Tag Archive for: Brazil

At the end of a copacetically intimate Chef’s Table dinner deep under Manchester’s Northern Quarter our host, Caroline Martins, whispered to me that liquid nitrogen was back on her SAMPA bucket list. Which might mean the return of the psychedelic Jackson Pollock inspired dessert that wowed the crowd at the supper club she used to run at Blossom Street Social in Ancoats.

Maybe you recall this Brazilian chef’s signature splatfest on a platter that owed as much to the visual alchemy of Chicago super chef Grant Achatz as Pollock’s Abstract Expressionist peak. 

Our gourmet chihuahua Captain Smidge admired it from a distance. He wasn’t allowed a taste of the basil custard and coconut yoghurt scrawled across a huge black base or the dotted cubes of coconut candy, cassava biscuit and guava/banana candy. Definitely too rich for him the centrepiece – a smashed ‘bowl of, containing passion fruit mousse, rose petals, coconut granola, meringue and marshmallow.

Not just any chocolate. This was Dormouse, crafted inside the Great Northern by the city’s artisan chocolatier par excellence, Isobel Carse, using imported Brazilian cocoa beans. Great to see it remains a constant now Caroline has shifted her operation to Calcio on Dale Street, the sports she runs with husband Tim. It comes in the shape of another edible artwork – a chocolate and guava ‘mushroom’ mimicking a fly agaric.

That was the dessert climax of a 12 course tasting menu, served in the basement of the bar – remarkable value at £58 a head (drinks pairing, mostly Latin American  wines and spirits just £35, mixed cachaças £35, soft £25). When we first visited the new venue  the former Great British Menu contestant had cornered off a section of the screen-filled bar proper; the new set-up is far less distracting. 

Still, when I nipped upstairs for a ‘comfort break’ midway through I came upon a screen showing the Championship derby between Preston and my team, Blackburn Rovers. I might have been torn if the feast that was being served down the stairs was not so captivating. Eight diners at a counter, close to the kitchen action, being talked through ingredients and techniques with a vivacious passion.

In this latest manifestation of her talent Caroline, a former scientist from São Paulo, has restrained the molecular gastronomy wizardry without sacrificing the intense flavour profiles. Less showy now but her devotion to the exotic produce of her South American food heritage is, if anything, more evident.

She is keen to point out: “It is a deeply personal project, blending the rich culinary traditions of my hometown (Sampa was the city’s nickname), with incredible local ingredients and suppliers.” 


Evidence the ex-dairy cow ribeye sourced from cutting edge Littlewoods butchers in Heaton Chapel, out of which she conjured a remarkable steak experience. A big shout out also for  the locally traceable ‘Dan and the Bees’ raw honey, Chalkstream smoked trout and, further afield Eduardo Souza ethical foie gras from Spain’s Extremadura region. I first read about the latter in Dan Barber’s groundbreaking The Third Plate.

Key ingredients on the above menu, though, come from Brazil. I couldn’t resist requesting her to talk me through them.

Requeijão

“That’s a Brazilian-style cream cheese we make in the house by splitting whey/curd from Jersey milk using lime juice. After that, I emulsify the curd using butter. That’s a very traditional technique from in the state of Minas Gerais in Brazil. It goes well and is spreadable for bread and toast, but it also goes well with smoked fatty fish – that’s why I used it with smoked chalkstream trout.”

Cassava

“A Brazilian tuberculous vegetable. It’s very starchy and grows well in tropical countries. In Brazil we use more cassava than potatoes. I like to employ it in different forms. For the scallops I made a puree and used as a mousseline. We like to use it as a crumble for meats and fish (farofa). During summer it makes natura, chopped with mayo – like a potato salad.”

Biquinho pepper

“That’s a variety of chilli pepper used in Brazil but not very common to see here in the UK. They are sweet and fruity, with very mild hot notes. I like to use them because they are mild and don’t interfere with the flavours from other ingredients. They are also easy to ferment and preserve. I get my biquinhos fresh from Brazil and ferment them in 3 per cent brine for 1 month. After that, I preserve them in sugar cane vinegar. With a smoked quail egg they made  a perfect canapé.”

Heart of palm

“In Brazil we use the whole palm tree: the fruits for palm oil, the leaves to make recyclable plates/cups/forks for takeaways. We use the cores of the tree (heart-of-palm) by cooking them for hours in a pressure cooker until tender, then preserve in 3 per cent brine. I like to use heart of palm with scallops because the texture and mild sweetness reminds me of scallops.

Guava 

“Delicious tropical fruit – I usually see white-flash guavas here in Europe. But in Brazil we only use the pink-flesh guava. That’s my favourite fruit. I grew up eating guava fresh from the trees. In Brazil we use it fresh, or we make a paste called goiabada. For your meal I used fresh pink-flesh guava as an ice cream for dessert and also goiabada on top of the Extremadura foie gras.”

Acai berry

“That’s a berry from Amazonia, rich in antioxidants. Some people say they are one of those “superfoods” hence there are so many businesses profiting from acai bowls. In Brazil they are traditionally served with fish as pastes, marinades or in sauces, etc… With the hake I served it as a caponata by marinating black olives in acai puree and then chopping it. The ‘earthy’ notes from acai complement fishes such as hake that have mild fat content.”

Brazilian green fig 

“Brought to Brazil by the Portuguese when they colonised us. It’s a green fig slow cooked for hours in sugar syrup, then preserved in the same syrup. When we make it, I like to shave some cumaru (tonka bean) in the syrup to add another tasting dimension to the preparation.”

Canjica

“It’s a white corn, traditionally used in sweet preparations, but I’ve also been using it in savoury dishes. You had it cooked as a risotto, with lots of butter. I love the texture and the neutral flavour profile. It complements strong meats such as the wild mallard duck. I’ve been growing koji on canjica and it’s starting to taste great! I might use it as a petit four by dipping it in dark chocolate (inspired by chef Gareth Ward from Ynyshir. He does it with barley).”

Coalho 

“Colaho is a popular Brazilian cheese similar to paneer in texture. Everyone barbecues it because it does not melt away under strong heat. It’s usually served with steak in barbecues, that’s why I wanted to use it with the dairy cow ribeye, mixing it with winter truffle to stuff a raviolo.

Pão de queijo

“A Brazilian cheese bread made from cassava flour, eggs, milk and cheese. In Brazil we use ‘canastra cheese’, but here in the UK I like to use mild cheddar. It’s one of the staples of Brazilian gastronomy. Each family has their own recipe. Mine comes from my grandmother Thereza. She lived in the state of Minas Gerais (where pão de queijo was invented).”

SAMPA Brazilian-British Fusion Chef’s Table ,Calcio bar, 24 Dale Street, Manchester, M1 1FY. 

Casting a quizzical eye over Manchester’s Northern Quarter in this summer of riots and rain I’m struck by the febrile reinvention of bars. PLY in Stevenson Square is a month away from re-emerging as The Salmon of Knowledge, aka an Irish joint where crispy buttermilk fried chicken boxty stacks will soak up a stoutfest of Guinness and and Cork rival Murphy’s. The equally longwinded The Lamb of Tartary (once Cottonopolis), which launched in February under the stewardship of Manchester Chef of the Year Shaun Moffat, has now turned to a ‘Silk Road Menu’ – small dishes fuelled by spices from China to the Middle East.

 On the surface, then, it’s no surprise to see Calcio sports bar on Dale Street turning out a Brazilian menu. Except there is no shadow of cultural appropriation hanging over Caroline Martins’ SAMPA tasting menu. Indeed some of the unfamiliar ingredients featuring may well have made it into the hold luggage after a recent visit to her native São Paulo. Cupuacu, calamansi, cumari chilli peppers, the cassava powder farafa are all imported, though the requeijao cream cheese for the dip that accompanies her crudités is, I believe sourced in the UK. It tumbles like some Amazon waterfall from a plant pot stuffed with immaculately sourced raw corn, celery, lettuce and, a further touch of the exotic, physalis.

Corn shows up again in the ‘sweet corn butter’ to spread on her Pao de Queijo cheese-topped cassava bread (she learned the recipe in her mother’s kitchen). Except this is bitter sculpted to resemble a corn cob. 


There’s a rosemary-infused beef fat candle, another of those playful Martins staples from past pop-pups at Blossom Street Social and Exhibition. Her fusion of molecular gastronomy and authentic produce was honed during (stressful) stints on Brazilian Masterchef and Great British Menu, twice. All part of a startling career change for the erstwhile theoretical plasma physicist.

So how does her cutting edge cooking style fit in with Calcio, now a permanent berth for herself and husband Tim? It’s a two-headed feast. You can still order a Madri and burger while you watch the footie. Not Samba Soccer, mind. On our visit the screens were showing the Dundee clubs playing out a 2-2 draw in their Scottish Premiership opener. There was also some top-heavy Chinese gymnast securing Olympic gold at one point. 

We were sheltered from much of this by curtains and a floral trellis, but the sporty vibe might deter foodie Instagrammers and the like, here to shoot Caroline’s signature pudding. Spoon into the globular red spotted mushroom resembling a toadstool or toxic fly agaric and you unleash flavours of the guava parfait and jelly at its core plus creamy Minas cheese. The combo also contains a Genoise Sponge and a chocolate crumb from Manchester’s top producer, Dormouse, who import the cocoa beans from Brazil. It’s her take on a classic dessert from back home,’Romeo & Julieta’.

The £58 12 course tasting menu at Calcio is slightly restrained compared with previous incarnations, one of which, at Blossom Street Social, involved the sensational Jackson Pollock/Grant Achatz choc, candy, fruit splatterfest (The Dormouse That Roared).

That dish was a favourite of our late, great chihuahua Captain Smidge, who in his turn was a favourite of Caroline. She and Tim have their own canine legend in the making, eight-year-old Larry the Maltese, who seemed happy for a taste of our mega-tender barbecued ex-dairy ribeye served sizzling on the skillet.

We ensured his tithe was free of the chilli element from the assorted condiments, which included the ubiquitous farafa. My favourite refreshing salad of the summer cam on the side, palm hearts and tomato.
The beef was only topped in the meal by the starter of chalk stream trout carpaccio. It came delicately topped with vivid red cumari chillies, onion pickle and shimeji mushrooms and, the master stroke – a dressing of soy and calamansi, a yuzu-like lime hybrid that delivers a sublime citrussy wallop.

In contrast, a fish sharing main didn’t work for me. Halibut barbecued in banana leaves looked fantastic and promised much, but the halibut didn’t come put steamed and flaky, quite soft and overwhelmed by the cashew nut and ajo blanco sauce.
The slightest of blip in a captivating, good value meal, full of invention from the moment snacks of Somerset goat’s cheese and cupuaçu, a tropical fruit with hints of cacao, and gammon terrine with guava paste emerged from a rectangular smoking cloche. I suspect all this may just be the start of great things here for Sampa (or its alter ego, the São Paulo Project).
The wine list is currently limited, but not without curiosities. Anyone for a white Malbec? The pick is certainly Aurora, a late harvest Malvasia/Moscato dessert wine that hails from Brazil’s Serra Gaúcha region. With a luscious glassful we toasted Dundee’s late penalty equaliser.
SAMPA at Calcio, 24 Dales Street, Manchester, M1 1FY.


Paul Jackson Pollock, born January 28 1912, Cody, Wyoming, died Springs, New York, August 11 1956; Caroline Gameiro Lopes Martins, born February 26 1986, São Paulo, Brazil, currently running a fine dining pop-up in Ancoats, Manchester, named after her birth city.

Bespattered. It is one of my favourite words. Usually the ensuing messy chaos is accidental but in certain hands maybe it transcends random… Take Abstract Expressionism, that jazzy, canvas-bespattering art movement that caused quite a splash when it sprang up in mid-1940s New York. Its mythic master Jackson Pollock said of it: “I think they should look not for, but look passively…it should be enjoyed just as music is enjoyed”.

A typical Jackson Pollock canvas – inspiration for edible art forms?

Maybe the climactic dessert of Caroline Martins’ new 12 course tasting menu at the Sao Paulo Project is in a minor key alongside Pollock’s provocative Mahleresque symphonies in squirted household paint, but it has the advantage of being hugely tasty, too, thanks in no small part to the flavours of her native Brazil that pervade Caroline’s culinary art. 

That £58 tasting menu. currently available at her residency at Blossom Street Social in Ancoats (opposite Sugo and the Hip Hop Social), showcases exotic ingredients such as cumaru (tonka beans), jilo (slightly bitter tomato-aubergine cross), papaya seeds, artisanal dende (palm) oil, preserved Brazilian green fig, farofa (cassava crumble) and jambu flower alongside some cleverly sourced local ingredients.

Great to see a newcomer in her repertoire, vegetables from Cinderwood Market Garden, served simply with a parmesan sauce, brazil nut hummus and an olive crumble. Quite a contrast to the stalwart rosemary-scented edible beef fat candle, crafted out of beef rump cap dripping, where another herb, lovage, colours the moat of melted fat to dip your Brazilian cheese rolls into.

Lobster tail moqueca, Caroline’s take on a traditional seafood stew, and dry aged rib-eye feel surprisingly straightforward in contrast but the pre-dessert is the harbinger of wackiness ahead. A lime ice lolly, accompanied by a Brazilian honey liqueur is a kind of cool counterpoint to the candle, offering a chance in essence to construct your own Caipirinha.

Then the fireworks begin. Maybe in her fleeting appearance on BBC’s Great British Menu her sheer ambition perhaps undid her in her low-scoring ‘fish course’ but she is undeterred in playfully pushing back the boundaries. Hence what is literally a ‘signature’ dish with the likes of basil custard and coconut yoghurt scrawled across a huge black base. Dotted with  cubes of coconut candy, cassava biscuit, guava candy and banana candy, the centrepiece is a smashed ‘bowl’ of Manchester’s finest artisan chocolate, Dormouse (from specially imported Brazilian beans), containing passion fruit mousse, rose petals, coconut granola, merengue and marshmallow. 

Our seen-it-all chihuahua companion, Captain Smidge had kept his equipoise after a surfeit of flash-freezing liquid nitrogen in the build-up. The completed version did look the kind of spread best suited to his natural tongue action; we spooned it all up determinedly.

Six months on since first tasting it, the Sao Paulo food offering has forged ever stronger bonds between British and Brazilian raw materials. Unique? Possibly. It has certainly earned her a nomination for Chef of the Year in the 2022 Manchester Food and Drink Awards.

Of course, there’s nothing new under the sun. That expansive chocolate pud is descended from the presentational adventures of Grant Achatz. Not to be confused with the unpalatable Grant Schapps, Achatz has now held three Michelin star for 12 years at Alinea in Chicago. And yes his approach has led to some ‘serious analysis’. 

Grant Achatz has perfected a scattergun approach to presentation of his stellar food at Alinea

If you really must, delve into Hungry for Art‘a semiotic reading of food signifying art in the episode Grant Achatz (2016) in the documentary Chef’s Table’. The first chapter focuses on the intertextuality between a dish presented in Netflix’s Chef’s Table and the paintings of Jackson Pollock.

Better use of your time? Check out our own next chapter, Ancoats Expressionism According to Caroline Martins’ Great Brazilian Menu.

Caroline Martins’ Sao Paolo Project is at Blossom Street Social, 51 Blossom Street, Ancoats, Manchester M4 6AJ.