community to provide a space that people can come and learn about cooking as well as share my love of cooking.”
That love of cooking bubbles over (like my biang biang noodle pot) in the new tome, which lives up to its manifesto: ‘Build a bowl of flavour from scratch with dumplings, noodles and more’.
Broth is the key. So my next dip into Pippa’s bowl-centric universe is a ramen, a dish I love but – guess what? – have never quite got right. She proposes a Tonkotsu Tsukemen. Just need now to source the requisite amount of pork bones and chicken feet.
It’s a culinary keepsake from her time in Japan and bears the inevitable proviso: “The noodles were thick and bouncy with a perfect amount of resistance and chew.” For someone whose ‘al dente’ pasta has been dubbed by my nearest and dearest as ‘al dentist’ it’s yet another challenge.
Noodlehaus, 37-49 Devonshire Street North, Manchester, M12 6JR. pippyeats.com
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/08/NOODLES-scaled.jpg?fit=2048%2C1536&ssl=115362048Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-08-24 13:40:412021-10-20 21:28:30Bowls and Broths – how I got strung out in my quest for Pippy perfection
Much has been made of the North’s dominance in the National Restaurant Awards announced this week with four out of the five best establishments up here and 16 in the top 40. Manchester only contributed two, both in Ancoats – Mana at number 11 and Erst, just along Murray Street, at 47.
A truer reflection of the city’s strength in depth came hot on the heels of that national Top 100 when the shortlist for the Manchester Food and Drink Awards 2021 was announced. A record 113 nominees will contest the 15 categories, all the winners to be chosen entirely by the public for the first time in the MFDF’s 24 year history.
It is a matter of expediency, post-Pandemic logistics meaning the normal ‘mystery shopping’ by the judging panel is impracticable. The Manchester Food and Drink Festival , sponsored by Just Eat, kicks off on September 16 and the Awards will be presented at the Ticket Hall at Escape to Freight Island (pictured above) on Monday, September 27.
As a senior MFDF judge my personal wish is for normal service to be resumed in 2022, but this fresh formula of the public picking their favourites from shortlists drawn up by the judges is an interesting litmus test. Ideally it will reflect the increased foodie sophistication of the city and its satellites alongside pride in the hospitality culture that has survived a torrid 18 months. One new category likely to be hotly contested is ‘Best Foodie Neighbourhood’.
You can vote for each Award via the MFDF website or app. The app can be downloaded on theApp Store here and Google Play here. The closing date for votes is 11.59pm on Monday, September 20. Fancy a ticket for the Awards presentation dinner itself? Tickets are on sale here.
Here are the 2021 Manchester Food and Drink Awards Nominations:
What’s Italian for après le déluge? What I recall of the last Festa Italiana in 2019 was struggling out of sodden summer wear after some very non-Med weather drenched Cathedral Square. I’d have happily braved rain squalls in 2020 if Manchester’s most family friendly food event could have gone ahead, but that pesky pandemic played damp squib.
Still the forecast looks set fair for the August Bank Holiday weekend this year, with restrictions lifting. Fingers crossed then for th premed heatwave; the line-up looks a treat. OK, it’s not the place to catch up with the bright young masters of Italian cuisine. But a veteran trio of celeb chefs is always good value – step forward Gennaro Contaldo, Aldo Zilli and Giancarlo Caldesi to join those mere striplings, Festa organiser Maurizio Cecco (Salvi’s) and Fran Scafuri (Tre Ciccio) in the on-site kitchen.
And if cookery demos are not your thing there’s a wealth of other foodie treats to get you salivating across the Festa (Fri-Sun Aug 27-29, 11am-11pm each day).
“The Festa is born out of Manchester’s Italian community and heritage; drawing huge inspiration from the traditional festivals in Italy and adding a touch of Mancunian flavour to create a weekend dedicated to bringing people together to enjoy authentic Italian food and drink, cooking masterclasses, banquets, movies and live music.” That’s what the organisers say and they’re not wrong on past evidence. Here’s the full programme:
Banquet – Festa Marquee
On Saturday, August 28, in partnership with Parmigiano Reggiano, legendary Italian restaurateurs, authors and UK TV favourites Gennaro Contaldo (Saturday Kitchen, Two Greedy Italians, Jamie and Jimmy’s Friday Night Feast), and Giancarlo Caldesi (Return to Tuscany, Saturday Kitchen, Sunday Brunch), will be joining Maurizio Cecco to talk guests through the menu. Buy tickets here.
Masterclasses – Festa Marquee
On Friday August 27 there will be a series of family masterclasses for those attending with children. At 1:30pm Sienna Cecco, Maurizio’s 12-year-old daughter, a talented chef with her own YouTube channel and TV appearances under her belt, will be hosting a cooking demo to teach kids how to make simple and tasty dishes with ease, and at 2:30pm, Julia Martinelli from Pasta Factory will deliver a fun kids pasta masterclass.
Sienna is back the next day at 12:30pm with another family masterclass. Then there will be back-to-back workshops and book signings hosted by Gennaro Contaldo at 1.30pm and Giancarlo Caldesi at 2:30pm. On the Sunday Gennaro will be back at 12:30pm with another masterclass and book signing, and at 1:30pm Tre Ciccio’s Fran Scafuri will be taking guests through a very special recipe. At 2:30pm, celebrity chef and award-winning restaurateur, Aldo Zilli, above, (The One Show, This Morning, Celebrity Masterchef) will be hosting a masterclass and book signing.
Food
Throughout the weekend Café Cannoli will be selling cannoli made using authentic ingredients imported directly from Sicily, local lads Paul and Mike from I Knead Pizza will be bringing their wood-fired oven along to serve up their Neapolitan pizza, while NQ Sicilian will be serving artisan gelato, coppa della casa, brioche gelato and brioche col tuppo. Pasta Factory will be serving up simple dishes, paired with handmade sauces inspired by Puglia. Paradiso Authentic Italian will be contributing its fresh tiramisú range. Festa stalwarts Proove will provide Neapolitan wood-fired pizza, while Lucky Mama’s will debut with their extruded pasta, homemade sauces and signature savoury/sweet dough balls. Not forgetting T’arricrii’s Sicilian specialities arancini and fritto misto and Tre Ciccio’s traditional Italian deli.
Movies
Peroni doesn’t just do drinks; the brew-based showstoppers will be popping up their portable cinema throughout the weekend, complete with bean bags, deck chairs, popcorn, Peroni on tap and themed classic movie screenings of Cinema Paradiso, Romeo and Juliet and La Dolce Vita. The cinema will be located in Cathedral Gardens trees with a Peroni bar adjacent.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/08/Gelato.jpg?fit=935%2C601&ssl=1601935Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-08-11 22:49:442021-08-12 08:06:42Oh for a jolly gelato weekend as Festa Italiana returns
So you think you know what Provencal rosé is all about? At the pale end of pale pink, ripe fruit with (you hope) some fresh acidity and a dry aftertaste? There will be a wide price range but a reassuring homogeneity, especially when chilled to within an inch of its roseate existence.
Every summer now there seems to be a mad scramble to think pink, especially Provence. Hence an obligatory tasting of 300 in the current issue of Decanter magazine. Verdict of their rosé expert, Elizabeth Gabay MW: “Quality was consistently high, with some squeaky clean wines at all price points. The downside was an almost unending monotony of style.”
In the resultant Top 30 recommendations the rosé at No.5 (with 93 points) stands out as a ruddy maverick interloper among the pale brigade.
She describes Château Gasqui, Silice, Côtes de Provence Rosé 2019 as: “Pale red copper. Perfumed, almost grapey, red fruit aromas. On the palate a beautiful explosion of ripe red fruit, creamy apple compote, a touch of orange peel, marmalade, crushed citrus and some pretty leafy acidity. Quirkily different, intensely fruity and fresh. A gorgeous wine from a biodynamic producer, who is not afraid of ripe fruit and who makes wines which age with ease.”
What did also surprise was the UK supplier,https://www.owtleeds.comOWT of Leeds. Weren’t they the outfit that set up in the city’s Kirkgate Market with a menu generated from what was freshest on the stalls daily? ‘Owt!’ being the answer to what was available. It was a natural extension of co-owner James’s time as a volunteer chef at Real Junk Food Project flagship Armley Junk-tion.
How does all this link to Southern France’s fields of lavender, sunflowers and vines? Bear with me for a paragraph. Well, OWT has now decamped from the Kirkgate to a cafe unit in the nearby Corn Exchange, Grade 1 listed, domed Victorian gem. The casual but precise food offering remains much the same – from breakfast to late afternoon but with a more expansive Thursday evening menu that wasn’t possible under market hours.
Oh and on the left as you go in among some chic OWT merchandise you’ll find a trio of exclusive Provencal wines from the family vineyard of James’s partner, Esther. Her surname, Miglio, is a clue to an Italian bloodline way back, but she is the very French daughter of Francois, winemaker for 30 years at Château Gasqui.
She’s proud of the Gasqui wines and so she should be. After hopping on a train to Leeds I can confirm what a complex belter the ‘Silice’ rosé is, like the Roche d’ Enfer! red, dominated by the Grenache grape. Yet just as striking was Esther’s favourite, the Roche d’ Enfer! white from 2013. The ageing has obviously benefited the Semillon that forms part of the cepage with Rolle and Clairette. What struck was a hint of jasmine on the nose, a waxy mouthfeel and spice notes among the honeyed peachy fruit.
All three wines are available by the glass at £5, £25 the bottle (which is also the takeaway price). Not cheap but worth it for the purity of fruit extracted by Francois, driving force behind Gasqui being one of only two biodynamic producers in the region. Pictures of the vineyards radiate healthy, blossomig terroir. The brand-heavy fleshpots of Saint-Tropez and the Med Coast may be only 40km to the east but this is a world away, a sustainable enterprise, the antithesis of vinous bling.
OWT’s food is a perfect complement to the wines. I lunched mid-afternoon off a small menu offering a choice of summer tartelette, aioli with prawns, ‘pepper patchwork’ or panzanella. I went for(and didn’t regret) the £10 steak plate that consisted of a 7oz Yorkshire rump steak, properly rare as requested, plus a herb salad and salsa verde. Fries had run out for the day (it was 3.30pm), so I ordered a side of OWT pickles at £3.50. Carrot, cucumber, ginger and red onion, all fresh and tangy as Esther recounted how after a history course at Marseille University she decided to check out Manchester and fell in love with it gigs and bars. There she met James and he persuaded her a future together lay in his native Yorkshire. God’s Own Country got the best of the deal, you feel, when you taste the wines she has brought with her.
A swift guide to biodynamic winemaking and how it benefits Gasqui
Biodynamics is often referred to as ‘super-charged organic’. Its roots are in the theories of the Austrian philosopher, Rudolf Steiner (1861-1925). Rather than simply reducing chemical inputs, biodynamic production is a proactive attempt to bring life to the soil with the use of natural composts and organic preparations.
It’s more than just an agricultural system, rather an altered world view that then impacts on the practice of agriculture. Winemakers drawn to this philosophy tend to be creative, spiritual types, deeply connected to their land and always experimenting to see what works best. Which seems to sum up Francois Miglio’s approach.
Gasqui holds Demeter biodynamic certification after the Château’s owner was persuaded to go down this radical route, which forbids chemical fertilisers, pesticides, herbicides or fungicides. Instead insect life and spiders are encouraged to control pests; manure encourages organic growth. After hand-harvesting the grapes the wine is produced in a gravity-fed cellar without winemaking additives. Ambient yeasts are used, with no or scant sulfites and no fining.
More controversially all significant vineyard activities – soil preparation, planting, pruning, harvesting – are done in accordance with the influence on earth by the moon, stars and planets. Finally, the aspect that can spark scepticism – the use of nine preparations 500-508 (a bit like homeopathy), using plants such as nettles, dandelion and chamomile, to be applied in powdered form or as sprays. Most divisive is Preparation 500’, where cow horns are filled with cow manure and buried in October to stay in the ground throughout the dormant season. The horn is later unearthed, diluted with water and sprayed onto the soil.
In a magazine interview Francois said of the Steiner strictures: “It is important to understand that 50 percent is symbolic and 50 percent is real… it all helps focus.”
All of which reminds me of a memorable trip to Ted Lemon’s Littorai winery in Sonoma, California. In Ted’s absence his young deputy confessed to not being a total convert to biodynamics (the perfection of the Pinot Noir was proof enough for us). And yet, as he put it, “It sure does make you pay attention.”
We loved the copper hue of Château Gasqui but if rosé has to be pale pink for you?
Much has been made of a celebrity influx of Provencal rosé providers, led by Brad and Angelina, whose Château Miraval is made by the Famille Perrin, Chateauneuf du Pape royalty at Chateau Beaucastel. Majestic have it at £19.99 bottle, £14.99 in a mixed six case.
My Provencal pink alternative from a celebrity duo would be Domaine de Triennes, a joint venture by Aubert de Villaine of Domaine de la Romanée-Conti, and Jacques Seysses of Domaine Dujac in Burgundy. It’s a serious well structured wine without sacrificing all the joyous fruit (£13.95 from Vin Cognito. A simpler favourite would be Coeur De Cardeline Rosé, better value at £8 than its Co-op stablemate, Brangelina’s ‘Studio de Miraval’ (£12).
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/08/Grapes.jpg?fit=1410%2C989&ssl=19891410Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-08-05 17:51:232021-08-05 17:51:27The Corn Exchange Rosé blooms far from its biodynamic roots
There’s a fascinating interviewin hospitality bible The Staff Canteen, where chef/patron Steven Smith explains how he has adapted The Freemasons at Wiswell for these difficult staffing times.
We hadn’t read it when we rolled up for lunch at this exemplary gastropub on the fringes of the Ribble Valley. In retrospect it gives a valuable insight into our experience – which was very rewarding. Step forward the Wild Boar Bolognese, Hand Rolled Beetroot Rigatoni, Pickled Walnuts, Aged Parmesan that had me squealing with excitement.
It’s a new starter on the remarkable value set lunch (£22 for two courses, £27 for three, also available early evening). ‘Cutting your cloth’ isn’t usually a benchmark for improvement but on the lunch evidence a serious kitchen rethink has paid off.
He explains in the article: “We always were very mise en place heavy and then service was kept smooth, crisp and clean. but now we have more staff working Monday to Friday doing preparation than we have staff doing Saturday Sundays actually cooking.”
Not only has this helped them redress staffing issues… “We’re also cooking better than we ever have, we’ve slimmed down the menu, we’ve really thought about simplifying a lot of dishes and it’s made the food better.
“The food still has the same Freemasons touch and feel, we haven’t turned away from that, we’re still using all the same sauces we’ve always used and the concept of the dishes is the same, we’ve just refined it and taken a lot of stuff off the plate that didn’t need to be there.”
You’d have to road test the a la carte to properly confirm this. Certainly in the past Steven has seemed to be driven by Michelin aspirations and it has seemed unfair that many of his peers below the Freemasons in the Estrella Damm Top 50 Gastropubs list have secured a star.
To celebrate 10 years at Wiswell, in summer 2019 Smith took the place up a notch with a big investment. Four luxury bedrooms were attached plus a state of the art kitchen as the hub of a new dining experience called ‘Mr Smith’s’… Here’s myglowing report on our stay forManchester Confidential.
Our return is more back to basics, but what basics. A running thread through the meal is the vivid presence of in-season peas and broad beans. ‘Summer greens’ feature in a velouté starter and a complimentary Isle of Wight Tomato Tea (with its cute cones of whipped curd and herbs). Equally chlorophyll-rich are the simple accompaniments to a roast salmon loin – samphire, dill and an exquisite green forager’s sauce.
French style peas (not mushy) form a base with a mint sauce for my wife’s Suet Pudding with an unctuous filling of Herdwick Lamb Shoulder, while my rival main dunks Loin of Whitby Cod in a sharp vegetable and herb nage that’s a whole intense harvest of those peas and broad beans. No greens were apparent in that debutant Wild Boar, but it was the true star of the show.
We stuck with the two courses but then shared a hard-to-resist Dark Chocolate Delice (£12.95) from the a la carte, a blackcurrant sorbet and cherries giving it a deconstructed Black Forest feel.
The Freemasons Menu, a model of deconstruction in it own right? We like it.
Freemasons at Wiswell, 8 Vicarage Fold, Wiswell, nr Clitheroe, BB7 9DF. 01254 822218.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/08/Wild-boar-new-scaled.jpg?fit=2048%2C1536&ssl=115362048Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-08-03 16:55:202021-09-17 16:04:04The Freemasons at Wiswell: Surely the best value set lunch around?
Cut the mustard, keen as mustard – it’s certainly a condiment that keeps upbeat. But so often, from rustic wholegrain to the most delicate of Dijons, it’s a disappointment. ie. they don’t cut the mustard. For all the artisan labels you’re mostly getting an industrial product. Not as bland as supermarket bread made from the Chorleywood process or all those international beers that delight in being Lite. Yet when you’ve tasted the real thing…
My Mustard Damascus Moment came in a small factory tucked away in downtown Beaune. I was in Burgundy’s epicentre to taste the wines (naturellement) but the true lipsmacking legacy was Edmond Fallot’s speciality Dijon mustards.
Dijon, 30 miles to the north, was the centre of medieval mustard making (must was often included) and was granted exclusive naming rights in the 17th century. The basic method is not complex – a combination of mustard seeds, white wine or wine vinegar, water and salt. A 1937 decree ruled that ‘Dijon mustard’ can be used as generic designation and has no link to a specific terroir.
Nor is there a stipulation about sticking to traditional methods. That’s what the Fallot family, unlike their rivals, have been doing in Beaune since 1840, today under the stewardship of Marc Désarménien, grandson of Edmond. They still go down the traditional route. Using antique millstones, they grind high quality brown mustard seeds mixed with verjuice, extracted from Burgundy grapes.
After which they are at liberty to widen the palette. In their colourful tasting room/shop I worked my way through flavoured mustards that ranged from truffe de Bourgogne to cassis (blackcurrant), Espelette pepper to Madagascan green pepper, samples of which I brought home. There’s even a yuzu version (which I didn’t).
The one that won my heart, though, and remains the base for my Béarnaise and Poulet à L’Estragon is the Tarragon Mustard. Of all the flavours beyond the basic Fallot it is the easiest to source. It is made from black and brown mustard seeds blended with fresh tarragon leaves, giving it an extraordinary aroma and texture that also adds oomph when a powerful vinaigrette is called for.
The good news? You can buy a 310g jar for £6.50 at Harvey Nichols in-store or online. A good introduction to its joys is this simple Burgundian dish from Fallot’ own website:
A good introduction to its joys is this simple Burgundian dish from Fallot’s own website:
Chicken Fricassee with Fallot Dijon Tarragon Mustard
1 chicken (around 1kg)
30g flour
80g butter
100g small white onions
200ml chicken stock
fresh mixed herbs
100ml fresh cream
2 tbsp Fallot Dijon Tarragon Mustard
minced tarragon
salt and pepper.
Method:
Cut the chicken into pieces. Season and dust the pieces with flour. Brown them in a large casserole dish with hot butter. Add small white onions. Moisten with the chicken stock. Add mixed herbs. Bring to a boil. Cook for 35 minutes. Set aside chicken and onions in a dish. Keep them warm. Allow the sauce to reduce. Add cream and mustard. Bring to the boil. Season according to taste. Pour the sauce over chicken pieces and sprinkle with minced tarragon.
My wine recommendation is any affordable red Burgundy from Santenay or Marsannay.
A potted history of Mustard in Burgundy
Until the Second World War Burgundian woodland was where mustard was cultivated. Discarded ash from charcoal burning was rich in potash, perfect growing material. When the plants were mature the charcoal makers sold the strong and biting seeds on to the mustard manufacturers of Dijon and Beune.
Then the demand for charcoal waned, so those manufacturers were forced to look elsewhere in France, eventually outside to the United States and Canada. Recently, though, Burgundy Mustard Association, in which Fallot plays a major role, is giving new impetus to cultivation across the region again.
That has been boosted by the approval in 2009 of PGI (Protected Geographical Indication) status. So locally specific Moutarde à la Bourgogne can distance itself as a quality product, separate from the generic name Dijon Mustard. Think specific ‘West Country Cheddar’ as opposed to all those global takes on that cheese’s noble name. Tarragon mustard with Montgomery’s or Aged Keen’s. Must try.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/08/Tarragon-vinegar-scaled.jpg?fit=2048%2C1536&ssl=115362048Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-08-03 16:20:412021-08-03 20:34:47Fallot’s Tarragon Mustard – how the seeds of my affection were sown
Never known a courgette glut like it. Our raised beds are Zucchini Centrale this summer. One upside of a current disinclination to travel? There have been no transitions into the dreaded marrow. What the hell can you do with those? Answers in crayon on a hessian sack, please.
Soup has been one way to depopulate the veg rack. The Ethicurean Cookbook’s Roasted Courgette and Cobnut Soup is an old favourite even if the hazelnut’s folksy Kentish cousin is still a month or two away from ripening. As they will in that Mendip restaurant’s walled garden, which I so love. As I write I’m happy to substitute pistachios to sprinkle over the labneh I’ve been straining for 36 hours (soup recipe below).
Serendipity rules as the courgettes pile up. Italy’s a good way to go. Marcella Hazan, Giorgio Locatelli, the late Antonio Carluccio and our English Italophiles Jacob Kenedy, Alastair Little, Rachel Roddy, all offer ways of making the green watery cylinders they call zucchini up their game.
The heftier examples really require baking, so I profitably consult the unsung Queen of La Cucina, Anna del Conte (Milan-born, resident in England since 1949, now 96).
From her Amaretto, Apple Cake and Artichokes: The Best of (1989) I pick Zucchini Ripiene alla Mantovano, which stuffs them with ricotta and amaretti in the method particular to Mantua (recipe below). It makes use of my store cupboard stash of amaretti biscuits, close to their use-by-date. They add a beguiling almondiness, as they do to another slightly sweet speciality of that Lombard city, pumpkin tortellini.
All this sustainable kitchen prep of my glut, though, lacks a little glamour. What the Romans call Il Fascino. The glory of growing your own courgettes is the access to their trumpet-like yellow flowers. All over Italy in season you can buy bags of them at markets. Not so in Britain. I once spotted an overpriced wilting trio of them at a farmer’s market in Marylebone. It reminded me of northern traders flogging a small bag of wild garlic for a couple of quid when nearby woods reeked of the forageable stuff. Zucchini flowers – you really have to grow your own.
What to do with them? Not too many choices. Best to take the advice of a forgotten food writer, whose two most beautiful tomes – hand written, self illustrated, product of hands-on research – remain a fixture on the shelf of my all-time favourite cookbooks.
Leslie Forbes died in 2016 at the age of 63. By then the Canadian, originally an artist (she illustrated Peter Mayle’s A Year in Provence), was most celebrated for the best-seller Bombay Ice and other literary thrillers. I couldn’t get on with them; my heart remained with A Table in Tuscany (1985) and A Table in Provence (1987). Seek them out second hand on Abe Books or the like.
Both have recipes for courgette flowers… or more evocatively Fiori di Zucca or Fleurs des Courgettes. I’m not one for deep-frying the stuffed flowers, so I’ll pass on the zucchini fritters San Gimignano style, ‘au naturel’ or ham-stuffed, from the Tuscan book; instead try this Provencal treatment, which Leslie sourced from the Gleize family of Chateau Arnoux. I I substitute water for the chicken stock, use canned San Marzano tomatoes and am still waiting on my second batch of chervil to come through, so omitted.
FLEURS DE COURGETTES FARCIE SAUCE POMME D’AMOUR
400g can San Marzano tomatoes
grated zest one lemon (no white pith)
3-4 basil leaves, finely chopped
1 tbsp parsley, finely chopped
1 tbsp chervil, finely chopped
pinch of powered corlander
1 garlic clove, peeled & crushed
100 ml olive oil
salt and pepper
Stuffing
3 medium courgettes, finely chopped
6 tbsp olive oil
6 fresh basil leaves, in thin strips
6 fresh mint leaves, chopped
handful fresh parsley, finely chopped
2 small garlic cloves, peeled & finely chopped
salt and pepper
generous handful fine stale breadcrumbs
1 egg, beaten
250ml water
18 large courgette flowers (picked just before you need to use them if possible)
Method
Prepare sauce at least 12 hours before: crush tomatoes with a fork, and beat in the lemon zest, herbs, coriander, garlic & olive oil. Season well with salt and pepper. Do not refrigerate.
To make the stuffing, cook the courgettes in 2 tbsp of olive oil. When softened, remove from heat and mix with basil, mint, parsley, garlic, salt and pepper. Allow to cool and add the breadcrumbs and beaten egg.
Remove pistils from flowers, then put a spoonful of the stuffing into each flower, tuck in the ends & lay the flowers side by side in an oven proof dish. Pour over the water remaining olive oil, cover with foil & bake for 15 minutes in an oven preheated to 350°F/180°C/gas 4. To serve, spoon a little tomato coulis onto each plate and place three flowers on top.
ZUCCHINI RIPIENE CON RICOTTA E AMARETTI
4 medium courgettes, each about 15cm
sea salt
30g unsalted butter
1 shallot, very finely chopped
2tsp olive oil
2tsp fresh thyme
3 dry amaretti, finely crumbled
150 g fresh ricotta, drained
1 free range egg
50g grated parmesan
pinch grated nutmeg
freshly ground black pepper
dried breadcrumbs
Method
Wash the courgettes throughly and half lengthwise. Using a teaspoon, scoop out the flesh, without puncturing the skin: the aim is to get hollow, boat-shaped courgette halves. Salt them lightly and turn them upside down on a wooden board: the salt will draw out unwanted moisture and the courgette will be all the tastier for that. After half an hour, pat them dry. Keep the courgette pulp separate.
Preheat the oven to 190°C/375°F.
Melt half the butter with half the oil, add the shallot, salt it to stop it browning and fry it gently, with the lid on. When it is soft, raise the heat, add the chopped thyme and the courgette flesh, diced. Stir and then cook until fairly dry. Mix together the ricotta, the parmesan (minus one tablespoon), the egg, amaretti and the cooked courgette pulp. Add nutmeg and black pepper.
Smear the bottom of an oven dish, preferably metal, with the remaining oil and tuck in a single layer of courgette shells. Stuff each shell with the filling, sprinkle with dried breadcrumbs, mixed with parmesan, and dot with the remaining butter and drizzle with the rest of the olive oil.
Bake until a light golden crust has formed, checking after the first 40 minutes. Eat warm or at room temperature.
MAKING A SUMMERY POTAGE FROM A WALLED GARDEN
Like the nature writer Richard Mabey, folk singer/nightingale devotee Sam Lee, Robert ‘Lost Words’ Macfarlane, there are some national treasures that speak for the real England and its glories. A world away from the nasty jingoism festering and now erupting in the wake of Brexit.
Whenever I get angry about this rampant intolerance and the way our Cabinet of Fools have handled the pandemic I return to the ultimate therapy – growing my own and cooking.
I am not alone in making that essential plot to table connection. A whole new generation of professional chef/growers is in the vanguard of championing our food heritage. In my own North these include Sam Buckley of Where The Light Gets In, Joseph Otway of Higher Ground/Cinderwood Market Garden and Alisdair Brooke-Taylor of the Moorcock at Norland.
And down in the Mendip Hills outside Bristol The Victorian Barley Wood Walled Garden provides inspirational, seasonal produce for the on-site Ethicurean, winner of Best Ethical Restaurant in the 2011 Observer Food Monthly Awards. We loved eating there, with accompanying tumblers of their home-made vermouth. Like Simon Baker, chef patron of the stalwart Gimbals Restaurant (like the Moorcock in my home territory of the Calder Valley), I am a huge fan of their The Ethicurean Cookbook (Ebury Press, £25). Highly recommended.
The Ethicurean stuff their courgette flowers with ewe’s curd and cobnuts, accompanying them with a wild fennel sorbet. They make the most of our native cobnuts, nearly extinct 30 years ago but making a comeback in likeminded restaurants. They feature in my final recipe, taken from The Ethicurean Cookbook. In season you can buy cobnuts mail order from Kent. My obliging Calderdale greengrocer Valley Veg have a supply on request.
ROASTED COURGETTE AND COBNUT SOUP WITH LABNEH AND GINGER TURMERIC AND MINT DRESSING
1kg small firm courgettes, sliced into 2cm pieces
rapeseed oil
500g onions finely sliced
250g carrots finely sliced
250g celery finely sliced
1tsp salt plus more for final seasoning
40g fresh cobnuts, chopped, thenlightly toasted
For the labneh:
500g Greek yoghurt
½tsp salt
1tbsp chopped marjoram
1tbsp chopped oregano
For the dressing:
85ml rapeseed oil
50ml cider vinegar
1tsp English mustard
½tsp ground ginger
¼ tsp ground turmeric
1tsp chopped mint
Method
Make the labneh a day in advance. Line a sieve with muslin and put the yoghurt in it, stirring in salt. Wrap into a bundle over a deep bowl to drain overnight. Next day discard the liquid. To make the dressing blend all the ingredients together.
Heat the oven to 200C/Gas Mark 6. Toss the courgettes with a little rapeseed oil, then spread on a roasting tin. Roast in oven for 20 minutes. Meanwhile, heat a film of rapeseed oil in a large saucepan and add onions carrots and celery; sweat for 10-15 minutes until tender. Stir so the veg doesn’t colour. Add roasted courgettes and sweat for 5 minutes longer. Add water to barely cover and bring to a simmer. Add salt and after five minutes blitz in a blender (in batches if necessary). If too thick for you, pas through a fine sieve to create a more velvety mouthfeel. Now season to taste, reheat gently and serve in bowls topped with a tablespoon of labneh, a scattering of chopped cobnuts and a drizzle of mustard dressing.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/07/Pollination-scaled.jpg?fit=2048%2C1536&ssl=115362048Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-07-29 21:53:052021-08-10 21:53:12Zucchini the road trip takes in Haute Provence, Mantua and the Mendips
Admission: I’ve got a thing about angels. From binge-watching Wim Wenders’ Wings of Desire to a treasured print of Marc Chagall’s Jacob’s Dream with its striking Seraphim enmeshed in the battle between good and evil… I’m smitten. Maybe less so with Robbie Williams and his angelic vision.
Still one chunk of Angel’s lyrics strikes a heavenly chord: “I sit and wait/Does an angel contemplate my fate/And do they know/The places where we go/When we’re grey and old?”
The answer, in this grizzled food lover’s case, is back to the Angel at Hetton. Our Own Private Angelo, in another age, when it staked a claim to being the nation’s first ‘gastropub’. Well ahead of The Eagle in Farringdon, one much-touted contender.
The surrounding Dales countryside looks little changed from the Nineties when this was a regular foray but, pulling off road, we notice all the roseate creepers have been purged from the inn frontage and the signage is now a discreet ‘Angel’ and a Michelin star insignia.
We park next to a silver Jaguar F-Type convertible, which may signal the presence of pop royalty for lunch. Or his Satanic Majesty. We never find out. It’s the weather that has us dazzled. If memory serves, it rained incessantly in Yorkshire between September 1996 and April 1999. Today, July 19, 2021 offers the dry heat of Provence in high summer and the Hetton village limestone is all honeyed Luberon in the glare.
The Angel interior, reassuringly well-ventilated, is cool and grey. Like me, only with better manners. Yet it does not feel stuffy. Staff are young but properly drilled. This means a Kir Royale (for birthday girl whose treat this is) and a water bowl (for Captain Smidge, the panting chihuahua) are swiftly brought. It’s touch and go which of the pair will have the prime share of a lamb main in this dog-friendly establishment.
Restaurant and bar area are both being used for meals, a la carte or tasting menu, to maximise covers while spacing out tables. It’s done well. The attention to detail will carry over into the food. We are here because Michael Wignall is here.
A chef not given to self-publicity but among the profession a legend. Not so much for his one-time consultancy role with Hotel Football when Gary Neville gave this Preston-born United fan the opportunity to create Nev’s Noodles and a black-pudding sausage roll (both splendid but maybe the punters weren’t ready for umami and the like).
The rest of his career path, though, reads like a road map of New British Cuisine with two star tenures at The Latymer and Gidleigh Park. We last tasted his fastidious food, with a hint of Japanese influence, when he guested at Northcote’s 2016 Obsessions festival.
Two years later the Angel became the first restaurant of his own, the ambitious transformation made possible by a partnership with friends James and Josephine Wellock, top end catering produce suppliers.
We watched all this from afar as the pandemic narrowed all our dining out opportunities but noted the swift recognition of a Michelin star and a meteoric rise in the Estrella Damm Top 50 Gastropubs list. Until this mellowest of Mondays it remained on a bucket list as I persuaded myself the joys of labour intensive home cooking could more than compensate for a proper restaurant experience.
Which brings us – as some seriously cute amuse bouches reach the table, prompting explorative sniffs from The Captain on his cushion – to why we first patronised this off the beaten track drovers inn that dates back to the 15th century (though the oak beams and other ‘original’ features are 17th).
It’s all down to Moneybags. No, not the kind that helps fund Jaguars. As far inland as you can get in our realm and fish specials were the lure. Owner Dennis Watkins would chalk catches of the day up on a blackboard but the one constant was a little filo parcel in a pool of lobster reduction. The full name, ‘Little Moneybag of Seafood’.
Simple pleasure that it sounds now, yet it became a kind of signature dish of the Watkins dynasty that began in 1983 and turned The Angel into an unexpected foodie destination. The family kept going when Dennis died in 2004, just after an expansion into a former barn had created bedrooms and a ‘wine cave’. A decade ago its reputation was still high enough to merit a visit from Steve Coogan and Rob Brydon in the original series of The Trip.
Chefs came and went. One former private chef to Donna Karan with a back story in the Turks and Caicos introduced his own silver hake satay and other innovations but when Moneybags orders dipped the writing was on the wall.
A bottle of Chinon, lightly chilled Cabernet Franc, is now at my elbow, alongside a freshly baked sourdough loaf with parsley and lovage butter. I’m driving the birthday girl home so I just get to sniff and have two very modest glasses. There was never a chance of staying over. Across the land the places you’d love to stay at are fully booked up until well into the autumn. It doesn’t stop me dreaming of a siesta, dinner and a next day Wignall breakfast followed by a dog walk over Rylstone Edge before the heat gets too intense. One day.
Never go back? Sometimes it’s good to. Hetton in high summer has just offered a slice of heaven.
SO WHAT DID WE EAT AT THE ANGEL AT HETTON?
There is a £75 tasting menu We chose three courses from the a la carte, which came with inevitable extras, including an intense pre-main mini chicken in ramen broth, a perfect little sourdough ‘pain’ with parsley and lovage butter plus dreamy petits fours. It cost £70 each.
Arctic Char
Pleasingly fatty, troutlike tranche in rich shrimp butter, cut through by gooseberry; kohlrabi and razor clam adding texture.
Scallop
A fan of lightly marinated raw Scottish scallop is given the freshest of treatments. Frozen buttermilk, peas and cucumber are natural allies. A slash of charcoal and a scattering of Ocscietra caviar on th buttermilk is the masterstroke.
Lamb
A triumph of sourcing and restraint on the plate. Cumbrian loin and belly, blobs of celeriac puree, barbecued gem lettuce and leek with an earthy undertow from hen of the wood.
Quail
So a Norfolk quail, ethically reared by the same enterprising East Anglian farm that supplied the Norfolk poussin on the menu at Michelin soulmate Northcote. The quail is the base for an elaborate combo of breast with bitter dandelion, a leg paired with a veal sweetbread, miso/sunflower oil on the side. Artichoke dice and winter truffle all contribute to a very special dish.
Chocolate
The obvious birthday treat across the table, featuring a steamed sponge and cherries, alongside an Orelys bronze chocolate base topped by sugar snaps, frozen estate dairy milk and more cherries. I had no chance to explore further since it was devoured so swiftly.
Strawberry
Aerated parfaits I can do without, even flavoured with my favourite, verbena. Otherwise there was much to admire in the yoking together of strawberries and their distant wild cousins, pineberries with olive oil and yogurt.
The Angel at Hetton, near Skipton BD23 6LT. 01756 730263. Mon, Fri, Sat and Sun lunch 12pm-2pm, dinner 6.30pm-8.30pm; Thu dinner 6.30pm-8.30pm. Closed Tue and Wed.Under the new regime there are now 15 en-suite rooms – on the first floor, in a neighbouring cottage and across the road in the Fell View Barn, which once housed the ‘wine cave’. Two dog-friendly rooms are available, with doggy bed and bowls provided, while dogs are allowed to join their owner for meals in the normal bar area.
WHERE ELSE TO EAT IN THIS BEAUTIFUL CORNER OF GOD’S COUNTRY?
Two decades ago the peripatetic Wignall was chef at the Devonshire Arms’ showcase restaurant, the decidedly formal Burlington. In complete contrast is the venerable hotel’s second dining spot, a riot of candy-striped upholstery and ‘bold’ artworks on white-washed walls. The plan had been to lunch on the pop-up terrace next to the helipad but the weather wasn’t Hettonesque, so the perpetually sunny Brasserie it was. It shares the commitment of the Burlington to fine raw materials, Try the torched house cured salmon with beetroot, pickle and horseradish, followed by lamb rump with lentils, tomato mint, Yorkshire fettle, green olives, spring greens and pan jus. 3 courses £35, 2 courses £28.
Just a couple of miles down the road from Bolton Abbey and Wharfedale has become Airedale. Cars thunder into Ilkley along the A65 bypass, leaving Addingham village relatively serene. Its best pub has twice come back from the dead after being gutted by an arson attack in 2015, then shut after Joycelyn Neve’s Seafood Pub Co, which expensively restored it, went into administration. New owners rescued half of the chain and she’s back at the helm, with supplies from her father Chris’s Fleetwood seafood business. So go for the Fleece’s fish specials or a sharing plate of fruits de mer. We pushed out the boat and splashed out £69 on two full lobsters as rain swept the terrace. We were happily under cover. Atypical’s the word for that sun-dappled day in Hetton.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/07/Main-shot.jpg?fit=1440%2C1440&ssl=114401440Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-07-26 15:53:522021-08-02 13:54:05The Angel at Hetton stretches its wings under Wignall
Exciting openings have not been plentiful of late. Now we have one. Such is the allure of the re-born Black Friar, reopening on Tuesday, July 27, not even the stormy weather heading our way can zap the al fresco vibe generated by its glorious garden. The short hot summer was at its peak when we got our sneak preview. The rest of the world will inevitably follow.
Hurtling along Trinity Way, you’d be hard pressed to twig the large terrace behind its palisade; ditto the glass-fronted restaurant annexe seamlessly attached to the Victorian sandstone and brick pub, restored to the tune of £1.4m.
For two decades, after a devastating fire, it stood desolate on the corner with Blackfriars Street. Not quite an eyesore – if you were a fan of Boddingtons Bitter. As the reputation of the ‘Cream of Manchester’ turned sour under successive corporate owners the prominent two bees logo decked out in yellow and black on the end of the building was a lachrymose reminder of the straw-coloured, fragrantly hoppy nectar the beer once was.
This may be apocryphal but I’m told Boddies cask was so popular in the Seventies the Black Friar stocked no keg beer or lager. That was an old school Salford boozer; in its latest incarnation it reflects a new apartment block generation colonising the former industrial wasteland. Food-oriented, most definitely. Developers Salboy originally intended it to be a vehicle for star chef Aiden Byrne, but he pulled out as the pandemic struck; in his place is another ex-20 Stories talent, Ben Chaplin.
Still it plugs its pub credentials, honouring the brewery that once belched malt fumes over Strangeways by offering the keg Boddies at £4.50 a pint. A bland brand, it’s brewed by Inbev in Samlesbury; I’d veer towards the excellent wine list instead.
The trad pub sign also name checks Boddingtons. It features a jolly friar, given a shaggy dog back story on the website (and a chance to proclaim the pub’s Resurrection, thankfully without appropriating the Stone Roses).
I’d hoped the fashion for this kind of naff narrative self-validation had passed, but hey it’s just a quibble. Let us praise. The Black Friar is a holy exceptional addition to the Manchester/Salford food and drink scene. The first Salford gastropub proper since the demise of Robert Owen Brown’s remarkable Mark Addy.
What immediately impressed on that embryonic lunchtime visit was the quality of service mustered from a young crew by exuberant Lebanese general manager Remi Khodr. From the immediate water bowl for our chihuahua, Captain Smidge, to the limoncello proffered when our puddings were slightly delayed the experience was a delight.
Probably because Smidge was with us we were seated at a garden table. No hardship but the restaurant proper looked the stylish business. An open kitchen, an abundance of greenery, black and white tiles, marble table tops, all filled with light.
.A section of the garden – Boddingtons Corner – can be hired for private events, as can the panelled, drawing room-like Sanctuary on the pub’s first floor.
As many original features as possible have been retained but alas the shell was vandalised during the lost years. Compare and contrast its namesake in London, the Blackfriar, a masterpiece of art nouveau don by the Thames, built on the site of a real priory. It did serve Boddingtons in its heyday; food has never been a priority.
Under head chef Chaplin it definitely is here. There is to be an upmarket ‘pub food’ menu but we got to sample the ‘restaurant’ offering. Eventually there’ll be a chef’s table on the Black Friar’s second floor. You can see the ambition in what’s on offer already. I have never encountered such an elaborate, deconstructed tiramisu. No wonder it took time to emerge. A honeycomb and gold leaf wow. Equally satisfying was a 72 per cent Valrhona chocolate fondant with peanut butter ice cream across the table.
A starter of juniper-cured ‘au point’ Creedy carver duck was stunning, served with sweet roast cherries and a pickled kohlrabi salad. My Cornish boudin, in contrast struck a drab note, despite the best efforts of basil jelly and some interesting smoked dehydrated watermelon. Little roundels of seafood sausage betrayed hardly a hint of crab.
Main prices are heading premium-wards. £28 for roast Cumbrian rack of lamb, but all the Mediterranean elements of the dish were in harmony – glazed baby aubergine, kalamata olive and confit tomato jus. Smidge loved his substantial tithe.
Perhaps there was too much going on in our other main, a couple of quid more. Wallowing in a polite ‘bouillabaisse’ with a scattering of mussels was a dense seared monkfish fillet. Giving it a flouncy 20 Stories feel was a small flotilla of nasturtium leaves. A mound of squid ink rouille was excessive and would have been unbalancing if I hadn’t shoved half to the side. No matter, this is food worth making the trek for.
Would I treat it as a pub to drop in for a pint? Doubt it. That’s what The Eagle around the corner is for. And yet… that garden. That first kiss of ‘freedom’. I know how Adam felt. Before the Fall, that eternal lockdown.
The Black Friar, Blackfriars Road, Salford M3 7DH. 0161 667 9555.
https://i0.wp.com/www.neilsowerby.co.uk/wp-content/uploads/2021/07/The-garden-scaled.jpg?fit=2048%2C1536&ssl=115362048Neil Sowerbyhttps://www.neilsowerby.co.uk/wp-content/uploads/2022/11/NS-typemark-v1c.pngNeil Sowerby2021-07-24 17:58:002021-08-05 17:55:17Black Friar gastropub – Got to get ourselves back to the garden
Wine dark sea. I’ve always loved that enigmatic go-to phrase of Homer. Hard to pin down its exact meaning until one sunset stroll along the vast esplanade of Greece’s second city, Thessaloniki. Nikis Avenue and its continuation doesn’t bother with fencing off the Thermaic Gulf. One stumble and you could plunge into Poseidon’s salty realm.
The home of the Gods, Mount Olympus, is a distant silhouette to the south west; the wine of the Gods undoubtedly springs from Naoussa, 75 mountainous miles north. Thessaloniki gave us so much but the taste for Xinomavro may be the most lasting legacy. Along with the view from our seafront hotel, but more of that later.
Xinomavro (pronounced ksee-NOH-mavro) is a red grape found all over Northern and Central Greece. Traditionally it’s challenging, tannic with high acidity, often compared with Italy’s Barolo grape, Nebbiolo. We were recommended it to accompany a herby lamb stew in Thessaloniki’s hip former Jewish quarter, Valaoritou.
We were immediately smitten, but that introduction didn’t yell Barolo. Back in Manchester, we unearthed a bottle that did – a Markowitis Xinomavro from 1999 on the list at the wonderful erst, Ancoats. That substantial bottle age delivered an enticing scent of violets and truffles. It tasted waxy, slightly nutty, the tannins having smoothed out without compromising the essential acidity. Very like a mature Barolo or Barbaresco. The wine is no longer available at erst but another seasoned vintage can be found at Wine & Wallop, Knutsford.
Since then I’ve deluged myself with various Xinomavros from Naoussa and the three other appellations across Macedonia. Earlier this year The Wine Society offered a toothsome special introductory case of six for a while and still offer a varied selection. I’d recommend as an introduction two contrasting bottles from the doyen of Xinomavro winemakers, Apostolos Thymiopoulos. His Jeune Vignes 2019 (£11.50) is all accessible bright red fruit and herbs, while from older grapes the Xinomavro Naoussa 2018 (£14.50) is more structured but with delicious ripeness. Almost a feel of Pinot Noir in there.
Note: you have to make a one-off modest payment to join the Society for life (membership numbers and sales have swelled dramatically during lockdowns). If you’d just like to try the 2018 without committing it’s available too at Majestic Wine.
There’s also an accessible £9.50 introduction in M&S’s new ‘Found’ range, where Thymiopoulos has blended 70% Xin with 30% Mandalaria grapes from distant Santorini.
If Xinomvavro is still under the radar with the wine-buying public – still too much in thrall to the mixed blessings of Malbec – it’s certainly a wine trade favourite. The great Tim Atkin MW raves about it in his blogs and in the engagingly maverick Noble Rot: Wines From Another Galaxy (Quadrille, £30) co-authors Dan Keeling and Mark Andrew pin its appeal down perfectly: “To think of it just as a Barolo-alike is to do it a disservice. Notes of dried herbs, tomato and olive unfurl with age, which contemporary vignerons balance by emphasising the primary fruit characters and taming its jagged tannins.”
There is a chance modern techniques could subdue the wildness of the grape. Over-oaking i happening. That’s not the case with the best example from Thymiopoulos, his award-winning Rapsani Terra Petra 2018 (Wine Society, £22), where sweetly fruited Xinomavro is blended with indigenous Krassato and Stavroto to add extra richness. It comes from a warmer climate, long-neglected vineyard on the slopes of Olympus. Told you it was the wine of the Gods.
These are real icons melding Greek Orthodox religiosity and the tourist buck
THESSALONIKI
Let’s now banish the Gods and return to Greece’s culinary capital and its liveliest city. It has ancient roots and by the late 19th century was perhaps the most multicultural city in Europe with an Ottoman heritage co-existing with Greek Orthodox, the large Jewish population a catalyst for its prosperity. An essential guide to Thessaloniki’s turbulent history is Salonica City of Ghosts by Mark Mazower (Harper pb £14.99).
Yet today’s city, with a population of 800,000, is shaped by the 20th Century – or to be more specific one particular day, August 18, 2014. Over several hours the Great Fire wiped out that rich past, destroying 9.500 houses and leaving 70,000 homeless. So the city centre you see today with its elegant French style boulevards is the result of the rebuild.
Expect no concessions to visitor squeamishness on city market stalls
A few significant remnants survive – the old city walls high above in the old town, alongside the tranquil Vladaton Monastery, the atmospheric churches of St Demetrios and Aghia Sofia, the Byzantine Thermal Baths – but essentially it is a city to stroll around and relish the essence of modern Greekness, the bars, markets and old-fashioned shops. It’s all a bit cluttered.
The Jewish Museum in Agiou MIna Street traces the rich culture of the community, which was wiped out when 60,000 were deported to the camps by the Nazis . Valaoritou, once home to the fabric shops of working class Jews, is the coolest place to be after dark as clubs and bars slowly restore its disused buildings.
The esplanade, which passes the White Tower, a 15th-century curiosity that is famous throughout Greece, is a spacious boon to cyclists and pedestrians. New public sculptures, including the much-photographed Umbrellas opposite Anthokomiki Park, are witty and attractive. Almost every month there’s a different festival – food, music, jazz, films, wine. There are book fairs and an LGBT Pride parade in June. The Greek word most associated with Thessaloniki is “xalara” which means “laid-back” or “cool” and you really feel it as you begin to explore.
The White Tower is visible from seafront rooms at Daios Luxury Living
We had the perfect base, Daios Luxury Living, at Nikis 59, along from the White Tower. Our fifth floor room with balcony looked down onto the seafront with exhilarating views over the Gulf, with epic sunsets and then a glorious pale moon. It was so tempting to stay put with a glass of Assyrtiko (my favourite Greek white, but that’s another story) but beer called!
At the nearby Hoppy Pub owner George Alexakis, perhaps Greece’s foremost craft beer fanatic, holds court, discussing the merits of Magic Rock and the ascendancy of Cloudwater. He and fellow pioneers even brew their own beer; the Flamingo Road Trip IPA was delicious.
On his recommendation we ate at a new, acclaimed Cretan restaurant called Charoupi. The name means ‘carob’, that chocolate-like pod some see as a superfood and is certainly a symbol for Crete. Charoupi’s menu reflects the rustic food of the island (bone-in rabbit stew, goat cheeses), but it was a carob-driven dish that astonished – a pie made not with white flour, but with carob flour and topped with black and white sesame seeds and carob honey. Alas, not a Xinomavro on the wine list.
The food was glorious at Charoupi
Getting there:
It’s a two hour flight with jet2.com from Manchester. We combined Thessaloniki with staying as guest of the highly recommended Eagle Villas resort two hours south in Halkidiki, near the gateway to Mount Athos. We could see the Holy Mountain, mantled in cloud far down the coastline. Iconic is an over-used term (and obviously real icons are everywhere here) but apt for the sealed-off realm of 20 Orthodox monasteries, clustering in its shadow.
For a thousand years the barriers have been up. Present yourself for one of the strictly controlled three-day permits at the basement border post in the nearest town, Orianopoulis, and you might well fail to convince them of your suitability. It’s simpler for a woman. You’re absolutely forbidden entry into this 300 sq km male-only dominion, home to some 2,000 monks and stunning treasures.
We enjoyed a vicarious peek at the clifftop monastic fastnesses from a catamaran we hired, picnicking on board, surrounded by a school of playful dolphins. Feeling gloriously heathen.